artist-info insight – Review 2015

Analytics / Artists / Collector / Curators / Exhibition Statistics / Gallery / Museum / News and Notes / Non-Profit Place / Research
artist-info Review 2015 review 2015
New services, more valuable Analytics and Insight is a documentary source for solo- and group-exhibitions of contemporary art since 1929.
Cross-linking the exhibition history of more than 149.260 artists, 5.940 curators and 11.500 exhibition venues with more than 496.600 exhibitions provides new insight for evaluation and analytics like exhibition statistics and visualizing art networks.

Exhibition History Exhibitions since 1929

Many researched solo- and group-exhibitions were added to artist-info database, especially from earlier decades to better evaluate artists, curators, and exhibition venues with a long exhibition history.
Exhibition titles and sub-titles are now part of artist-info exhibition history information.

Influential Contemporary Art Exhibitions in the 20th and 21st Century

An exciting insight using artist-info database with important and influential exhibitions since 1929. Details of all selected exhibitions on

Summary section

For each artist. curator and exhibition venue a summary section and analytical overview was added

Exhibition Statistics Exhibition Statistics

Are Auctions a good place to buy Contemporary Art? – Auction sales records in comparison to exhibition statistics reveal two worlds apart

Visualizing Art Networks Visualizing Art Networks

Our most advanced service visualizes relations between exhibited artists.
A good example is related to the MoMA exhibition ‘Modern Photographs 1909-1949 – The Thomas Walther Collection’ with details on

artist-info on Instagram

Our Instagram feeds show details of artist-info news and exhibition events worldwide.


Today, January 25, 2016, you find with artist-info 149.265 artists and 5.945 curators in 496.606 shows (1930 – tomorrow) in 11.506 venues in 1.386 cities in 162 countries plus 328 professional and private classified offers.

artist-info Services

Our other services for contemporary art worldwide are
Exhibition Announcement WHAT’S ON-Exhibition AnnouncementsArtwork Offer Artwork Offers
Art world news with our JOUNRALArt Fairs Calendar
Artist Portfolio Artist-PortfoliosNewsletter Service
User accounts with ‘What’s on your mind’ community features, including a Buddies list and My Favorites listAdvertising Banners
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Thomas Walther Collection Artists Today

Analytics / Art Networks Visualized / Artists / History / Research
Visualizing the Thomas Walther Collection

147 artists of the Thomas Walther Collection.
Our networkgraph shows how the artists are connected through exhibitions.
Visualizing Art Networks Click here to open a browser window with the Thomas Walther Collection Artist network visualization.

The Thomas Walther Collection Artists Today

Visualizing the participation in exhibitions since 1930
of the Thomas Walther Collection artists

  The photographic works of the 147 artists reunited in the MoMA exhibition in December 2014 were shown in many exhibitions of galleries, museums, and non-profit venues in many countries since the 1930’s.
  Some artists were shown more often than others, some together, some individually.
Based on thousands of exhibition records this artist-info ‘Visualizing Art Networks’ presentation analysis with an interactive network graph these records showing the appreciation of each of the 147 artists throughout the last 85 years.
  Among them Man Ray, Lászlo Moholy-Nagy, Lyonel Feininger, Walker Evans, Henri Cartier-Bresson, André Kertész, August Sander, Aleksander Rodchenko, Constantin Brancusi, Edward Weston, El Lissitzky, Alfred Stieglitz, Bérénice Abbott, Paul Strand, Edward Jean Steichen, Albert Renger-Patzsch, Karl Blossfeldt, Weegee, Manuel Álvarez Bravo, Herbert Bayer, Margaret Bourke-White.

The MoMA ‘Thomas Walther Collection’ Exhibition

  After four years of research and conservation initiative the MoMA, New York, was showing from December 13, 2104 – April 19, 2015 the work of 147 artists in
Modern Photographs from the Thomas Walther Collection, 1909–1949,
including a website with in-depth information,
  “The outstanding and early selection by collector Thomas Walther represents with the shown work of the 147 artists the innovative vision of the 20s and 30s, a transformative period of modern photography and the foundation of our photo-based world.”
  The collection of Thomas Walther, born 1950, a young German photographer who had moved to New York in 1977 and later became a member of the Museum’s Committee on Photography, joined the MoMA’s collection in 2001 by proposal of former Chief Curator of Photography Peter Galassi.

Exhibition History Records and the Concept for this artist-info project

  Adding important new aspects this artist-info ‘Visualizing Art Networks’ project analysis with the help of an interactive network graph the participation of each of the 147 artists in more than 750 solo- and 1570 group-exhibitions since 1930.
  Go for all details of our survey to

1905 – 1932 Photography Exhibitions

Our survey in June 2015, which covers more than 2.290 solo- and group-exhibitions from 1929 – 2015, begins with the following important exhibitions of a short, but promising period of avant-garde and experimental photography
(Find on the artist-info page of each of the following exhibitions the complete artist list)


Modern European Photography

Modern European Photography, Feb – Mar, 1932, Julien Levy Gallery, New York

American Photography Retrospective Exhibition

American Photography Retrospective Exhibition, Nov, 1931, Julien Levy Gallery, New York

Fotografie der Gegenwart

4 of altogether 12 known exhibition venues of this travelling exhibition are part of artist-info database.
Essen, Fotografie der Gegenwart, Jan 20 – Feb 17, 1929, Museum Folkwang, Essen
Hannover, Fotografie der Gegenwart, March 10 – April 17, 1929, Kestner Gesellschaft Hannover
London, Fotografie der Gegenwart, Jun 6 – 29, 1929, Whitechapel Gallery, London
Frankfurt am Main, Fotografie der Gegenwart, Jul 7 – Aug 8, 1929, Frankfurter Kunstverein – FKV, Frankfurt am Main

Film und Foto – Internationale Ausstellung des Deutschen Werkbundes

The list of participating artists is different for each edition.
Stuttgart, Film und Foto, May – Jul, 1929, Ausstellungshallen auf dem Interimtheaterplatz, Stuttgart (Konrad-Adenauer-Straße 3, D – 70173 Stuttgart)
Curator of the Stuttgart exhibition: Gustaf Stotz
Berlin, Film und Foto, Oct 19 – Nov 17, 1929, Im Lichthof des Ehemaligen Kunstgewerbemuseums, Berlin (today: Martin-Gropius-Bau)
Vienna, Film und Foto, Feb 20 – Mar 31, 1930, Österreichisches Museum, Vienna

Das Lichtbild

Das Lichtbild, Jun 5 – Sep 7, 1930, Münchener Bund und dem Verein Ausstellungspark München E.V.
Curator Josef M. Jurinek

Die neue Fotografie

Die neue Fotografie, Jan 11 – Feb 8, 1931, Gewerbemuseum Basel
(today: Museum für Gestaltung Basel)


Fotomontage, Apr 25 – May 31, 1931, Im Lichthof des ehemaligen Kunstgewerbemuseums
(today: Martin-Gropius-Bau), Berlin

Internationale Ausstellung Kunstphotographischer Meisterwerke

Internationale Ausstellung Kunstphotographischer Meisterwerke, Oct 01 – 31, 1905, Kunsthalle Bremen

Salon d’Automne 1904

Photographie, Oct 15 – Nov 15, 1904, Salon d’Automne 1904 – 2ième Exposition, Grand Palais des Champs-Élysées, Paris

  Go for all details of our survey to  

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Are Auctions a good place to buy Contemporary Art?

Analytics / Artists / Collector / Exhibition Statistics / Gallery / Museum / Non-Profit Place
artprice Top 500 Statistics

Analysis Aartprice stats artprice auction report  VERSUS  artist-info stats artist-info Exhibition Statistics Ranking
Details of Analysis A below

Are Auctions a good place to buy Contemporary Art?

Top 500 artist auction results analysis, the auction result and sales index specialist, did publish in October 2015 its ‘Contemporary Art Market Report 2015’ together with a Top 500 artist auction results analysis.
The report gives some interesting insight into the situation of contemporary art sold at auctions worldwide. Contemporary means: No Andy Warhols, Pablo Picassos, Joseph Beuys, or Robert Rauschenbergs are part of this artprice Top 500 list.

Reality Check – Comparing the artist’s auction performance with exhibition history statistics

As there are so many exhibitions in galleries, museums, nonprofit and collector venues worldwide we at artist-info were interested in comparing these rich and manifold activities with the artprice Top 500 list.
artist-info is with more than 145.500 artists and 5.580 curators in 472.100 shows (1930 – today) in 11.453 venues in 1.377 cities in 162 countries one of the most comprehensive Internet databases for exhibition histories worldwide.

We analyzed

A — artprice Top 500 auction result report artists VERSUS these artist’s artist-info Exhibition Statistics.
B — artist-info Exhibition Statistics for the artprice Top 500 artists VERSUS artprice Top 500 ranking.
C — The ALL ARTISTS artist-info Exhibition Statistics  VERSUS  the 500 artists in artprice Top 500 auction result report list.

Our Analysis A

The bar chart below shows for each of the 500 artists a blue artprice bar and a red artist-info bar side by side.
The applied sort order for the 500 artists of artprice’s auction report list results in a blue wedge, starting with the highest rank 500 and ending at rank 1. The red bar of each artist stands for the number of exhibitions in artist-info database to which we applied as well a ranking of 500 – 1.
Blue and red bars show no relation at all.

Analysis Aartprice stats artprice auction report  VERSUS  artist-info stats artist-info Exhibition Statistics Ranking
2 Slider Images < All 500 > < Detail >

Our Analysis B

We applied a 500 to 1 ranking based on the total number of exhibitions (solo- and group-exhibitions) in artist-info database to the artists in the artprice Top 500 list.
Again the result is a wedge, this time of red bars.
As 175 or 35% mainly Chinese artists of the artprice auction result list don’t have exhibitions documented in artist-info database the red wedge reaches the zero line much before the end. Is the market of these artists limited to auction rooms?
Again no relation between an artist’s red artist-info bar and the blue artprice bar.

Analysis Bartist-info stats artist-info Exhibition Statistics  VERSUS  artprice stats artprice auction report Top 500 Ranking
2 Slider Images < All 500 > < Detail >

Our Analysis C

Which position have the 500 artists of the artprice auction result report list in the overall artist-info Artist Exhibition Statistics, means Warhols, Picassos, Beuyss and Rauschenbergs included?
artist-info database documents more than 145.500 artists.
Our third bar chart with the 500 artists with the most exhibitions (solo- and group exhibitions) shows that only 84 or 17% of the artprice Top 500 list appear in the artist-info Exhibition Statistics Top 500 list.

Analysis C - Auction Results Records Analysis
Analysis Cartist-info Top 500 Exhibition Statistics VERSUS artprice auction report Top 500 artist list
artprice stats Solo-Exhibitions and artprice stats Group-Exhibitions

Reality Check – Our result

As far as we know this is the first time that an auction result report for contemporary art artists is compared with the reality of the contemporary art world, worldwide, using exhibition history documentation. Thus ‘reality’ means the artist’s public presence and appreciation in exhibitions at galleries, museums, non-profit or collector’s venues.
This analysis is made possible by the artist-info database with more than 145.500 artists in 472.100 shows (1930 – today) in 11.453 venues.

We were much surprised about this obvious result above.
Our bar charts show two worlds apart.
You would expect some relation between high number of exhibitions worldwide and an artist’s auction results total. No such relation exists.

It means that everybody who buys contemporary art at an auction should compare thoroughly the artist’s analysis of auction results with the artist’s activities at galleries, museums, non-profit or collector’s venues. Weighing the later findings higher than auction result analysis means more sustainability and less risk.

This is only one aspect of many more analysis for this auctions result report based on artist-info exhibition history documentation.

artist-info Analytics and Services

artist-info publishes a detailed Top 100 Artist Exhibition Statistics list on Artist Exhibition Statistics
For each artist, curator, gallery, museum, non-profit and collector’s venue artist-info publishes a short analysis of their artist-info exhibition history documentation.
New insight and most valuable surplus is made available with artist-info‘s Visualizing Art Networks Visualizing Art Networks.

artist-info provides for buyers and all who are interested in contemporary art worldwide a most valuable source of information and with its services like WHAT'S ON Exhibition Announcements and Artwork Offers Artwork Offers a unique place for all.

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Influential Contemporary Art Exhibitions in the 20th and 21st Century

Artists / Collector / Curators / Gallery / History / Influential Exhibitions / Museum / Non-Profit Place / Research
Influential Contemporary Art Exhibitions

Influential Contemporary Art Exhibitions in the 20th and 21st Century

Only time may tell us about the influence of an exhibition. Each decade has its own viewpoints.
The artist-info selection below is not based on any ‘blockbuster’ criteria. It is our wide range of research from 1880 up to the present which adds exhibitions to this constantly updated list, some are well known and those which shouldn’t be forgotten.
You find for each exhibition in our list below the complete artist list on the venue’s or curator’s artist-info exhibition history page. Its information is cross-linked to all the other related exhibition histories in artist-info and is providing this way a unique source.

Resources for new research and analysis

Documenting the core information of the media ‘Exhibition’ and cross-linking the artist’s, and curator’s names with the exhibition venues is artist-info‘s main focus. This service provides new insight, which wasn’t available before.
The artist-info Visualizing Art Networks service with an interactive network graph may certainly be the most cutting edge one available, besides our Artist Exhibition Statistics and Exhibition History Summaries.

artist-info List of Influential Contemporary Art Exhibitions

Our List below starts 1892 with the
Exhibition Link  Collektivausstellung Edvard Munch, Nov 5 – Nov 12, 1892, Verein Berliner Künstler, the first exhibition in the renovated Rotunda, the main exhibition space, Wilhelmstraße 92/93, Berlin (building of the ‘Architekten-Verein zu Berlin’).
The exhibition was shut down only seven days later after an extraordinary general members meeting, initiated by Anton von Werner (1843 – 1915), professor at the academy, because the more traditional members of the Verein Berlin Künstler could not agree with the work Edvard Munch (1863 – 1944) was showing.

The selection of more than 50 influential exhibitions below shows how the positions of artists again and again open new perspectives.

Last Update January 12, 2017 - Please check back for new and updated Influential Exhibitions.
Exhibition Link artist-info page for this specific exhibition
Exhibition History More on the post
Exhibition History All artists and curators of a specific exhibition

International Pop

Exhibition Link Apr - Sep 2015, Walker Art Center, Minneapolis
Curator: Darsie Alexander, Bartholomew Ryan
Organized by the Walker Art Center and on view through August 29, 2015, ‘International Pop’ is a groundbreaking historical survey that chronicles the global emergence of Pop Art from the mid-1950s to the early 1970s.
The thematic sections are: New Realisms – The Image Travels & the Archive Shifts – Distribution & Domesticity – Pop & Politics – Love & Despair
International Pop asserts that Pop was not a singular artistic style or brand, but a roving spirit and ethos moving with unprecedented force through culture at large in the 1960s through a new abundance of everyday commodities, mass media production, and mainstream advertising.
Exhibition History All participating artists by thematic section and more details in our blog post 'International Pop' at Walker Art Center – Artists on View

The EY Exhibition: The World Goes Pop
Exhibition Link Sep 2015 - Jan 2016, Tate Modern, London
Curator: Flavia Frigeri, Jessica Morgan
The exhibition reveals the alternative stories of Pop, highlighting key figures of the era who have often been left out of mainstream art history. It will also reveal how Pop was never just a celebration of Western consumerism, but was often a subversive international language for criticism and public protest across the globe.
Exhibition History All participating artists on artist-info's Tate Modern page, and the curator's artist-info pages.

See as well below
 1962, Mar - May, 4 Amerikanare. Moderna Museet, Stockholm
 1962, Sep - Oct, New Painting of Common Objects, Pasadena Art Museum
 1962, Nov - Dec, International Exhibition of the New Realists, Sidney Janis Gallery, New York
 1964, Feb - Apr, Amerikansk Pop-konst, Moderna Museet, Stockholm, travelling to Louisiana Museum, and Stedelijk Museum Amsterdam
 1964, Apr - Jun, Painting and Sculpture of a Decade: 54/64, Tate Gallery, London

Hide / Seek: Difference and Desire in American Portraiture

Exhibition Link Oct 2010 - Feb 2011, National Portrait Gallery, Washington D.C.
Curator: David C. Ward, Jonathan Katz
This is the first major museum exhibition to focus on sexual difference in the making of modern American portraiture. Hide/Seek considers such themes as the role of sexual difference in depicting modern America; how artists explored the fluidity of sexuality and gender; how major themes in modern art—especially abstraction—were influenced by social marginalization; and how art reflected society’s evolving and changing attitudes toward sexuality, desire, and romantic attachment.
Exhibition History All participating artists on

WACK!: Art and the Female Revolution

Exhibition Link Mar 4 - Jul 16, 2007, The Geffen Contemporary at The Museum of Contemporary Art - MOCA, Los Angeles
Curator: Cornelia Butler
WACK! Art and the Feminist Revolution is the first institutional exhibition to examine comprehensively the international foundations and legacy of art made under the influence of feminism. This groundbreaking and long-awaited historical survey focuses on the crucial period of 1965 to 1980, when the majority of feminist activism and art making took place around the world. Featuring works in a broad range of media—including painting, sculpture, photography, film, video, and performance—by approximately 120 artists from 21 countries, the exhibition explores intercontinental connections and themes based on media, geography, formal concerns, and collective aesthetic and political impulses.
Exhibition History All participating artists on
and the curator's artist-info pages

China Power Station: I / II / III

Exhibition Link China Power Station: I, Oct - Nov 2006, Serpentine Galleries, London (at Battersea Power Station)
Exhibition Link China Power Station: II, Sep - Dec 2007, Astrup Fearnley Museum of Modern Art, Oslo
Exhibition Link China Power Station: III, Apr - Sep 2008, MUDAM Luxembourg
Curator: Julia Peyton-Jones, Hans Ulrich Obrist, Gunnar B. Kvaran
The project was created as an evolving, dynamic exhibition in three parts as a result of a long research work, reflecting the surprising developments that the Chinese cultural scene has experienced over the last few decades.

Exhibition History All participating artists on the venue's artist-info page

About Chinese contemporary art see as well below, with notes on additional exhibitions
 1989, The Stars: 10 Years
 1993, China Avantgarde

iconoclash - Beyond the Image Wars in Science, Religion and Art

Exhibition Link May - Sep 2002, ZKM | Center for Art and Media, Karlsruhe
Curator: Peter Galison, Dario Gamboni, Joseph Leo Koerner, Bruno Latour, Adam Lowe, Hans Ulrich Obrist, Peter Weibel
This research and exhibition project took place 2 years before Facebook went online. Facebook has in April 2015 reported 1.4 Billion users, not to mention all the other social media and image community websites. iconoclash easily could be called not only groundbreaking but prophetic.
It joins for the first time different cultures from West to East, different epochs from Middle Ages to modernism, different practices from science to art, in the search for an understanding of the nature of the image. This question is more relevant than ever, because the question of the image, always answered differently from different political and cultural perspectives, is central in a society built more than ever on visual media for the question: What is reality? ... The quandary of the many artists, saints, scientists, militants who populate this project is that they are taken in between those two contradictory urges: 'If only we could do without images!' - 'We cannot do without images!'. This is what we call an iconoclash, that is, a deep uncertainty on the power, sanctity, and violence of images.; Bruno Latour, Peter Weibel, editors of the 700 pages catalog.

Reflections in Black: A History of Black Photographers 1840 to the Present

Exhibition Link Feb - Jul 2000, Anacostia Museum, Washington D.C.
Curator: Deborah Willis
Deborah Willis, curator of exhibitions at the Smithsonian's Center for African-American History and Culture in Washington, has spent much of her career recovering the work of black photographers and trying to redress widespread ignorance of their accomplishments. ''Reflections in Black: A History of Black Photographers, 1840 to the Present,'' a historical and biographical survey with nearly 600 reproductions, is her latest effort toward this goal.
Exhibition History All participating artists on


Exhibition Link Nov 1997 - Jan 1998, Wiener Secession, Wien
Curator: HOU Hanru, Hans-Ulrich Obrist
"The urban explosion in Asia is generating a great number of new Global Cities. Apart from classical characteristics of global cities, such as being active elements of the world market and communication, various and multicultural urban culture, "internationalized" modes of life, inter-connectivity, etc. these new, Non-Western global cities also have their own specific characteristics: their own cultural traditions, historical backgrounds, which are mostly connected with the Colonial past and neo-colonial present, and hence new claims for developments. But, the most important is that, with their specific legacies, they become a new and original spaces in which new visions and understandings of Modernity, and new possibilities of "Utopian/dystopian" imaginations, can be elaborated and invented." says HOU Hanru

Exhibition History All artists on, as well as on, and


Exhibition Link Oct 1995 - Jan 1996, Walker Art Center, Minneapolis
Curator: Richard Flood
The exhibition sought to showcase a burgeoning group of English artists now known as the Young British Artists - YBAs.
The Walker's press material, defining the criteria for selection of artists in the exhibition, says:
"The artists chosen for the exhibition have become increasingly visible over the past six years in self-promoted, renegade exhibitions and publications that have cropped up throughout London. Their aesthetically diverse and provocative artworks are united by a shared interest in ephemeral materials, unconventional presentation, and an anti-authoritarian stance that lends their objects a youthful, aggressive vitality."
The selection included Henry Bond, Glenn Brown, Jake & Dinos Chapman, Adam Chodzko, Mat Collishaw, Tracey Emin, Angus Fairhurst, Anya Gallaccio, Liam Gillick, Damien Hirst, Gary Hume, Michael Landy, Abigail Lane, Sarah Lucas, Chris Ofili, Steven Pippin, Alessandro Raho, Georgina Starr, Gillian Wearing, Rachel Whiteread
Exhibition History All artists as well on
Exhibition History and on

Please see as well below Freeze, an exhibition curated by Damien Hirst in 1988, Dock Offices, Surrey Docks, London, as another reference for Young British Artists - YBA.

Black Male: Representations of Masculinity in Contemporary American Art

Exhibition Link Nov 1994 - Mar 1995, Whitney Museum of American Art, New York
Curator: Thelma Golden
Black Male investigated the complex aesthetics and politics at work in representations of African American men in the post-Civil Rights era.
The Whitney's multimedia exhibition looks at the black male as an icon. Showcasing work by 29 artists of varying race, ethnicity and gender (including David Hammons, Lorna Simpson, Robert Mapplethorpe, Pat Ward Williams, Jean-Michel Basquiat, Lyle Ashton Harris, and Andres Serrano, among others), the show, through installation pieces, photography, sculpture, film and video, presents a range of representation--images that "challenge and transform the 'negative' stereotypes," "real and imagined," writes Golden in the exhibition catalogue.

China Avantgarde

Exhibition Link Apr - May 1993, Haus der Kulturen der Welt - HKW, Berlin
Curator: Hans van Dijk, Jochen Noth, Andreas Schmid
The artists in the exhibition are DING Yi, FANG Lijun, GU Dexin, Geng Jianyi, Huang Yong-Ping, LIN Yilin, NI Haifeng, WANG Guangyi, WANG Jinsong, WU Shan Zhuan, YAN Pei-Ming, YU Youhan, ZHANG Peili, ZHAO Bandi, ZHAO Jianren

China Avantgarde at HKW, Berlin was another important and globally influential presentation of Chinese contemporary art at nearly the same time as
 China's New Art, Post-1989 - With A Retrospective From 1979-1989, Jan - Feb 1993, at the Hanart T Z Gallery, as well as their exhibition
 The Stars: 10 Years, Jan 1989
(see below)

The series of important exhibitions of Chinese contemporary art continues with

 Heart of Darkness

Exhibition Link Dec 1994 - Mar 1995, Kröller-Müller Museum, Otterlo
Curator: Marianna Brouwer

 Another Long March - Chinese Conceptual Art 1997

Exhibition Link May - Aug 1997, Fundament Foundation, Tilburg
Curator: Marianna Brouwer, Chris Dreessen


Exhibition Link Nov 1997 - Jan 1998, Wiener Secession
Curator: HOU Hanru, Hans-Ulrich Obrist (see above)

 Living in Time: 29 Contemporary Artists from China

Exhibition Link Sep 2001 - Jan 2002, Hamburger Bahnhof, Berlin
Curator: HOU Hanru, FAN Dian, Gabriele Knapstein
It was the first exhibition of cotemporary Chinese art officially supported by the Chinese government.

Whitney Biennial 1993

Exhibition Link Feb - Jun 1993, Whitney Biennial 1993, New York
Curator: Elizabeth Sussman, and Thelma Golden, John G. Hanhardt, Lisa Phillips
Among this Biennial's 82 artists are Cindy Sherman, Mike Kelley, Kiki Smith, Bill Viola, Nan Goldin, Robert Gober, Jack Pierson, Raymond Pettibon, Jimmie Durham, Matthew Barney
"Nonetheless, this Biennial is a watershed.
David A. Ross and his curators get credit for breaking the biennial mold and demonstrating that this mainstay of the contemporary art scene can be radically changed, rather than simply adjusted year to year. - Installation art, sculpture and late century Conceptualism claim the front lines here, with painting far to the rear. The presence of George Holliday's tape signals one of the show's basic flaws, which is that it is less about the art of our time than about the times themselves."
writes Roberta Smith in the New York Times, March 5, 1993.

China's New Art, Post-1989 - With A Retrospective From 1979-1989

Exhibition Link Jan - Feb 1993, Hanart TZ Gallery, Hong Kong
Curator: LI Xianting, CHANG Tsong-zung Johnson
The exhibition had the following 7 themes and was showing artwork of 55 artists:
Performance Art - The 1985 New Wave Art Movement / Political Pop - Cynical Realism: Irreverence and malaise - The Wounded Romantic Realism - Emotional Bondage: Fetishism and Sado-Masochism - Ritual and Purgation: Endgame Art - Introspection and Retreat into Formalism: New Abstract Art
Exhibition History All artists of China's New Art, Post-1989 - With A Retrospective From 1979-1989 and their exhibition history on

This is the second iconic exhibition by Hanart T Z Gallery, after The Stars: 10 Years in Jan 1989 - see below

Internal Affairs

Exhibition Link Dec 1991 - Feb 1992, ICA - Institute of Contemporary Arts, London
'Internal Affairs' was Damien Hirst's first Solo-Exhibition at a public gallery.
It included works from Hirst's most autobiographical series.

Magiciens de la terre

Exhibition Link May - Aug 1989, Centre Georges Pompidou, Paris
Curator: Jean-Hubert Martin
Exhibition History All more than 100 artists on the artist-info page of Centre Georges Pompidou, and of Jean-Hubert Martin.
"What is especially important to recognize is that this will be the first truly international exhibition of worldwide contemporary art." says Jean-Hubert Martin in an interview in 'Art in America', no. 77, New York, May 1989.
Although Magiciens de la terre took place more than 25 years ago in Paris it was for many reasons an important moment in time and shows how contemporary art and artists are understood, then and today. The many statements and investigations are an example on how curatorial methods develop. A recent re-positioning was Retour sur 'Magiciens de la terre', Centre Pompidou, Paris, Jul - Sep 2014.
Today some call Jean-Hubert Martin with his 1989 exhibition a "'Prophet' of Globalisation" (Hans Belting, ZKM, Karlsruhe) who wasn't welcome, others call him provocateur, or pioneer.

Together with Jean-Hubert Martin's Magiciens de la terre in 1989 at the Centre Pompidou, Paris, another groundbreaking exhibition, which already took place in Sep 1984 should be mentioned

 "Primitivism" in 20th Century Art: Affinity of the Tribal and the Modern

Exhibition Link Sep 1984 - Jan 1985, Museum of Modern Art - MoMA, New York
Curator: William Rubin, Kirk Varnedoe
The exhibition's four thematic sections are: Concepts, History, Affinities, Contemporary Explorations.
Exhibition History All contemporary art artists of "Primitivism" in 20th Century Art: Affinity of the Tribal and the Modern on the artist-info page of MoMA, of William Rubin, and Kirk Varnedoe.

The Stars: 10 Years

Exhibition Link Jan 1989, Hanart TZ Gallery, Hong Kong
AI Weiwei, BO Yun, HUANG Rui, LI Shuang, LI Yan, MAO Lizi, MA Desheng, QU Lei Lei, SHAO Fei, WANG Keping, YANG Yiping, YIN Guangzhong, ZHONG Ah Cheng
Curator: CHANG Tsong-zung Johnson
The exhibition 'The Stars: 10 Years' and its catalogue were produced on the occasion of the tenth anniversary of the first exhibition of the Stars which was held in Beijing in October 1979. It serves simultaneously as a documentary review of the tumultuous events the group had experienced, and an appraisal of their new artistic production since the members dispersed to all corners of the world.
Exhibition History All artists of The Stars: 10 Years and their exhibition history on

The Stars: 10 Years' and
Exhibition Link China's New Art, Post-1989 - With A Retrospective From 1979-1989
Jan - Feb 1993 (see above),
are two iconic exhibitions by Hanart T Z Gallery, Hong Kong, serving as a significant link with the international art world.

Stationen der Moderne

Die bedeutendsten Kunstausstellungen des 20. Jahrhunderts in Deutschland
Berlinische Galerie (at Martin-Gropius-Bau), Berlin, Sep 1988 - Jan 1989
Curator: Eberhard Roters, Bernhard Schulz
Stationen der Moderne documents in depth 20 exhibitions related to German art scenes from 1910–1969.
All artists participating in each of these exhibitions can be found here

Exhibition Link KG Brücke, Galerie Ernst Arnold, Dresden, Sep 1910
Exhibition Link Der Blaue Reiter, Moderne Galerie - Heinrich Thannhauser, München, Dec 1911 - Jan 1912
Exhibition Link Erster Deutscher Herbstsalon Berlin 1913, Galerie Der Sturm - Herwarth Walden, Berlin, Sep - Dec 1913
Exhibition Link Erste Internationale Dada-Messe, Kunsthandlung Dr. Otto Burchard, Berlin, Jun - Aug 1920
Exhibition Link Erste Russische Kunstausstellung, Galerie van Diemen, Berlin, Oct - Dec 1922
Exhibition Link Neue Sachlichkeit - Bilder auf der Suche nach der Wirklichkeit - Figurative Malerei der zwanziger Jahre, Kunsthalle Mannheim, Jun - Sep 1925
Exhibition Link Film und Foto - Internationale Ausstellung des Deutschen Werkbundes, Ausstellungshallen auf dem Interimtheaterplatz, Stuttgart, May - Jul 1929
Exhibition Link Große Deutsche Kunstausstellung 1937, Haus der Kunst, München, Jul - Oct 1937
Exhibition Link Entartete Kunst, Münchner Hofgarten, München, Jul - Sep 1938
Exhibition Link Exhibition of Twentieth Century German Art, New Burlington Galleries, London, Jul 1938
Exhibition Link Exposition de l'union des artistes libres 1938, Maison de la culture, Paris, Nov 1938
Exhibition Link Allgemeine Deutsche Kunstausstellung Dresden 1946, Stadthalle Nordplatz, Dresden, Aug - Oct 1946
Exhibition Link ZEN 49 und Gäste, Central Art Collecting Point, München, Apr 1950
Exhibition Link Subjektive Fotografie, Staatlichen Schule für Kunst und Handwerk, Saarbrücken, Jul 1951
Exhibition Link Quadriga, Zimmergalerie Franck, Frankfurt am Main, Dec 1952
Exhibition Link documenta II, documenta, Kassel, Jun - Oct 1959
Exhibition Link Zero - der neue Idealismus, Galerie Diogenes, Berlin, Mar - Apr 1963
Exhibition Link Kleines Sommerfest - après John Cage
Exhibition Link Kleines Sommerfest - Ausstellung, Galerie Parnass, Wuppertal, Jun 1962
    Neo-Dada in der Musik, Kammerspiele, Düsseldorf, Jun 1962
    Fluxus Internationale Festspiele Neuester Musik, Museum Wiesbaden, Sep 1962
    Festum Fluxorum Fluxus, Staatliche Kunstakademie Düsseldorf, Feb 1963
Exhibition Link Retrospektive 1964/65 - Ein Jahr Großgörschen, Großgörschen 35, Berlin, Sep - Oct 1965
    Fernsehgalerie Berlin Gerry Schum , Sender Freies Berlin, 1st Program, Apr 1969


Exhibition Link Jul 1988, Dock Offices, Surrey Docks, London
Curator: Damien Hirst
Steven Adamson, Angela Bulloch, Mat Collishaw, Ian Davenport, Angus Fairhurst, Anya Gallaccio, Damien Hirst, Gary Hume, Michael Landy, Abigail Lane, Sarah Lucas, Lala Meredith-Vula, Stephen Park, Richard Patterson, Simon Patterson, and Fiona Rae.
During his time at Goldsmiths College of Art Damien Hirst organized in July 1988 in an empty London Port Authority building at Surrey Docks in London Docklands his first exhibition, entitled Freeze.
Many of the participating artists, later known as YBA – Young British Artists, are well known today but not so in July 1988:
Blog Post More details on our blog post Damien Hirst – Curator

Please see as well
Exhibition Link Brilliant! exhibition, 1995, Walker Art Center, on this page as another reference for Young British Artists - YBA.

A New Spirit in Painting

Exhibition Link Jan - Mar 1981, Royal Academy of Arts, London
Curator: Norman Rosenthal, Sir Nicolas Serota, Christos M. Joachimides

The last important survey in London was the '54-'64: Painting and Sculpture of a Decade exhibition at the Tate Gallery, Apr - Jun 1964.
The selection of A New Spirit in Painting at the Royal Academy of Arts leans heavily on figurative painting, and the numbers of represented artists with German painters, 11, United States 9, Great Britain 8, the rest of the world 10 showed as well a shift in attention in comparison to '54-'64: Painting and Sculpture of a Decade.

Transformer: Aspects of Travesty

Exhibition Link Mar - Apr 1974, Kunstmuseum Luzern
Curator: Jean-Christophe Ammann
Luciano Castelli, Jürgen Klauke, Urs Lüthi, Pierre Molinier, Tony Morgan, Luigi Ontani, Walter Pfeiffer, Andrew Sherwood, Katharina Sieverding, Alex Silber [Werner Alex Meyer], The Cockettes [Hibiscus - George Harris], Andy Warhol.
"The exhibition takes its title from the seminal 1972 album by Lou Reed, finding its parallel in the worlds of fashion and glam-rock. Transformer examines the politics and aesthetics of transgressing identity and at the disruptive sexualisation of masculinity by incorporating characters usually labeled as 'feminine'", as Brian Eno reflected with a text written for the original catalogue.

Also to be mentioned a re-proposition of
 Transformer: Aspects of Travesty
Exhibition Link by Richard Saltoun Gallery, London, Dec 2013 - Feb 2014


Exhibition Link Jul - Sep 1970, Museum of Modern Art, New York
Curator: Kynaston McShine
Information takes a broad look at the new directions of many artists around the world. It will consist of documentation of their ecological work renderings for possible or "impossible" projects (for example, "earthworks" to be executed in the desert), photographic series which record ideas; information transmitted through the various communications systems, and environmental situations.
Exhibition History All artist of Information on
Exhibition History and

Live In Your Head: When Attitudes Become Form

Exhibition Link Mar - Apr 1969, Kunsthalle Bern
Curator: Harald Szeemann
Szeemann’s own summary of the show’s content was itself lengthy, but it signaled this shift in the relationship of artist, studio and museum: "the obvious opposition to form; the high degree of personal and emotional engagement; the pronouncement that certain objects are art, although they have not previously been defined as such; the shift of interest away from the result towards the artistic process; the use of mundane objects; the interaction of work and material; Mother Earth as medium, workplace, the desert as concept."
Exhibition History All artists of Live In Your Head: When Attitudes Become Form on
Exhibition History and

Christo - Wrapped Kunsthalle Bern

Exhibition Link Jul - Sep 1968, Kunsthalle Bern
In 1968 Harald Szeemann gave as part of the exhibition 12 Environments - 50 Jahre Kunsthalle Bern Christo and Jeanne-Claude their first opportunity to wrap an entire building: the Kunsthalle itself.
The other 11 artists: Mark Brusse, Piotr Kowalski, Konrad Lueg [Konrad Fischer], Bernhard Luginbühl, Lutz Mommartz, Martial Raysse, Klaus Rinke, Jean-Frédéric Schnyder, Jesús Raphaël Soto, Günther Uecker, Andy Warhol.
Curator: Harald Szeemann


Exhibition Link Sep - Oct 1967, Städtisches Museum in Mönchengladbach
First in-depth museum exhibition of Joseph Beuys. All objects of the exhibition were bought by collector Karl Ströher and became the famous 'Beuys Block', now on display at the Hessisches Landesmuseum Darmstadt.
Karl Ströher financed the purchase of 'Beuys Block' and of a renowned Pop-Art collection, including Andy Warhol among other important artists, by selling his collection of Expressionist and Informel artworks.
For Joseph Beuys see as well below 1965 and 1963.

Primary Structures: Younger American and British Sculptors

Exhibition Link Apr - Jun 1966, Jewish Museum, New York
Curator: Kynaston McShine
During a forum on the "New Sculpture" conducted at the museum Mark di Suvero famously remarked, "Primary Structures is the key show of the 1960s...", and also, " friend Donald Judd cannot qualify as an artist because he doesn't do the work", to which Judd replied, "...The point is not whether one makes the work or not... I don't see... why one technique is any more essentially art than another...". This show ushered in a radical new way of presenting ideas and space that did not rely on the artist's hand, but rather on the final result.
McShine, in an effort to broaden appeal and show a wide variety of artists working in this form, included a West Coast contingent and most of the British artists from the New Generation show at the Whitechapel Art Gallery from 1965. It appeared that Primary Structures was to be formulated around Anthony Caro's former St. Martin's students, and the American group led by a relatively established Tony Smith.

Exhibition History All artist of Primary Structures: Younger American and British Sculptors on

Art of Latin America since Independence

Exhibition Link Jan - Mar 1966, Yale University Art Gallery, New Haven
Curator: Stanton Loomis Catlin
At various times, Stanton Loomis Catlin was deemed the “pre-eminent living scholar in the field of Latin American art” and “dean of Latin American art history in the United States.” One of his major contributions to the field was the organization of the landmark exhibit Art of Latin America Since Independence. Sponsored by Yale University and the University of Texas Art at Austin (today Blanton Museum of Art), the exhibition was the first to include only Latin American art in its full historical context since the turn of the century, and the catalog has remained a standard reference for scholars.

Joseph Beuys - ... irgend ein Strang ...

Exhibition Link Exhibition opening November 26, 1965, at Galerie Schmela, Düsseldorf
It is Beuys' first solo exhibition in a commercial gallery.
... irgend ein Strang ... consisted of three parts:
- The object itself
- The opening of the exhibition ... irgend ein Strang ..., paintings and objects 1951 - 1965
- The performance: How to Explain Pictures to a Dead Hare (wie man dem toten Hasen die Bilder erklärt)

Jun – Oct 1964 Joseph Beuys took part the first time at a documenta show in Kassel.
documenta III was the last documenta directed by Arnold Bode and Werner Haftmann together.

White On White

Exhibition Link Oct - Nov 1965, deCordova Museum and Sculpture Park, Lincoln (MA)
The rumor Pop Art was provoking in the sixties shouldn't prejudice the view on other movements. The exhibition The Responsive Eye by William Seitz at the MoMA, Feb - Apr 1965 was an important statement for 'Op Art'. Especially during the sixties many exhibitions were focusing on the color white and the many reasons artists were attracted by it.
 Sep - Oct 1965, Weiss-Weiss, by Joseph Beuys at Galerie Schmela, Düsseldorf,
 May - Jul 1966, Weiss auf Weiss by Harald Szeeman, Kunsthalle Bern
are only two among many others you may find by searching artist-info for weiss, white, bianco.
The White On White exhibition at the deCordova Museum was chosen for this list because the selection of artists and artwork provides a thoughtful overview, based on George Rickey's (Art Journal, 1964) and Barbara Rose's (Art in America, 1965) texts on constructivist artists. The exhibition provides a view from the outside on what happened in Europe, and in America. It was as well an important statement against the many art critics who disfavored the 'cool art, 'idiot art', 'know-nothing-nihilism'.
46 important museums, galleries, and collectors were lending artwork for White On White. Among them Albright-Knox Art Gallery, Buffalo; Leo Castelli Gallery, New York; Iris Clert, Paris; Richard Feigen Gallery, New York; Galerie Chalette, New York; Hanover Gallery, London; Internationale Galerij Orez, Den Haag; Martha Jackson Gallery, New York; Marlborough Galleria d'Arte, Roma; Museum of Modern Art, New York; The Pace Gallery, New York; The Betty Parsons Gallery, New York; Stable Gallery, New York.

Exhibition History All artists of White On White on the exhibition's artist-info page

The Responsive Eye

Exhibition Link Feb - Apr, 1965, Museum of Modern Art, New York
Curator: William C. Seitz
These works exist less as objects to be examined than as generators of perceptual responses in the eye and mind of the viewer. Using only lines, bands and patterns, flat areas of color, white, gray or black or cleanly cut wood, glass, metal and plastic, perceptual artists establish a new relationship between the observer and a work of art. William C. Seitz, exhibition catalog text.
The exhibition was an important statement for 'Op Art'. It avoided overt emotional expression, subject matter altogether, was cool, detached, and almost mechanical in appearance, where as Pop Art, the other important movement of the 60s relied on cartoons, commercial advertisements, celebrities as subjects, and was often a subversive international language for criticism and public protest across the globe.
It was the most visited exhibition in MoMA's history since 1929.

See above
 International Pop, Apr - Sep 2015, at Walker Art Center, Minneapolis
 The EY Exhibition: The World Goes Pop, Sep 2015 - Jan 2016, Tate Modern, London

Exhibition History All artists of The Responsive Eye on the artist-info pages and

The Shaped Canvas

Exhibition Link Dec 1964, Solomon R. Guggenheim Museum, New York
Paul Feeley, Sven Lukin, Richard Smith, Frank Stella, Neil Williams
Curator: Lawrence Alloway

Also to be mentioned 50 years later

 The Shaped Canvas, Revisited

Exhibition Link May – Jul 2014, at Luxembourg & Dayan - New York

'54-'64: Painting and Sculpture of a Decade

Exhibition Link Apr - Jun 1964, Tate Gallery, London
Curator: Alan Bowness, Lawrence Gowing, Philip James, nominated by the Calouste Gulbekian Foundation, which initiated the exhibition.

Exhibition Link June 20, 1964, the 32. Venice Biennial opened, introducing Europe to Pop Art, and awarding the American Robert Rauschenberg as the first American artist the Gran Premio.
Exhibition Link 54/64 closed and June 28, 1964: documenta III opened, this same day!
The exhibition's selection of 169 artists (see all artists on the artist-info page of Tate Gallery, and of the curators) to showcase a decade was applauded as well as criticized, as a stylish experiment. Why was Jackson Pollock present only with one single inadequate work, like Pablo Picasso, while Richard Diebenkorn, Dine, Hockney, Jones, Lichtenstein, and Rauschenberg were celebrated with several works: Rauschenberg's 6 paintings covered 18 times more wall space than Pollock.

After 50 years the curator's selection proofs to not have been this wrong.
Jackson Pollock was reestablished as well,
not only with Bice Curiger's

 Birth of the Cool

Exhibition Link in Jun - Sep, 1997 at Kunsthaus Zürich.

Amerikansk Pop-konst

Exhibition Link Feb - Apr 1964, Moderna Museet, Stockholm
With Jim Dine, Roy Lichtenstein, Claes Oldenburg, James Rosenquist, George Segal, Andy Warhol, and Tom Wesselmann
This early European Pop Art exhibition traveled to the Louisiana Museum, Humlebæk, Apr - May, and to the Stedelijk Museum Amsterdam, Jun - Jul 1964, with Pontus Hultén as curator.

Marcel Duchamp

Exhibition Link Oct - Nov 1963, Pasadena Art Museum
Curator: Curator: Walter Hopps
First U.S. retrospective of Marcel Duchamp

Joseph Beuys demolishes one of Nam June Paik's four pianos

During the exhibition Exposition of Music – Electronic Television of Nam June Paik,
Exhibition Link in March 1963 in Galerie Parnass, Wuppertal, Joseph Beuys demolished unexpectedly one of four pianos, which Nam June Paik had prepared with objects of daily use and barbed wire for his second solo-exhibition.
Neither the galerist, Rolf Jährling, nor Nam June Paik, nor the audience was informed before about Beuys' performance.
Joseph Beuys was since 1961 professor at the Kunstakademie Düsseldorf.

International Exhibition of the New Realists

Exhibition Link Nov - Dec 1962, Sidney Janis Gallery, New York
Arman [Armand Pierre Fernandez], Christo [Christo Javacheff], Öyvind Fahlström, Robert Indiana, Yves Klein (Apr 1928 - Jun 1962), Roy Lichtenstein, Marisol [Maria Sol Escobar], Claes Oldenburg, James Rosenquist, Daniel Spoerri, Wayne Thiebaud, Jean Tinguely, Andy Warhol

"As the Abstract Expressionist became the world recognized painter of the 50s, the new Factual artist (referred to as the Pop Artist in England, the Polymaterialist in Italy, and here as in France, as the New Realist [Other title applied to artists with this point of view: Commonists; Neo-Dadaists; Factualists; Artists of Pop Culture and Popular Realists.] may already have proved to be the pacemaker of the 60s." (by Sidney Janis, Exhibition Catalogue).
"The older artists, particularly Guston, Motherwell, Gottlieb, and Rothko, strongly opposed. They had a protest meeting and decided not to be associated with what they believed to be Johnnys-come-lately, and withdrew from the gallery as a body." said Sidney Janis.
Exhibition History All artists of International Exhibition of the New Realists and more Exhibition History with all exhibited artists of Sidney Janis Gallery from Sep 1948 - Jun 1998 on

Les Nouveaux Réalistes

Exhibition Link Apr 1960, Galleria Apollinaire, Milano
In the preface to the catalogue of the exhibition Les Nouveaux Réalistes in April 1960 at Galleria Apollinaire, Milano, Pierre Restany used the expression "New Realism" for the first time. The show included work by Arman, François Dufrêne, Raymond Hains, Yves Klein, Jean Tinguely, and Jacques Villeglé.
"What do we propose instead? The passionate adventure of the real perceived in itself and not through the prism of conceptual or imaginative transcription. What is its mark? The introduction of a sociological continuation of the essential phase of communication. Sociology comes to the assistance of consciousness and of chance, whether this be at the level of choice or of the tearing up of posters, of the allure of an object, of the household rubbish or scraps of the dining-room, of the unleashing of mechanical susceptibility, of the diffusion of sensibility beyond the limits of its perception…
At the stage, most essential in its urgency, of full affective expression and of the externalization of the individual creator, and through the naturally baroque appearance of certain experiences, we are on the way to a new realism of pure sensibility. There, to say the least, is one of the paths of the future."
Pierre Restany

New Painting of Common Objects

Exhibition Link Sep - Oct 1962, Pasadena Art Museum
Curator: Walter Hopps
Jim Dine, Robert Dowd, Joe Goode, Phillip Hefferton, Roy Lichtenstein, Ed Ruscha, Wayne Thiebaud, Andy Warhol.
First Pop exhibition in a museum, at the Pasadena Art Museum (now the Norton Simon Museum).
Lynn Foulkes complained: "I had to have the show and I had three rooms [Sep - Oct]. It was a big show. There was one [other] room with only about 15 paintings in this one room, and this was Walter's big hit. He's going to market it, “Pop Art on the West Coast.” So he has his first show and he's making this big poster. I remember at the time he's doing this big poster. It’s gigantic, all in color and they didn't do a lot of color stuff at that time. It was big and in color. It was going to be expensive, and I wanted to see what they’re doing with my poster for the Pasadena Art Museum. Well, he said they couldn't afford to do mine, even though my show was much bigger. He couldn't afford to do mine because he was pushing himself. He was going to do this big, gigantic color poster on Pop Art. "
In: Oral history interview with Llyn Foulkes, 1997 June 25-1998 Dec. 2, by Paul Karlstrom, for the Archives of American Art.

See also
Blog Post On this page and on artist-info blog post about the exhibition International Pop, at Walker Art Center, 2015, including the complete artist list, by thematic exhibition sections. A groundbreaking historical survey that chronicles the global emergence of Pop Art from the mid-1950s to the early 1970s, Exhibition Link Apr - Aug, 2015, at Walker Art Center, Minneapolis.

 Amerikansk Pop-konst

Exhibition Link Feb - Apr 1964, at the Moderna Museet, Stockholm

4 Amerikanare

Exhibition Link Mar - May 1962, Moderna Museet, Stockholm
This exhibition was shown as well from Jun - Jul at Stedelijk Museum Amsterdam, and Jul - Sep, 1962 at Kunsthalle Bern by Harald Szeemann
With Jasper Johns, Alfred Leslie, Robert Rauschenberg, Eugeniusz Get-Stankiewicz

A groundbreaking change seemed to take place.
Jackson Pollock, the major figure in the abstract expressionist movement, had a solo show at
Moderna Museet, Stockholm, only one year later, Feb - Apr 1963.
The new era was even more obvious one year later in London in the

 Painting and Sculpture of a Decade: 54/64

Exhibition Link Tate Gallery exhibition, Apr - Jun 1964
One small painting by Jackson Pollock was opposed to six large Robert Rauschenbergs.
(see above)

 Painting and Sculpture of a Decade: 54/64 in London
was paralleled in Stockholm by

 Amerikansk Pop-konst

Exhibition Link at the Moderna Museet, Feb - Apr 1964, travelling to Louisiana Museum, and Stedelijk Museum Amsterdam. (see above)

Nul 62

Exhibition Link Mar 1962, Stedelijk Museum Amsterdam
Nul 62 at the Stedelijk Museum Amsterdam was the first significant exhibition in a museum for the ZERO network and included 24 participating artists.
Nul 65, Exhibition Link Apr - Jun 1965 at the Stedelijk Museum Amsterdam, this exhibition proved to be one of the most comprehensive representations of the richness and diversity of art being produced by the artists of the ZERO network. It took place at a high point in the history of ZERO, yet it was the last major museum exhibition of the network in the 1960s.
ZERO: Countdown to Tomorrow, 1950s–60s, Exhibition Link Oct 2014 – Jan 2015 at the Solomon R. Guggenheim Museum, New York, was a first large-scale survey in a United States museum dedicated to the history of the experimental German artists’ group Zero (1957–66) and ZERO, an international network of artists that shared the group’s aspiration.

All participating artists of these 3 exhibitions on
Exhibition History - Nul 62
Exhibition History - Nul 65

Exhibition History

The Art of Assemblage

Exhibition Link Oct - Nov 1961, Museum of Modern Art, New York
Curator: William Seitz
The MoMA Press Release of Oct 4, 1961, states about this "new realism":
Collage and the method of juxtaposition are relevant to the basic questions raised by
20th century art - the nature of reality, the nature of painting Itself, and the methods
by which creative thought is organized.
"The term 'assemblage1 has been singled out with this duality in mind, to denote not only a specific technical procedure and form used in the literary and musical as well as the plastic arts, but also a complex of attitudes and ideas.", says Seitz in the catalog.
Exhibition History All 138 artists on, and the curator's page.

New Forms - New Media

One year earlier than The Art of Assemblage
and two years earlier than Sidney Janis' New Realists (see above)
Martha Jackson, New York, did organize her ground-breaking two part
Exhibition Link  New Forms - New Media 1 exhibition Jun 6 - 24, 1960 and the second part
New Media - New Forms in Painting and Sculpture. Version II from Sep 28 - Oct 22, 1960.
"... But an attack on the aristocracy of art by and with art is the main point of the exhibition although
'attack' is too aggressive a noun for the witty, ingratiating social activity to which so many of these works are dedicated."
, writes Thomas R. Hess in his review for 'Art News', Summer 1960.

Bewogen Beweging

Exhibition Link Mar - Apr 1961, Stedelijk Museum, Amsterdam
Curator: Pontus Hultén, Daniel Spoerri
In total, 233 works by 83 artists from eighteen countries were shown, among them Robert Rauschenberg, Jasper Johns, Man Ray, Alberto Giacometti, Alexander Calder, Dieter Roth, Marcel Duchamp, Richard Hamilton, Jean Tinguely, Heinz Mack, Niki de Saint Phalle.
The exhibition brought together artists working in kinetic art, performance, happenings and film, along with a host of 'static' works - some by artists linked to Neo-Dadaism, such as Robert Rauschenberg. The exhibition was described as the first 'International Exhibition of Art in Motion'.
The exhibition was shown as well at the
Moderna Museet, Stockholm, Rörelse i konsten, May - Sep 1961
Louisiana Museum, Humlebæk, Bevægelse i kunsten, Sep - Oct 1961

Exhibition History All artists of Bewogen Beweging on and

See below
 Apr 1955, Le Movement, at Galerie Denise René, Paris

New Images of Man

Exhibition Link Sep - Nov 1959, Museum of Modern Art, New York
Curator: Peter Selz
Karel Appel, Kenneth Armitage, Francis Bacon, Leonard Baskin, Reginald 'Reg' Butler, Cosmo Campoli, César [César Baldaccini], Richard Diebenkorn, Jean Dubuffet, Alberto Giacometti, Leon Golub, Balcomb Greene, Willem de Kooning, Rico Lebrun, James McGarrell, Jan Müller, Nathan Oliveira, Sir Eduardo Paolozzi, Jackson Pollock, Germaine Richier, Theodore J. Roszak, H.C. [Horace Clifford] Westermann, Fritz Wotruba
"The revelations and complexities of mid-twentieth century life have called forth profound feelings of solitude and anxiety. The imagery of man which has emerged from this feeling sometimes shows a new dignity, sometimes despair, but always the uniqueness of man as he confronts his fate. These image-makers take the human situation, indeed the human predicament, rather than formal structure, as their starting point. The existence of man rather than the essence of form is of the greatest concern to them," Dr. Selz says.
Although having been included in this important exhibition Leon Golub and his wife Nancy Spero opted to live in Paris from 1959 through 1964, a move occasioned in part by the belief that Europe would be more receptive to their work dealing overtly with issues of power, sexual and political.

Exhibition History All artists of New Images of Man on, New York

Jackson Pollock

Exhibition Link Nov - Dec 1958, Whitechapel Gallery, London
The Gallery presented the first major show in Britain of American abstract expressionist Jackson Pollock.

German Art of the 20th Century

Exhibition Link Oct - Dec 1957, Museum of Modern Art, New York
Curator: William S. Lieberman, Andrew Carnduff Ritchie
The most comprehensive survey ever presented in this country, will be on view at the Museum of Modern Art. More than 170 paintings, sculptures and prints, dating from the beginning of German expressionism in the first decade of this century to a selective representation of recent work will be shown on two gallery floors.

Dr. Bruno E. Werner mentioned in his speech accompanying the opening the other important MoMA exhibition
German Painting and Sculpture
Exhibition Link MoMA Exh. #11, Mar - Apr, 1931, exhibiting work of 25 artists.

Exhibition History All artists of German Art of the 20th Century on, New York
Exhibition History and

Objects on the New Landscape Demanding of the Eye

Exhibition Link Mar - Apr 1957, Ferus Gallery, Los Angeles
Curator: Walter Hopps (1932 - 2005), Edward Kienholz (1927 - 1994)
Los Angeles artists who had their first solo shows at the gallery included:
Sonia Gechtoff 1957 with the gallery's first solo show, Wallace Berman (1957), Billy al Bengston (1958), Ed Moses (1958), Robert Irwin (1959), John Mason (1959), Kenneth Price (1960), Llyn Foulkes (1962), Larry Bell (1962), and Ed Ruscha (1963).
Ferus Gallery was the first gallery to show Warhol's Soup Cans in 1962.
Exhibition History Exhibition History on artist-info Ferus Gallery page
Blog Post More details on Ferus Gallery on our blog post Ferus Gallery – the artists, curators, and exhibitions – its history

Yves Klein: Proposte monocrome, epoca blu

Exhibition LinkJan 1957, Galerie Apollinaire, Milano
Beginning of the Blue Period. For the first time, Yves Klein presented an entire room of blue monochromes, eleven works of identical format (78 x 56 cm), uniformly painted in ultramarine blue, one of which was purchased by Lucio Fontana.

To be mentioned as well for the Blue Period
Yves Klein - Propositions Monochromes
Exhibition LinkMay 1957, Galerie Schmela, Düsseldorf
and earlier in 1956
Yves Klein - Propositions Monochromes
Exhibition Link Feb - Mar 1956, Galerie Colette Allendy, Paris
"... Far beyond the outpourings of other worlds, already so imperceptible to our common sense of the reasonable, somewhat removed, no doubt, from what is called "the art of painting," at the level in any case of the most pure and essential emotional resonances, are these rigorously monochrome propositions: each of them sets off a visual field, a colored space, stripped of all graphic transcription and thus escaping from time’s duration, devoted to the unified expression of a certain tonality. ...", part of Pierre Restany's radical and provocative text for the invitation card.

documenta I

Exhibition Link Jul - Sep 1955, Fridericianum, Kassel
Curator: Arnold Bode, Werner Haftmann
In 1955, the Kassel painter and academy professor Arnold Bode endeavored to bring Germany back into dialogue with the rest of the world after the end of World War II, and to connect the international art scene through a “presentation of twentieth century art.” He founded the “Society of Western Art of the 20th Century” in order to present art that had been deemed by the Nazis as degenerate as well as works from classical modernity that had never been seen in Germany in the destroyed Museum Fridericianum, Kassel.

documenta I took place Jul 15 - Sep 18 as part of the Bundesgartenschau (Federal Horticultural Show) which took place in Kassel at that time. It featured 144 artists, of whom many are generally considered to have had a significant influence on modern art, such as Pablo Picasso, Joan Miró, Paul Klee, Marc Sacharovitsch Chagall, Max Beckmann, Max Ernst, Henri Matisse, Ernst Ludwig Kirchner, Alexander Calder, Wassily Kandinsky, Henry Moore, Hans (Jean) Arp, Josef Albers, Georges Braque, Emil Nolde, Fernand Léger, Lyonel Feininger, Ernst Wilhelm Nay, Karl Schmidt-Rottluff, Otto Dix.
Exhibition History All 144 artists on
Exhibition History and on, and

Le Movement

Exhibition Link Apr 1955, Galerie Denise René, Paris
Curator: Pontus Hultén, Denise René
Yaacov Agam, Robert Breer, Pol Bury, Alexander Calder, Marcel Duchamp, Robert Jacobsen, Jesús Raphaël Soto, Jean Tinguely, Victor Vasarely
Besides emphasizing movement as an extension of artistic expression in the classical disciplines, the manifesto distributed for the exhibition at the Galerie Denise René focused in particular on cinema. Vasarely's 'Notes pur un Manifeste', the yellow leaflet produced for the exhibition, postulated couleur, lumière, mouvement & temps as the basic principles for the further development of kinetic sculpture.

Vision in Motion / Motion in vision

Exhibition Link Mar - May 1959 at Hessenhuis, Antwerp, took place four years later,
and six years later

Bewogen Beweging

Exhibition Link Mar - Apr 1961 at Stedelijk Museum, Amsterdam, Pontus Hultén and Daniel Spoerri organized their 'International Exhibition of Art in Motion' with 83 artists.
See above.

Le Mouvement. From Cinema to Kinetics

Exhibition Link In Feb - May 2010 Museum Tinguely, Basel, did restage this important exhibition.

The Family of Man

Exhibition Link Jan 26 - May 8, 1955, Museum of Modern Art, New York
Curator: Edward Steichen (1879 - 1973)
The full title of the exhibition on the invitation reads: "The Family of Man - An Exhibition of creative Photography, dedicated to the dignity of man, conceived and executed by Edward Steichen."

The exhibition did show in 42 sections 506 photographs of 260 photographers, according to the checklist. After New York the show toured for 8 years through 37 countries, in different versions, seen by nearly 9 million people.
Commenting on the show, Mr. Steichen says: Photographers all over the world have made this exhibition possible. They have photographed the everyday story of man - his aspirations, his hopes, his loves, his foibles, his greatness, his cruelty his compassion, his relations to his fellow man as it is seen in him wherever he happens to live, whatever language he happens to speak, whatever clothes he happens to wear.
Edward Steichen was lauded for his show as well as criticized in 1955 as well as in the many years after. Just 10 years after the end of World War II his selection for 'The family of Man' followed a wide scope of images, ranging from artistic to journalistic photography, being a 'universal language' for a universal scheme.
Exhibition History All participating artists on

 The exhibition was reinstalled 1994 at Chateau Clervaux in Luxembourg.

David Octavius Hill - Portrait Photographs 1843-1848

Exhibition Link Sep - Oct 1941, Museum of Modern Art, New York
Curator: Beaumont Newhall (1908 - 1993)

The MoMA press release states: "These photographs, the earliest of which were made only four years after the invention of photography, are remarkable documents of camera work, taking a place in the history of photography comparable to that of the Gutenberg Bible in the history of typography.
But it is for their artistic quality rather than for their archaeological significance that these forty prints, chosen from the collection of Heinrich Schwarz of Buffalo, New York, are exhibited. They represent perhaps the first use of photography as a medium of artistic expression, and form a part of its rich tradition."
Exhibition History

Pablo Picasso - 'Guernica'

Exhibition Link Sep 1938, Whitechapel Gallery, London
Curator: Clement Attlee, Roland Penrose (1900 - 1984)

Showing Pablo Picasso's 'Guernica ', commissioned by the Spanish Republican government to be exhibited at the Spanish Pavilion of 1937 World's Fair in Paris, together with 'The Reaper' by Joan Miró and 'Mercury Fountain' by Alexander Calder.
After Paris 'Guernica' was shown together with works by Matisse, Braque and Laurens in Oslo, Copenhagen, Stockholm and Göteborg, before arriving in London.
It is today part of the collection of Museo Nacional. Centro de Arte Reina Sofía, Madrid.

Exposition Internationale du Surréalisme

Exhibition Link Jan - Feb 1938, Galerie Beaux Arts, Paris
It was organised by the French writer André Breton, the surrealists' brain and theorist, and Paul Éluard, the best known poet of the movement.
The catalogue listed, along with the above, Marcel Duchamp as generator and arbitrator (to appease the partly fierce conflicts mainly between Breton and Éluard), Salvador Dalí and Max Ernst as technical advisers, Man Ray as head lighting technician and Wolfgang Paalen as responsible for the design the entrance and main hall with "water and foliage".
Galerie Beaux-Arts was run by Georges Wildenstein, at 140, Rue du Faubourg Saint-Honoré in Paris.
Exhibition History All participating artists on

Le Surréalisme: Sources - Histoire - Affinités

Exhibition Link Apr - Aug 1964, Galerie Charpentier, Paris
Curator: Patrick WaldbergPatrick Waldberg
26 years later, the same year Robert Rauschenberg was awarded the Grand Prize of the 32nd Biennale di Venezia amid the sensational arrival of Pop Art, this important Surrealist exhibition took place in Paris.
Exhibition History All participating artists on

Entartete Kunst

Exhibition Link Jul - Nov 1937, Münchner Hofgarten Arkaden
The exhibition presented 650 works of art, confiscated from German museums, and was staged in counterpoint to the concurrent 'Great German Art Exhibition' - 'Große Deutsche Kunstausstellung', at 'Haus der Kunst, which was to showcase art approved by the Nazis.
Exhibition History All artists of Entartete Kunst on Münchner Hofgarten - 'Entartete Kunst'

'Degenerate Art' - The Fate of the Avant-Garde in Nazi Germany

Exhibition Link Feb 17 - May 12, 1991, Los Angeles County Museum of Art
Curator: Stephanie Barron
The 'Entartete Kunst' exhibitions in the 30s have been subject to numerous research projects: Not only regarding single works of art by specific artists but as well regarding the impact on the development of Modern Art.
The exhibition at the LACMA can be seen as the first in depth survey, based on the show in Munich which opened July 19, 1937, to better understand the 'Entartete Kunst' exhibitions and the related circumstances.
The exhibition's architecture by Frank O. Gehry included the following sections: Entry area and corridor, Introductory gallery, Film gallery, Literature gallery, Music gallery, Works from 'Entartete Kunst'.
Exhibition History  See all artists of the 'Entartete Kunst' exhibition which are documented in the LACMA exhibition catalog.
The exhibition traveled to The Art Institute of Chicago, Smithsonian Institution Washington D.C., Altes Museum Berlin.

The London International Surrealist Exhibition

Exhibition Link Jun 11 - Jul 4, 1936, New Burlington Galleries, London
64 artists of 14 different nationalities were exhibiting, among them Pablo Picasso, Joan Miró, Paul Klee, Max Ernst, Man Ray [Emmanuel Rudinski], Alexander Calder, Alberto Giacometti, Henry Moore, Hans (Jean) Arp, Marcel Duchamp, Salvador Dalí, René Magritte, Francis Picabia, André Masson, Constantin Brancusi, Méret Oppenheim.
It was the first exhibition to introduce Surrealism in England and a major success. It was opened in the presence of two thousand people by André Breton. The average attendance for the whole of the Exhibition was about a thousand people per day. (in: 'International Surrealist Bulletin, No.4, Sep 1936)
Exhibition History All artists on

Cubism and Abstract Art

Exhibition Link Mar 3 - Apr 10, 1936, Museum of Modern Art, New York
Curator: Alfred H. Barr
The exhibition was subsequently shown in San Francisco, Cincinnati, Minneapolis, Cleveland, Baltimore, Providence, and Grand Rapids.
Although Alfred Barr states in the catalog's introduction that he is offering little which is new, his famous timeline on the catalog's jacket with the different movements in art from 1890 – 1935 offered for the first time a synthesis of the complex and interwoven concepts. The exhibition's different sections show his in-depth outreach and new approach: Painting, Sculpture, Constructions, Photography, Architecture, Industrial Art, Theatre, Films, Posters, Typography.
Cubism and Abstract Art remains until today one of the most important exhibitions in many concerns. [See: Susan Noyes Platt, 'Modernism, Formalism, and Politics: The »Cubism and Abstract Art« Exhibition of 1936 at the Museum of Modern Art; in: Art Journal, Winter 1988, Vol 47, No. 4, pp. 284-295]
Exhibition History All artists on Cubism and Abstract Art, MoMA, 1936

Five Contemporary American Concretionists

Exhibition Link Mar 9 – 31, 1936, Paul Reinhardt Galleries, New York
Curator: Albert Eugene Gallatin
Only three blocks away from MoMA's Cubism and Abstract Art at 11 W 53rd St. Albert Eugene Gallatin organized Five Contemporary American Concretionists in the Paul Reinhardt Galleries at 730 Fifth Avenue # 57th (this is the Heckscher Building [today Crown Building], the very same address where the MoMA opened to the public on November 7, 1929, on the twelfth floor), with a defined focus on American artists of the modernist movement: Charles Biederman, Alexander Calder, John Ferren, George L. K. Morris, and Charles Green Shaw.

 In 1989 Abstraction - Geometry - Painting at the Albright-Knox Art Gallery, Buffalo, organized by Michael Auping provides a good survey on abstract painting in America since 1945.
 In December 2012 Inventing Abstraction, 1910–1925 at the MoMA, New York, organized by Masha Chlenova, and Leah Dickerman revisits this important epoch, drawing a cross-media portrait of these watershed years.

Pablo Picasso

Exhibition Link Feb - Mar 1934, Wadsworth Atheneum Museum of Art, Hartford, Connecticut
First Picasso exhibition held in an American museum.
Solo-Exhibitions before in America:
Mar - Apr 1930, Pablo Picasso, The Arts Club Chicago
Nov - Dec 1930, Pablo Picasso, The Arts Club Chicago
Exhibition History More details on

Cézanne Gauguin Seurat Van Gogh

Exhibition Link Nov 7 - Dec 7 1929, Museum of Modern Art, New York
Curator: Alfred H. Barr
The first exhibition of the Museum of Modern Art, comprising one hundred works by Cezanne, Gauguin, van Gogh and Seurat came to its close December 7th.
Over 47,000 people came to the exhibition, numbers increasing rather than diminishing as the four weeks passed. The last day 5,300 people crowded the Gallery.
These figures are even more surprising when taking into account the Wall Street Crash of 1929, also known as Black Tuesday, October 29. It was the most devastating stock market crash in the history of the United States, when taking into consideration the full extent and duration of its fallout. The crash signaled the beginning of the 10-year Great Depression that affected all Western industrialized countries.

Erste Russische Kunstausstellung Berlin 1922

Exhibition Link Oct 15 - Dec 1922, Galerie van Diemen & Co, GmbH, Berlin
Curator: David Shterenberg
Important exhibition for the Russian avant-garde artists in Western Europe and the non-objective movement.
Exhibition History Our Blog Post Erste Russische Kunstausstellung Berlin 1922 – The Artists describes details and allocates the 160 artists in the catalog to their exhibitions in throughout the 20th and 21st century.

See as well
 Sep - Dec 1983 The 1st Russian Show – A commemoration of the Van Diemen Exhibition, Berlin 1922; Annely Juda Fine Art, London; Texts by Andrei Nakov, Krisztina Passuth, Peter Nisbet

International Exhibition of Modern Art

Exhibition Link Feb 17 - Mar 15 1913, 69th Regiment Armory, New York
The exhibition was shown as well in Chicago and Boston.
It was the first large exhibition of modern art in America. The selection of artists was very much influenced by the Sonderbund Exhibition in 1912 at Cologne.

Internationale Kunstausstellung des Sonderbundes Westdeutscher Kunstfreunde und Künstler zu Cöln 1912

Exhibition Link May 5 - Sep 30 1912, Ausstellungshalle der Stadt Köln am Aachener Tor, Köln
This fourth Sonderbund exhibition in 1912 supplied a breathtaking review of early modern art: Vincent Van Gogh with 107 paintings, Paul Cézanne with 24 works, Paul Gauguin, Pablo Picasso with 16 works and the neo-impressionists Henri-Edmond Cross with 17 paintings and Paul Signac with 18 works, the first generation was set in context to more recent efforts all around Europe, with a special focus on Edvard Munch, with 31 paintings.

The Sonderbund 1912 exhibition was reinstalled 100 years later at the Wallraf-Richartz-Museum, Köln, giving an interesting insight into the reception of this outstanding exhibition during the past 100 years.
 '1912 - Mission Moderne', Aug 31 - Dec 30, 2012 was accompanied by a most thoughtful edited and exciting to read 646 pages catalog.

Collektivausstellung Edvard Munch

Exhibition Link  Nov 5 - 12, 1892, Verein Berliner Künstler, the first exhibition in the renovated Rotunda, the main exhibition space, Wilhelmstraße 92/93, Berlin (building of the 'Architekten-Verein zu Berlin').
Edvard Munch's one-person exhibition was shut down only seven days after the opening compelled by an extraordinary general members meeting, initiated by Anton von Werner (1843 - 1915), director of the Royal Academy of Fine Arts, because the more traditional members of the Verein Berliner Künstler could not agree with the work Edvard Munch (1863 - 1944) was showing.

Already on occasion of the Internationale Kunstausstellung Berlin 1891, the fifty years anniversary show, the then art-critic Cornelius Gurlitt (1850 - 1938) could state that the most up-to-date realist Norwegian artists were not included in this important show (Cornelius Gurlitt: Die Internationale Kunstausstellung zu Berlin 1891; Franz Hanfstaengel Kunstverlag, München, 1892, p. 119).
With the exhibition Vereinigung der XI at Galerie Eduard Schulte, Berlin in April 1892 the movement of the 'unofficial' artists (Berliner Secession) became more evident to the public than ever before.
On June 7, 1905, then since 1893 professor at the 'Königlich Sächsische Technische Hochschule', Dresden, four of Cornelius Gurlitt's architecture students founded the famous artist-group Brücke: Fritz Bleyl, Erich Heckel, Ernst Ludwig Kirchner, and Karl Schmidt-Rottluff.

Please check back for new and updated Influential Exhibitions information.
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artist-info Exhibition History Summary

Analytics / Artists / Collector / Curators / Gallery / Museum / News and Notes / Non-Profit Place / Research
Exhibition Records Summary

Exhibition Records Summary for each Artist, Curator, and Exhibition Venue in artist-info

Exhibition History Provides Important Insight

“You do not need to be a millionaire to access high quality but you do need to put a bit of time and effort into your own research or gaining access to some objective advice.”
Clare McAndrew,

  Studying an artist’s work, reading an art critic’s opinion, and looking at recent as well as older artwork to understand how perspectives and point of views do change is important.
  All your findings and evaluations are based on the many exhibitions of artwork which take place around the world since many decades. An exhibition venue’s type, concept and vision contributes in an important if not fundamental way to the artist’s positioning – on the long way to perhaps showing after many years in a major museum or selling in a gallery or at an auction for a high price.

More Insight for More Outlook – Art Analytics Services

  It means that analyzing the exhibition records of artists, curators, and exhibition venues can be an important source of information helping to reveal a picture about the individual qualities of an artist.

  The Exhibition Records Summary for each artist, curator and gallery, museum, non-profit and collector’s venue on their artist-info page show the many valuable aspects the analysis of hundreds of thousands of exhibition records is providing.

  The Summaries complement artist-info’s Artist Exhibition Statistics showing the 100 artists with the highest number of exhibitions and the powerful service, which analysis with a network graph and clusters and sub-clusters how artists, curators and exhibition venues are connected.

  An artist’s biographical notes might be a good starting point. Unfortunately in most cases they don’t provide information on the exhibition history of exhibition places, nor participating artists in group exhibitions, nor curators.
  artist-info’s cross-linked exhibition histories for artists, curators, galleries, museums, non-profit, and collector’s venues provide this substantial information with exhibition records from 1929 onwards for more than 150.000 artists, more than 11.000 exhibition places worldwide, and more than 500.000 exhibition records.

About the Summary Details

  How to read the individual Exhibition Record Summaries for all Artists, Curators, and Exhibition Places in artist-info.

  The summary section’s left part analysis the artist-info exhibition history records by numbers, type, countries, and cities.

Total-Solo-Group Exhibitions
Solo-Exhibition Solo-Exhibition
Group-Exhibition Group-Exhibition
Exhibitions in artist-info
Besides the total number of Exhibitions in artist-info the number of Solo- and Group-Exhibitions is displayed in brackets.
Whereas Solo-Exhibitions allow an in-depth presentation of artwork, the theme of a Group-Exhibition brings together different artists with the advantage of showing their individual approach and strength.
Summary Color Bar
74: 36 / 13 / 24 / 1
Total: Gallery / Museum / Non-Profit / Collector
Exhibitions by Type
At which type of Exhibition Venue took place the Solo- and Group-Exhibitions?
The numbers show the relation between gallery, museum, non-profit, and collector's venue exhibitions.
The numbers are visualized by a color bar, showing the relation between Gallery, Museum, Non-Profit, and Collector venue exhibitions.
Venue Type
49: 19 / 10 / 19 / 1
Total: Gallery / Museum / Non-Profit / Collector
Venues by Type
Took the artist part at exhibitions of many different galleries or museums, or just at one place?
The numbers and the graph are showing the result of analyzing all exhibitions in artist-info and their venue typ.
Countries - Top 5
Each country with the number of exhibitions based on artist-info records.
Countries where the Exhibitions took place
As an example artist-info records know for Pablo Picasso exhibitions in 22 countries.
Cities - Top 5
Each city with the number of exhibitions.
Cities where the Exhibitions took place
The cities with the highest number of Exhibitions based on artist-info records know.
artist-info records
The 'from' - 'to' date of the records in artist-info database.
Time Scope
artist-info is researching exhibition information from 1930 until today.
The time scope for each artist, curator, gallery, museum, non-profit or collector's venue might be different, depending on the available sources.
Please feel free to contact by email us for adding additional records.

  The summary section’s right part displays the top 5 artists, exhibition places and curators found in artist-info exhibition history records.

artist-info Services
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The artists, curators, and exhibition venues in artist-info may be connected with Artwork Offers, Exhibition Announcements, or Artist Portfolios.
The icons show if they are available.
Did show together with - Top 5 of 459 artistsArtist Exhibition Records Summary
Due to many group exhibitions the number of artists who are related through these group exhibitions with the summary's artist can be high.
Some artists are repeatedly present in this Group Exhibition. The top 5 of them are displayed in this list, together with in brackets the number of times and following after the hyphen the total number of exhibitions of this specific artist in artist-info.
Venues - Top 5Artist Exhibition Records Summary
Which are the venues where the summary's artist was shown most? The list shows the top 5.
Curators - Top 5Artist Exhibition Records Summary
Who are the curators of the summary artist's exhibitions?
The list shows the top 5.
Shown artists - Top 5 of 186Curator Exhibition Records Summary
Depending on the number of a curator's exhibitions in artist-info records the number of shown artists can by high.
Some artists are shown repeatedly and are displayed in this top 5 list.
Venues - Top 5 of 7Curator Exhibition Records Summary
The list displays the top 5 Galleries, Museums, Non-Profit or Collector's venues where the curator did curate exhibitions, based on artist-info records.
Shown artists - Top 5 of 90
(no. of shows - all shows - Top 100
Exhibition Place Exhibition Records Summary
Depending on artist-info records the number of shown artists can be high, like e.g. for the MoMA, New York with 2342 artists in 833 exhibitions in artist-info. Some artists are shown more than one time.
The top 5 list shows the artists with the highest number of exhibitions at the specific exhibition place (number in brackets)
as well as after the hyphen the total number of exhibitions (solo- and group-exhibitions) of this artist in artist-info records.
The Top 100 page-link shows the 100 artists with the highest number of exhibitions (solo- and group exhibitions) in artist-info records.
The Top 100 list starts with Andy Warhol (1928-1987) with more than 585, Pablo Picasso (1881-1973) with more than 550, and Joseph Beuys (1921-1986) with more than 440 solo- and group-exhibitions.
Curators - Top 5Exhibition Place Exhibition Records Summary
The list displays the 5 curators with the highest number of exhibitions, based on artist-info records.
Linked through shown artists - Top 5 of 816Exhibition Place Exhibition Records Summary
The artists in the exhibition venue's exhibitions did show at other venues as well.
This query finds all venues in the cross-linked exhibition history records in artist-info and displays the top 5 of them.

About the Exhibition History researches and documents contemporary art exhibitions from 1929 until today worldwide. The information of an exhibition, this is the start and end date, the exhibition venue, which is either a gallery, museum, non-profit’s, or a collector’s venue, whether it is a group- or a solo-exhibition, all participating artists, and the curators in case they are known, is displayed in a table below the Exhibition Summary section.
All this information is cross-linked and can be looked up by the names in the left column, which are always a link. Exhibition History for a specific exhibition venue, artist, or curator might not be complete. Please sign on or contact us to add exhibitions from 1929 onwards.
The used icons and numbers in the Exhibition History table are

Exhibition Title and SubtitleExhibition Title
Exhibition Subtitle

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All Exhibition Announcements can be found on our WAHT'S ON page.
Access to all Artist-Portfolios or by category is possible on our ARTISTS Artist-Portfolio page.
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How we analyse them and which new and important insight they provide can be found on
(83)Number of exhibitions in artist-info database.
In this example 83 exhibitions.
+ 4Registering as user with gives you the possibility on your artist-info My Home page to add artists, curators or exhibition places to your Favorites and get informed about their updates on artist-info.
In this example 4 users selected the artist, curator, or exhibition place as Favorite.
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‘International Pop’ at Walker Art Center – Artists on View

Artists / Curators / Exhibition Announcements / History / pop-art
International Pop

Installation View of the Exhibition ‘International Pop’, Walker Art Center, Minneapolis, 2015

Walker Art Center

‘International Pop’ at Walker Art Center

  Organized by the Walker Art Center and on view April 11 through August 29, 2015, ‘International Pop’ is a groundbreaking historical survey that chronicles the global emergence of Pop Art from the mid-1950s to the early 1970s.
Find out more about all shown artists on this page.
Following the Walker’s presentation, the exhibition will travel to the Dallas Museum of Art (October 11, 2015 – January 17, 2016) and the Philadelphia Museum of Art (February 18 – May 15, 2016).
More details on the Walker Art Center artist-info ‘International Pop’ exhibition page.

  Another groundbreaking and important survey later this year is underscoring the Walker Art Center ‘International Pop’ exhibition by Darsie Alexander and Bartholomew Ryan and its new aproach: ‘The World Goes Pop’ at the Tate Modern, 17 September 2015–24 January 2016, with more details on the Tate Modern artist-info ‘The World Goes Pop’ exhibition page.

  Pop is among the most broadly recognized phenomena of postwar art, primarily identified with Britain and the U.S. In truth, however, the Pop impulse was strikingly nomadic, contagiously spreading not only through Britain and the U.S. but also Japan, Latin America, and

both Eastern and Western Europe. From its inception, Pop migrated across borders and media, seizing the power of mass media and communication to reach a new class of viewers and adherents who would be drawn to its dynamic attributes. Yet, as this exhibition will reveal, distinct iterations of Pop were developing worldwide that alternatively celebrated, cannibalized, rejected, or transformed some of the presumed qualities of Pop in the U.S. and Britain.

  Curated by Darsie Alexander (now Katonah Museum) with Bartholomew Ryan (now The Andy Warhol Museum) for the Walker Art Center in consultation with an international group of scholars and curators, International Pop asserts that Pop was not a singular artistic style or brand, but a roving spirit and ethos moving with unprecedented force through culture at large in the 1960s through a new abundance of everyday commodities, mass media production, and mainstream advertising.

  A key ambition of the exhibition is to show artists in the specific contexts from which they emerged, as well as to create relations between works across time and place. The exhibition is therefore organized into contextual sections—specific places or institutions—and broader thematic sections:


New Realisms – The Image Travels & the Archive Shifts – Distribution & Domesticity – Pop & Politics – Love & Despair


Britain: The Independent Group & the New Scene
Germany: Capitalist Realism
Brazil: The New Consciousness
Argentina: The Instituto Torcuato Di Tella & Pop Lunfardo
Japan: The Sōgetsu Art Center & Tokyo Pop

‘International Pop’ at Walker Art Center – 140 Artists on View by Exhibition Section

New Realisms
Thomas Bayrle (*1937)
Antônio Dias (*1944)
Jim Dine (*1935)
Richard Hamilton (1922-2011)
Jean-Pierre Mirouze (*1936)
Robert Rauschenberg (1925 - 2008)
Martial Raysse (*1936)
James Rosenquist (*1933)
Mimmo Rotella (1918-2006)
Niki de Saint Phalle [Niki Matthews] (1930-2002)
Mario Schifano (1934-1998)
Shinohara Ushio (*1932)
Jean Tinguely (1925-1991)
Andy Warhol (1928-1987)
The Image Travels, The Archive Shifts
Bruce Conner (1933-2008)
Antônio Dias (*1944)
Rosalyn Drexler (*1926)
Ray Johnson (1927-1995)
Jirí Kolár (1914-2002)
Július Koller (1939-2007)
Roy Lichtenstein (1923-2997)
Eduardo Paolozzi (1924-2005)
Peter Roehr (1944-1968)
Tanaami Keiichi (*1936)
Distribution & Domesticity
Billy Apple (*1935)
ERRÓ, [Gudmundur Gudmundsson] (*1932)
Marisol (Maria Sol Escabar) (*1930)
Robert Indiana (*1928)
Edward Ruscha (*1937)
Shinohara Ushio (*1932)
Paul Thek (1933-1988)
Wayne Thiebaud (*1920)
Robert Watts (1923-1988)
Tom Wesselmann (1931-2004)
Pop & Politics
Genpei Akasegawa (1937-2014)
Thomas Bayrle (*1937)
Waldemar Cordeiro (1925-1973)
Jorge de la Vega (1930-1971)
Öyvind Fahlström (1928-1976)
León Ferrari (1920-2013)
Jasper Johns (*1930)
Kudo Tetsumi (1935-1990)
Sergio Lombardo (*1939)
Marcello Nitsche (*1942)
Hélio Oiticica (1937-1980)
Yoko Ono (*1933)
Yoko Ono & John Lennon (*1933, 1940-1980)
Tiger (Kouichi) Tateishi (*1941)
Cláudio Tozzi (*1944)
Love & Despair
Evelyne Axell (1935-1972)
Waldemar Cordeiro (1925-1973)
Rosalyn Drexler (*1926)
Tano Festa (1938-1988)
Jann Haworth (*1942)
David Hockney (*1937)
Pino Pascali(1935-1968)
Wanda Pimentel (*1943)
Michelangelo Pistoletto (*1933)
Marjorie Strider (1934-2014)
Andy Warhol (1928-1987)
Jerzy Ryszard 'Jurry' Zielinski (1943-1980)
Jana Želibská (*1941)
Shop Window
Genpei Akasegawa (1937-2014)
Clive Barker (*1940)
Christo [Christo Javacheff] (*1935)
Fluxus: "Eric Andersen (*1940), George Brecht (1926-2008), John Cale (*1926), John Cavanaugh (1921-1985), Albert Fine (1932-1987), Ken Friedman (*1949), Fred Lieberman (1940-2013), George Maciunas (1931-1978), Yoko Ono (*1933), Ben Patterson (*1934), Willem de Ridder (*1939), James Riddle (*1933), Paul Sharits (1943-1993), Bob Sheff (*1945), Stanley Vanderbeek (1927-1984), Ben Vautier (*1935), Robert Watts (1923-1988)"
Jasper Johns (*1930)
Yayoi Kusama (*1929)
Cildo Meireles (*1948)
Colin Self (*1941)
Andy Warhol (1928-1987)
Robert Watts (1923-1988)
Britain: The Independent Group & The New Scene
Peter Blake (*1932)
Derek Boshier (*1937)
Pauline Boty (1938-1966)
Richard Hamilton (1922-2011)
Eduardo Paolozzi (1924-2005)
Joe Tilson (*1928)
Germany: Capitalist Realism
Capitalist Realism Portfolio: "K. P. Brehmer (1938-1997), K. H. Hödicke (*1938), Konrad Lueg (1939-1996), Sigmar Polke (1941-2010), Gerhard Richter (*1932), Wolf Vostell(1932-1998)"
Manfred Kuttner (1937-2007)
Konrad Lueg (1939-1996)
Sigmar Polke (1941-2010)
Gerhard Richter (*1932)
Brazil: The New Consciousness
Antônio Henrique Amaral (*1935)
Raymundo Colares (1944-1986)
Antônio Dias (*1944)
Rubens Gerchman (1942-2008)
Nelson Leirner (*1932)
Anna Maria Maiolino (*1942)
Antonio Manuel (*1947)
Marcello Nitsche (*1942)
Décio Noviello (*1929)
Cláudio Tozzi (*1944)
Andy Warhol (1928-1987)
Argentina: Instituto Torcuato Di Tella & Pop Lunfardo
Edgardo Giménez (*1942) & Marilu Marini (*1945) & Dalila Puzzovio (*1942) & Alfredo Rodriguez Arias (*1944) & Charlie Squirru (*1934) & Juan Stoppani (1935)
Delia Cancela & Pablo Mesejean (*1940, 1937-1991)
Eduardo Costa (*1940)
Edgardo Giménez (*1942)
Edgardo Giménez & Dalila Puzzovio & Charlie Squirru ( (*1942, *1942, *1934)
Marta Minujín (*1943)
Marta Minujín & Rubén Santantonín (*1937, *?)
Dalila Puzzovio (*1942)
Charlie Squirru (*1934)
Japan: Sogetsu Art Center
Jasper Johns (*1930)
Kojima Nobuaki (*1935)
Okamoto Shinjiro (*1933)
Robert Rauschenberg (1925-2008)
Shinohara Ushio (*1932)
Tanaami Keiichi (*1936)
Tezuka Osamu (1928-1989)
Yokoo Tadanori (*1936)
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We started January 20 our Instagram feed to post exhibition views at galleries, museums, non profit venues and collector’s venues as well as for other information like our monthly art fairs summary and other news to make it easier to discover and follow a wide range of interesting artists and exhibitions we would like to share with you.

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– are related to our Exhibition Announcements on our WHAT’S ON page
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more than 137.316 artists and 4.749 curators in 420.468 shows (1930 — tomorrow) in 11.210 exhibition venues in 1.332 cities in 155 countries.
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Art Fairs worldwide in March 2015

Art Fairs / Collector / Gallery
art fairs in March 2015

Find for March 2015 details for 39 art fairs on our art fairs calendar page.

Austria - Wien
China - Hong Kong
France - Metz, Paris
Germany - Baden-Baden, Karlsruhe
Italy - Cremona, Milano
Japan - Tokyo
Netherlands - Maastricht
South Africa - Cape Town
Spain - Madrid
United Arab Emirates - Dubai
United Kingdom - London
United States - Arlington, New York

art austria – Art Basel Hong Kong – AHAF Hong Kong 2015 – Art Central Hong Kong – Art Edition 2015 – Asia Contemporary Art Show – Art Paris Art Fair – STILL ART FAIR – DRAWING NOW PARIS – LE CONFIDENTIEL DU YIA ART FAIR – PAD Paris – art3f Metz – FINE ART Kurhaus Baden-Baden – art Karlsruhe – Affordable Art Fair Milano – ARTE Cremona 2015 – ART FAIR TOKYO – 3331 Arts Chiyoda – TEFAF – ART DUBAI – Affordable Art Fair Battersea – Affordable Art Fair New York – Capital Art Fair – Asia Art Fair – Fountain Art Fair – scope NEW YORK – art on paper – Moving image – NEW CITY ART FAIR – PULSE NEW YORK – The Armory Show – VOLTA NY – Independent – The Art Show – AADA – SALON ZÜRCHER – CAPE TOWN ART FAIR – JUSTMAD6 – ARCO – ART MADRID – Casa Leibniz

… please let us know in case we forgot one!

Find all details on our art fairs calendar page.

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Artist, Curator, and Exhibition Venue Networks on

Analytics / Art Networks Visualized / Artists / Collector / Curators / Gallery / Museum / Non-Profit Place / Research Visualizing Art Networks

Five different viewpoints to Visualize Art Networks.

Visualizing the network of artists, curtors and exhibition venues

How are artists and exhibition places and curators connected among each other?

The world of contemporary art might have many random aspects, but on an upper level the bits and pieces summarize to network structures and clusters.
All 5 examples of Visualizing Art Networks can be reached directly with sub-domains.

See below details and sub-domains for the examples.

Visualizing Art Networks uses artist-info database to get an image about how artists, curators, and exhibition places are connected through their activities of showing specific artists.

By zooming in and selecting a node you can visualize sub-clusters and see not only the artist’s connection to the center, but as well their connections among each other.
Some are connected with each other members of the sub-cluster, some not.
The search on the left lets you find a specific network member.
The sidebar on the right provides you in its header with a link to switch to the network mebers artist-info page with all in-depth information, shows availabe Exhibiton Annoucnements, Artwork Offers, or Artist-Portfolio, and lets you switch to the network members community channels.

More information can be found on our other blog post
Visualizing the World of Contemporary Art
and on our website

Example for an ARTIST-artists network
ARTIST-exhibition places
Example for an ARTIST-venues network
ARTIST-exhibition places
Example for a CURATOR-artists network
Example for a VENUE-artists network
EXHIBITION PLACE-exhibition places
Example for a VENUE-venues network
EXHIBITION PLACE-exhibition places
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Who wants to miss Community Channels

Community / News and Notes / Newsletter Service
Cummunity Channel Links on

Who wants to miss Community Channels

artist-info provides for each artist, curator, and exhibition place, like gallery, museum, non-profit or collector’s venue, the possibility to add Links of Community Channels they are using to reach their audience.
These are
Facebook Facebook    Google+ Google+    Instagram Instagram    LinkedIn LinkedIn    vimeo vimeo    YouTube YouTube.

The Stedelijk Museum Amsterdam artist-info-page shows, how it works.

To add these links contact us at

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