artist-info Exhibition History Summary

Analytics / Artists / Collector / Curators / Gallery / Museum / News and Notes / Non-Profit Place / Research
Exhibition Records Summary

Exhibition Records Summary for each Artist, Curator, and Exhibition Venue in artist-info

Exhibition History Provides Important Insight

“You do not need to be a millionaire to access high quality but you do need to put a bit of time and effort into your own research or gaining access to some objective advice.”
Clare McAndrew, artseconomics.com

  Studying an artist’s work, reading an art critic’s opinion, and looking at recent as well as older artwork to understand how perspectives and point of views do change is important.
  All your findings and evaluations are based on the many exhibitions of artwork which take place around the world since many decades. An exhibition venue’s type, concept and vision contributes in an important if not fundamental way to the artist’s positioning – on the long way to perhaps showing after many years in a major museum or selling in a gallery or at an auction for a high price.

More Insight for More Outlook – Art Analytics Services

  It means that analyzing the exhibition records of artists, curators, and exhibition venues can be an important source of information helping to reveal a picture about the individual qualities of an artist.

  The Exhibition Records Summary for each artist, curator and gallery, museum, non-profit and collector’s venue on their artist-info page show the many valuable aspects the analysis of hundreds of thousands of exhibition records is providing.

  The Summaries complement artist-info’s Artist Exhibition Statistics showing the 100 artists with the highest number of exhibitions and the powerful VisualizingArtNetworks.com service, which analysis with a network graph and clusters and sub-clusters how artists, curators and exhibition venues are connected.

  An artist’s biographical notes might be a good starting point. Unfortunately in most cases they don’t provide information on the exhibition history of exhibition places, nor participating artists in group exhibitions, nor curators.
  artist-info’s cross-linked exhibition histories for artists, curators, galleries, museums, non-profit, and collector’s venues provide this substantial information with exhibition records from 1929 onwards for more than 150.000 artists, more than 11.000 exhibition places worldwide, and more than 500.000 exhibition records.

About the Summary Details

  How to read the individual Exhibition Record Summaries for all Artists, Curators, and Exhibition Places in artist-info.

  The summary section’s left part analysis the artist-info exhibition history records by numbers, type, countries, and cities.

Total-Solo-Group Exhibitions
Solo-Exhibition Solo-Exhibition
Group-Exhibition Group-Exhibition
Exhibitions in artist-info
Besides the total number of Exhibitions in artist-info the number of Solo- and Group-Exhibitions is displayed in brackets.
Whereas Solo-Exhibitions allow an in-depth presentation of artwork, the theme of a Group-Exhibition brings together different artists with the advantage of showing their individual approach and strength.
Summary Color Bar
74: 36 / 13 / 24 / 1
Total: Gallery / Museum / Non-Profit / Collector
Exhibitions by Type
At which type of Exhibition Venue took place the Solo- and Group-Exhibitions?
The numbers show the relation between gallery, museum, non-profit, and collector's venue exhibitions.
The numbers are visualized by a color bar, showing the relation between Gallery, Museum, Non-Profit, and Collector venue exhibitions.
Venue Type
49: 19 / 10 / 19 / 1
Total: Gallery / Museum / Non-Profit / Collector
Venues by Type
Took the artist part at exhibitions of many different galleries or museums, or just at one place?
The numbers and the graph are showing the result of analyzing all exhibitions in artist-info and their venue typ.
Countries - Top 5
Each country with the number of exhibitions based on artist-info records.
Countries where the Exhibitions took place
As an example artist-info records know for Pablo Picasso exhibitions in 22 countries.
Cities - Top 5
Each city with the number of exhibitions.
Cities where the Exhibitions took place
The cities with the highest number of Exhibitions based on artist-info records know.
artist-info records
The 'from' - 'to' date of the records in artist-info database.
Time Scope
artist-info is researching exhibition information from 1930 until today.
The time scope for each artist, curator, gallery, museum, non-profit or collector's venue might be different, depending on the available sources.
Please feel free to contact by email us for adding additional records.

  The summary section’s right part displays the top 5 artists, exhibition places and curators found in artist-info exhibition history records.

artist-info Services
btn_offers Artwork Offer
btn_ea-black Exhibition Announcement
btn_portfolio Artist-Portfolio
btn_3dots Visualizing Art Networks
The artists, curators, and exhibition venues in artist-info may be connected with Artwork Offers, Exhibition Announcements, or Artist Portfolios.
The icons show if they are available.
Did show together with - Top 5 of 459 artistsArtist Exhibition Records Summary
Due to many group exhibitions the number of artists who are related through these group exhibitions with the summary's artist can be high.
Some artists are repeatedly present in this Group Exhibition. The top 5 of them are displayed in this list, together with in brackets the number of times and following after the hyphen the total number of exhibitions of this specific artist in artist-info.
Venues - Top 5Artist Exhibition Records Summary
Which are the venues where the summary's artist was shown most? The list shows the top 5.
Curators - Top 5Artist Exhibition Records Summary
Who are the curators of the summary artist's exhibitions?
The list shows the top 5.
Shown artists - Top 5 of 186Curator Exhibition Records Summary
Depending on the number of a curator's exhibitions in artist-info records the number of shown artists can by high.
Some artists are shown repeatedly and are displayed in this top 5 list.
Venues - Top 5 of 7Curator Exhibition Records Summary
The list displays the top 5 Galleries, Museums, Non-Profit or Collector's venues where the curator did curate exhibitions, based on artist-info records.
Shown artists - Top 5 of 90
(no. of shows - all shows - Top 100
Exhibition Place Exhibition Records Summary
Depending on artist-info records the number of shown artists can be high, like e.g. for the MoMA, New York with 2342 artists in 833 exhibitions in artist-info. Some artists are shown more than one time.
The top 5 list shows the artists with the highest number of exhibitions at the specific exhibition place (number in brackets)
as well as after the hyphen the total number of exhibitions (solo- and group-exhibitions) of this artist in artist-info records.
The Top 100 page-link shows the 100 artists with the highest number of exhibitions (solo- and group exhibitions) in artist-info records.
The Top 100 list starts with Andy Warhol (1928-1987) with more than 585, Pablo Picasso (1881-1973) with more than 550, and Joseph Beuys (1921-1986) with more than 440 solo- and group-exhibitions.
Curators - Top 5Exhibition Place Exhibition Records Summary
The list displays the 5 curators with the highest number of exhibitions, based on artist-info records.
Linked through shown artists - Top 5 of 816Exhibition Place Exhibition Records Summary
The artists in the exhibition venue's exhibitions did show at other venues as well.
This query finds all venues in the cross-linked exhibition history records in artist-info and displays the top 5 of them.

About the Exhibition History

artist-info.com researches and documents contemporary art exhibitions from 1929 until today worldwide. The information of an exhibition, this is the start and end date, the exhibition venue, which is either a gallery, museum, non-profit’s, or a collector’s venue, whether it is a group- or a solo-exhibition, all participating artists, and the curators in case they are known, is displayed in a table below the Exhibition Summary section.
All this information is cross-linked and can be looked up by the names in the left column, which are always a link.
artist-info.com Exhibition History for a specific exhibition venue, artist, or curator might not be complete. Please sign on or contact us to add exhibitions from 1929 onwards.
The used icons and numbers in the Exhibition History table are

Exhibition Title and SubtitleExhibition Title
Exhibition Subtitle
Solo-Exhibition
Group-Exhibition
Solo-Exhibition
Group-Exhibition
btn_offers

Artwork Offer
All Artwork Offers are listed on our OFFERS AND REQUESTS page.
btn_ea-blackExhibition Announcement
All Exhibition Announcements can be found on our WAHT'S ON page.
btn_portfolioArtist-Portfolio
Access to all Artist-Portfolios or by category is possible on our ARTISTS Artist-Portfolio page.
btn_3dotsVisualized Art Networks
How we analyse them and which new and important insight they provide can be found on visualizingartnetworks.com.
(83)Number of exhibitions in artist-info database.
In this example 83 exhibitions.
+ 4Registering as user with artist-info.com gives you the possibility on your artist-info My Home page to add artists, curators or exhibition places to your Favorites and get informed about their updates on artist-info.
In this example 4 users selected the artist, curator, or exhibition place as Favorite.
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‘International Pop’ at Walker Art Center – Artists on View

Artists / Curators / Exhibition Announcements / History / pop-art
International Pop

Installation View of the Exhibition ‘International Pop’, Walker Art Center, Minneapolis, 2015

Walker Art Center

‘International Pop’ at Walker Art Center

  Organized by the Walker Art Center and on view April 11 through August 29, 2015, ‘International Pop’ is a groundbreaking historical survey that chronicles the global emergence of Pop Art from the mid-1950s to the early 1970s.
Find out more about all shown artists on this page.
Following the Walker’s presentation, the exhibition will travel to the Dallas Museum of Art (October 11, 2015 – January 17, 2016) and the Philadelphia Museum of Art (February 18 – May 15, 2016).
More details on the Walker Art Center artist-info ‘International Pop’ exhibition page.

  Another groundbreaking and important survey later this year is underscoring the Walker Art Center ‘International Pop’ exhibition by Darsie Alexander and Bartholomew Ryan and its new aproach: ‘The World Goes Pop’ at the Tate Modern, 17 September 2015–24 January 2016, with more details on the Tate Modern artist-info ‘The World Goes Pop’ exhibition page.

  Pop is among the most broadly recognized phenomena of postwar art, primarily identified with Britain and the U.S. In truth, however, the Pop impulse was strikingly nomadic, contagiously spreading not only through Britain and the U.S. but also Japan, Latin America, and

both Eastern and Western Europe. From its inception, Pop migrated across borders and media, seizing the power of mass media and communication to reach a new class of viewers and adherents who would be drawn to its dynamic attributes. Yet, as this exhibition will reveal, distinct iterations of Pop were developing worldwide that alternatively celebrated, cannibalized, rejected, or transformed some of the presumed qualities of Pop in the U.S. and Britain.

  Curated by Darsie Alexander (now Katonah Museum) with Bartholomew Ryan (now The Andy Warhol Museum) for the Walker Art Center in consultation with an international group of scholars and curators, International Pop asserts that Pop was not a singular artistic style or brand, but a roving spirit and ethos moving with unprecedented force through culture at large in the 1960s through a new abundance of everyday commodities, mass media production, and mainstream advertising.

  A key ambition of the exhibition is to show artists in the specific contexts from which they emerged, as well as to create relations between works across time and place. The exhibition is therefore organized into contextual sections—specific places or institutions—and broader thematic sections:

THEMATIC SECTIONS

New Realisms – The Image Travels & the Archive Shifts – Distribution & Domesticity – Pop & Politics – Love & Despair

CONTEXTUAL SECTIONS

Britain: The Independent Group & the New Scene
Germany: Capitalist Realism
Brazil: The New Consciousness
Argentina: The Instituto Torcuato Di Tella & Pop Lunfardo
Japan: The Sōgetsu Art Center & Tokyo Pop

‘International Pop’ at Walker Art Center – 140 Artists on View by Exhibition Section

New Realisms
Thomas Bayrle (*1937)
Antônio Dias (*1944)
Jim Dine (*1935)
Richard Hamilton (1922-2011)
Jean-Pierre Mirouze (*1936)
Robert Rauschenberg (1925 - 2008)
Martial Raysse (*1936)
James Rosenquist (*1933)
Mimmo Rotella (1918-2006)
Niki de Saint Phalle [Niki Matthews] (1930-2002)
Mario Schifano (1934-1998)
Shinohara Ushio (*1932)
Jean Tinguely (1925-1991)
Andy Warhol (1928-1987)
The Image Travels, The Archive Shifts
Bruce Conner (1933-2008)
Antônio Dias (*1944)
Rosalyn Drexler (*1926)
Ray Johnson (1927-1995)
Jirí Kolár (1914-2002)
Július Koller (1939-2007)
Roy Lichtenstein (1923-2997)
Eduardo Paolozzi (1924-2005)
Peter Roehr (1944-1968)
Tanaami Keiichi (*1936)
Distribution & Domesticity
Billy Apple (*1935)
ERRÓ, [Gudmundur Gudmundsson] (*1932)
Marisol (Maria Sol Escabar) (*1930)
Robert Indiana (*1928)
Edward Ruscha (*1937)
Shinohara Ushio (*1932)
Paul Thek (1933-1988)
Wayne Thiebaud (*1920)
Robert Watts (1923-1988)
Tom Wesselmann (1931-2004)
Pop & Politics
Genpei Akasegawa (1937-2014)
Thomas Bayrle (*1937)
Waldemar Cordeiro (1925-1973)
Jorge de la Vega (1930-1971)
Öyvind Fahlström (1928-1976)
León Ferrari (1920-2013)
Jasper Johns (*1930)
Kudo Tetsumi (1935-1990)
Sergio Lombardo (*1939)
Marcello Nitsche (*1942)
Hélio Oiticica (1937-1980)
Yoko Ono (*1933)
Yoko Ono & John Lennon (*1933, 1940-1980)
Tiger (Kouichi) Tateishi (*1941)
Cláudio Tozzi (*1944)
Love & Despair
Evelyne Axell (1935-1972)
Waldemar Cordeiro (1925-1973)
Rosalyn Drexler (*1926)
Tano Festa (1938-1988)
Jann Haworth (*1942)
David Hockney (*1937)
Pino Pascali(1935-1968)
Wanda Pimentel (*1943)
Michelangelo Pistoletto (*1933)
Marjorie Strider (1934-2014)
Andy Warhol (1928-1987)
Jerzy Ryszard 'Jurry' Zielinski (1943-1980)
Jana Želibská (*1941)
Shop Window
Genpei Akasegawa (1937-2014)
Clive Barker (*1940)
Christo [Christo Javacheff] (*1935)
Fluxus: "Eric Andersen (*1940), George Brecht (1926-2008), John Cale (*1926), John Cavanaugh (1921-1985), Albert Fine (1932-1987), Ken Friedman (*1949), Fred Lieberman (1940-2013), George Maciunas (1931-1978), Yoko Ono (*1933), Ben Patterson (*1934), Willem de Ridder (*1939), James Riddle (*1933), Paul Sharits (1943-1993), Bob Sheff (*1945), Stanley Vanderbeek (1927-1984), Ben Vautier (*1935), Robert Watts (1923-1988)"
Jasper Johns (*1930)
Yayoi Kusama (*1929)
Cildo Meireles (*1948)
Colin Self (*1941)
Andy Warhol (1928-1987)
Robert Watts (1923-1988)
Britain: The Independent Group & The New Scene
Peter Blake (*1932)
Derek Boshier (*1937)
Pauline Boty (1938-1966)
Richard Hamilton (1922-2011)
Eduardo Paolozzi (1924-2005)
Joe Tilson (*1928)
Germany: Capitalist Realism
Capitalist Realism Portfolio: "K. P. Brehmer (1938-1997), K. H. Hödicke (*1938), Konrad Lueg (1939-1996), Sigmar Polke (1941-2010), Gerhard Richter (*1932), Wolf Vostell(1932-1998)"
Manfred Kuttner (1937-2007)
Konrad Lueg (1939-1996)
Sigmar Polke (1941-2010)
Gerhard Richter (*1932)
Brazil: The New Consciousness
Antônio Henrique Amaral (*1935)
Raymundo Colares (1944-1986)
Antônio Dias (*1944)
Rubens Gerchman (1942-2008)
Nelson Leirner (*1932)
Anna Maria Maiolino (*1942)
Antonio Manuel (*1947)
Marcello Nitsche (*1942)
Décio Noviello (*1929)
Cláudio Tozzi (*1944)
Andy Warhol (1928-1987)
Argentina: Instituto Torcuato Di Tella & Pop Lunfardo
Edgardo Giménez (*1942) & Marilu Marini (*1945) & Dalila Puzzovio (*1942) & Alfredo Rodriguez Arias (*1944) & Charlie Squirru (*1934) & Juan Stoppani (1935)
Delia Cancela & Pablo Mesejean (*1940, 1937-1991)
Eduardo Costa (*1940)
Edgardo Giménez (*1942)
Edgardo Giménez & Dalila Puzzovio & Charlie Squirru ( (*1942, *1942, *1934)
Marta Minujín (*1943)
Marta Minujín & Rubén Santantonín (*1937, *?)
Dalila Puzzovio (*1942)
Charlie Squirru (*1934)
Japan: Sogetsu Art Center
Jasper Johns (*1930)
Kojima Nobuaki (*1935)
Okamoto Shinjiro (*1933)
Robert Rauschenberg (1925-2008)
Shinohara Ushio (*1932)
Tanaami Keiichi (*1936)
Tezuka Osamu (1928-1989)
Yokoo Tadanori (*1936)
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Follow artist-info.com on Instagram

Artists / Collector / Community / Exhibition Announcements / Gallery / Museum / News and Notes
artist.info on Instagram

null Follow artist-info.com now as well on Instagram at artist.info

We started January 20 our Instagram feed to post exhibition views at galleries, museums, non profit venues and collector’s venues as well as for other information like our monthly art fairs summary and other artist-info.com news to make it easier to discover and follow a wide range of interesting artists and exhibitions we would like to share with you.

Our Instagram exhibition picks from venues around the world
– are related to our Exhibition Announcements on our WHAT’S ON page
– or are editor’s picks of exhibitions we like and we want to share with you.

Login to Instagram, find us at artist.info and follow us.
Keep us updated with your exhibition news and mail us your press release using mail@artist-info.com

Facebook Follow us on Facebook artistinfo.meetingplace
Google+ Follow us on Google+ +artist-info

Find today with artist-info.com
more than 137.316 artists and 4.749 curators in 420.468 shows (1930 — tomorrow) in 11.210 exhibition venues in 1.332 cities in 155 countries.
Find out more about artist-info.com services and analytics for contemporary art worldwide with
null Exhibition History, null WHAT’S ON – Exhibition Announcements, Art Fairs Calendar, null Artist-Portfolios, null Artwork Offers, Newsletter Service
null Visualizing Art Networks for artists, exhibition places, and curators
null / ARTISTS – Artist Exhibition Statistics worldwide – Top 100

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Art Fairs worldwide in March 2015

Art Fairs / Collector / Gallery
art fairs in March 2015

Find for March 2015 details for 39 art fairs on our artist-info.com art fairs calendar page.

Austria - Wien
China - Hong Kong
France - Metz, Paris
Germany - Baden-Baden, Karlsruhe
Italy - Cremona, Milano
Japan - Tokyo
Netherlands - Maastricht
South Africa - Cape Town
Spain - Madrid
United Arab Emirates - Dubai
United Kingdom - London
United States - Arlington, New York

art austria – Art Basel Hong Kong – AHAF Hong Kong 2015 – Art Central Hong Kong – Art Edition 2015 – Asia Contemporary Art Show – Art Paris Art Fair – STILL ART FAIR – DRAWING NOW PARIS – LE CONFIDENTIEL DU YIA ART FAIR – PAD Paris – art3f Metz – FINE ART Kurhaus Baden-Baden – art Karlsruhe – Affordable Art Fair Milano – ARTE Cremona 2015 – ART FAIR TOKYO – 3331 Arts Chiyoda – TEFAF – ART DUBAI – Affordable Art Fair Battersea – Affordable Art Fair New York – Capital Art Fair – Asia Art Fair – Fountain Art Fair – scope NEW YORK – art on paper – Moving image – NEW CITY ART FAIR – PULSE NEW YORK – The Armory Show – VOLTA NY – Independent – The Art Show – AADA – SALON ZÜRCHER – CAPE TOWN ART FAIR – JUSTMAD6 – ARCO – ART MADRID – Casa Leibniz

… please let us know in case we forgot one!

Find all details on our art fairs calendar page.

Artist, Curator, and Exhibition Venue Networks on VisualizingArtNetworks.com

Analytics / Art Networks Visualized / Artists / Collector / Curators / Gallery / Museum / Non-Profit Place / Research
artist-info.com Visualizing Art Networks

Five different viewpoints to Visualize Art Networks.

Visualizing the network of artists, curtors and exhibition venues

How are artists and exhibition places and curators connected among each other?

The world of contemporary art might have many random aspects, but on an upper level the bits and pieces summarize to network structures and clusters.
All 5 examples of artist-info.com Visualizing Art Networks can be reached directly with sub-domains.

See below details and sub-domains for the examples.

Visualizing Art Networks uses artist-info database to get an image about how artists, curators, and exhibition places are connected through their activities of showing specific artists.

By zooming in and selecting a node you can visualize sub-clusters and see not only the artist’s connection to the center, but as well their connections among each other.
Some are connected with each other members of the sub-cluster, some not.
The search on the left lets you find a specific network member.
The sidebar on the right provides you in its header with a link to switch to the network mebers artist-info page with all in-depth information, shows availabe Exhibiton Annoucnements, Artwork Offers, or Artist-Portfolio, and lets you switch to the network members community channels.

More information can be found on our other blog post
Visualizing the World of Contemporary Art
and on our website visualizingartnetworks.com

ARTIST-artists
Example for an ARTIST-artists network
ARTIST-artists
ARTIST-exhibition places
Example for an ARTIST-venues network
ARTIST-exhibition places
CURATOR-artists
Example for a CURATOR-artists network
CURATOR-artists
EXHIBITION PLACE-artists
Example for a VENUE-artists network
EXHIBITION PLACE-artists
EXHIBITION PLACE-exhibition places
Example for a VENUE-venues network
EXHIBITION PLACE-exhibition places
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Who wants to miss Community Channels

Community / News and Notes / Newsletter Service
Cummunity Channel Links on artist-info.com

Who wants to miss Community Channels

artist-info provides for each artist, curator, and exhibition place, like gallery, museum, non-profit or collector’s venue, the possibility to add Links of Community Channels they are using to reach their audience.
These are
Facebook Facebook    Google+ Google+    Instagram Instagram    LinkedIn LinkedIn    vimeo vimeo    YouTube YouTube.

The Stedelijk Museum Amsterdam artist-info-page shows, how it works.

To add these links contact us at support@artist-info.com

Artist Exhibition Statistics

Analytics / Artists / Collector / Curators / Exhibition Statistics / Gallery / Museum / News and Notes / Non-Profit Place / Research
Artist Exhibition Statistics


The daily updated statistics can be found on artist-info Artist Exhibitions Statistics page.

Top 100 Artists Exhibition Statistics

Auction price statistics only offer a very limited insight into the world of contemporary arts.
Since many decades exhibitions are playing a key role in each artist‘s biography as well as for exhibition places, worldwide.
So far, statistics on the artist’s exhibitions worldwide haven’t been available.
Based on more than 410.600 solo- and group exhibitions between 1930 and today by more than 135.800 artists shown in more than 11.150 Galleries, Museums, Non-Profit Place and Collector Venues in more than 1.310 cities in 155 countries in artist-info.com database, our new Artist Exhibition Statistics page shows who was shown most.
It provides like this new insight into the world of contemporary art worldwide.

Statistics Page Details

The artist-info.com Artist Exhibition Statistics page shows
the 100 artists with the highest number of exhibitions in artist-info.com database.
Exhibition Statistics Details
– Statistics of Solo- and Group-Exhibitions,
The artist list is sorted downwards by the total number of exhibitions, which includes group- and solo-exhibitions.
The icons on the left side of the artist’s name indicate available artwork offers, exhibition announcements or an artist portfolio.
– Statistics by Exhibition Place Type
The numbers on the table’s right side display the individual number per exhibition place category,
which are gallery, museum, non-profit, collector, followed by the total number of exhibition places where the exhibitions took place.

Find the Artist Exhibition Statistics page at
artist-info.com Main Navigation / ARTISTS – Artist Exhibition Statistics

Different Focus Available

Exhibition statistics with a different focus are available on demand.
Possible are for example statistics for each individual artist in artist-info.com database, not only the top 100.
Limiting the geographical focus for example for a continent, like North America or Europe, or a specific country, is possible as well as selecting only exhibitions of the last 10 or last 20 years.

New Insight with New Tools

artist-info.com Artist Exhibition Statistics page
and artist-info.com Network-Visualization
are new services for a new insight into the world of contemporary art worldwide.
Additional artist-info.com services are Exhibition Announcements, Artwork Offers and Requests, Art Fairs Calendar, Artist-Portfolios, and our Newsletter Service.

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Visualizing Art Networks

Analytics / Art Networks Visualized / Artists / Collector / Curators / Gallery / Museum / Non-Profit Place / Research
ARTIST-artists network visualization

Detail of the ARTIST-artists network. To open the complete view in a new browser window click here.

Visalizing Art Networks

How are artists and exhibition places and curators connected among each other?

The world of contemporary fine art might have many random aspects, but on an upper level the bits and pieces summarize to network structures and clusters.
It is the first time ever a network graph is used to analyse and describe the world of contemporary art with artists, curators, and exhibition places.
The exhibition history is for all, the artist with a biography on solo- und group-exhibitions, the exhibition venue with its program, and the curator an important source for their profile and positioning, their mission and quality. And although their individual branding is existential to them they are all building upon each other’s efforts in some way.
However, retracing geographically and chronologically the exhibition information using a network graph wouldn’t reveal much new insight.
Using Big Data and cross-linking and analyzing all exhibition histories from 1930 up to today on the basis of ‘nomen est omen’ artist-info.com is offering new insight on a meta level.
Visualizing Art Neworks by artist-info is identifying, helping to explore and to develop the valuable connections between artists, curators and exhibition places.
The Visualization identifies, helps to explore, and to develop the valuable connections among the participating artists, curators and exhibition places.

Using Network Graphs

The human eye is able to explore and interpret visual sources like a network graph in much greater depth than it would be possible with lists and tables. Transforming scientific

research results, queries and data analysis into visual graphs provides new insight which is not visible otherwise.
Social Network Analysis (SNA) with network graphs is used to show with nodes and etches the relations of network members, based on their attributes.
It is our starting point for visualizing the world of contemporary art.

Finding a Reliable Source

Although there might be a number of different levels on which artists, curators, exhibition places meet, and other institutions and individuals involved in contemporary art exchange their views and develop their contacts, there is one stable and reliable level, which mirrors these networks.
It is the wide scope of exhibitions of an artist and the wide scope of the many different exhibition places showing artists in a known or new context, following a vision and a new point of view to question a specific status.
Cross-linking all exhibition information enables us to understand the world of contemporary art with the artists, curators and exhibition places as many networks besides one another. The reason the members of these networks were connected among each other are their individual vision, and their concept, to show the artist’s work under known or new conditions.

Filling the Gap

Although the printed biography of an artist provides basic information, it almost never tells, who else was shown in a group exhibition, to be able to see the scope of concept and idea which lead to this exhibition. Listing the exhibition places where an artist did show his work always leads to the question, what makes this venue important for the artist? artist-info.com exhibition histories provide this missing information on the basis of reliable research.
For us artist-info.com exhibition history details are an elementary source for insights and to compare different visions, concepts, approaches and attitudes among the many possibilities to look at the position of artists and their work and exhibition places in the world of contemporary art.

  Visualizing Art Networks

Visualizing Art Networks provides for a specific artist, curator, or exhibition place (gallery, museum, non-profit place, or collector) as the CENTRAL node the following points of view for visualizing their network, showing how the members of the network are connected with the CENTRAL node and among each other.

Open these interactive examples in a new browser window
  ARTIST ⇔ artists
  ARTIST ⇔ exhibition places
The two views available for an artist are showing how all artists are connected through exhibitions, and how the venues are connected through artists.

  CURATOR ⇔ artists
The view for a specific curator shows this curator, the exhibited artists and their connections among each other through exhibitions.

  EXHIBITION PLACE ⇔ artists
  EXHIBITION PLACE ⇔ exhibition places
The two views for an exhibition place show how artists are connected among each other, and how the specific venue is connected through artists with other exhibition places.

– Individual Browser Window
Network Visualization is available through an individual sub-URL to be displayed in its own browser tab or window.
To be able to explore the network graph with all its details, the user can zoom in with buttons at the bottom of the browser window. Zooming in will show the node’s names.
Each node can be clicked to filter its relations in connection with central node.
– Side Panes
Each individual selection of a cluster can be searched for member’s names with the search window at left. In the right side pane more details of network members are shown.
These are all members of the selected subset, including a link to the individual artist-info.com page, and some more details like available Exhibition Announcements or Artwork Offers, and community page links like Facebook, Google+, LinkedIn, or YouTube. Underneath are listed all members of the displayed network graph.
– Layout Characteristics
The network graph’s layout elements like color, the distance between nodes, or diameter of nodes is used to interpret specific attributes related to a node. These are for example the number of con-nections to other nodes, the number of exhibitions together with the central node to which the whole network graph is related.
– Propagations / Recommendations
Furthermore, the visualized results of our queries include propagations / recommendations for possible new connections.
These nodes are not directly connected with the central node but with a member. They are based on the statistic evaluation of highest number of exhibitions together with the specific member and are shown as ‘outsider’ nodes with a single line near the edge of the displayed visualization.

Explore and Discover with Visualization New Sides of Contemporary Art

artist-info network visualization identifies, helps to explore, and to develop the valuable connections among the participating artists, curators and exhibition places.
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Martin Blume – Vision

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Martin Blume - 'Vision'

Martin Blume, ‘Vision’, 2004, Auflage 4/25, Schwarzweiß, Baryt, Handabzug, 24 x 20 cm / 9 1/2 x 8 inches

“Eigentlich ist mir die Malerei am nächsten, aber ich bleibe doch letztendlich der, der ich bin: der mit dem Licht zeichnet.”
“I am closer to painting than to anything else. However, at the end I am what I am: A painter who paints with light.”
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The magic of photography, which is able to capture a single moment on film, may be on its way to becoming a lost art by virtue of its very omnipresence. Nonetheless, as Walter Benjamin realized, just leafing through a childhood photo album, or close study of the art photography of the past, can still vividly reveal to us the fascinating power of the photographic image.

Douglas Isaac Busch and Martin Blume have mastered the art of still photography in the grand old manner. Their Vestiges project sifts through the remains of an era that the Renaissance termed “the Middle Ages.” A friendship of seven years’ duration between two artists from opposite sides of the Atlantic has resulted in a search for artifacts that seeks to document the cultural roots of both artists. The search, as well as the friendship, has found its visual expression in photographic images of American and European forts from the ninth to the sixteenth centuries. These two artists‘ investigations of Anazi forts in the four Corners region of the U.S. southwest, as well as knights‘ castles in the German state of Rheinland-Pfalz and the Alsace region of France, has followed an extraordinary seismographic trail. These two artists were of course not driven by the desire to make archaeological discoveries, nor did they have an aesthetic bee in their bonnet in the manner of Romantic painters who created pictures of the present infused with melancholy. Vestiges is instead an attempt to investigate the wreckage flung at the feet of the angel of history, and to reconstitute this wreckage visually using the unmatched precision of large format photography.
[Text by Christoph Schaden, 2005, published in: Douglas Isaac Buch/Martin Blume. Vestiges, Stuttgart 2005, p. 5.]

Martin Blume, ‘Vision’, 2004, Auflage 4/25, Schwarzweiß, Baryt, Handabzug, 24 x 20 cm
Martin Blume gilt als bedeutendster Schwarz-Weiß Fotokünstler Deutschlands. Der Himmel auf dieser Schwarz-Weiß Fotographie ist eigentlich blau – so das ich zu der Aussage gekommen bin: „Manchmal muss man erkennen, dass der Himmel blau ist“. Dieses Bild hat eine tiefere Aussagekraft – das ist der Ansatz von Martin Blume. Attraktiv ist auch der 3D Effekt des Bildes. Zustand: Die Fotokunst befindet sich in einem einwandfreien Zustand – an den Seitenrändern weist sie leichte Vintage-Mängel auf.
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KUNSTHALLE ERFURT – Julian Röder & Robert Capa

Artists / Exhibition Announcements / Museum / Non-Profit Place
KUNSTHALLE ERFURT - Julian Röder & Robert Capa

Julian Röder, Monitoring Zeppelin, Southern France, 2013 – Aus der Serie Mission and Task, 2012/13, Archival pigment print, 78 x 109 cm / 31″ x 43″, © Julian Röder, Courtesy Russi Klenner

KUNSTHALLE ERFURT

CC – Classic Contemporary – Julian Röder & Robert Capa
July 18 – September 28, 2014

As part of its photo exhibition series CC – Classic Contemporary, KUNSTHALLE ERFURT presents a two-person exhibition of works by Julian Röder (*1981) and Robert Capa (1913–1954), curated by Silke Opitz.
Both photographers focus on such themes as “socio-political processes of change” in which “conflict and war” serve as the catalysts or consequences of these processes.

Like Capa, Julian Röder is not only fascinated with the (potential) violence or military engagement, but rather the tensions of human interaction and co-existence which precede these.
Röder is particularly interested in social changes and upheavals that are driven by historic-political events, in other words, in their “real” visible form, which, to some extent, can be attributed to the artist’s background. Yet by focusing on the East-West German conflict, he also documents transformation processes around the world, driven in large part by globalization. In his photos, he presents those empty phrases and catchwords of bygone, post-modern phenomena and their consequences in a very concrete way.
However, Röder’s photos also play on the contrasting aesthetics of paintings of historic battles, advertising images and photo-journalism. He makes reference to our viewing habits and points of view, and consciously creates ambiguity of perspective. This might make his (recent) works appear more artistically motivated than the iconic (war) reporting and propaganda photos by Endre Ernö Friedmann.
As part of its CC – Classic Contemporary series at the Erfurt Kunsthalle, this double exhibition includes almost all of Julian Röder’s past photo series and comparatively presents them alongside selected works by Robert Capa.

It wasn’t only the “Americanised” pseudonym which made Robert Capa a legend. In hindsight, it was his life story and physical appearance which gave the photographer and co-founder of Magnum Photos such charisma, evident even in his self-portraits. These portraits reflect Capa’s eventful life, his politically motivated “bravado and daredevil camera work”. His auratic B/W photos are proof of how “close-up” Capa literally was in each scene. What is also fascinating was his ability to capture that immanently “right” moment – the spectacular moment. Yet Capa was also strongly influenced by the aesthetics of the classical avant-garde (and its proximity to propaganda and advertising), as we see in his photos of life in Russia and that of Ukrainian peasants after World War II.

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