All Posts in Category Research
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![]() Herbert von Garvens was not a gallerist, he was not an art dealer, he was not a museum director, and he was not the director of a non-profit space. He was an important collector who wanted to share his enthusiasm and discoveries with the public, at a time, in which new art, the avant-garde was much less accepted than we may be aware of today, 100 years later. | ![]() |
![]() The first Bauhaus retrospective in December 1930 in Cambridge (MA) was organized to defend the historical role, and its essential meaning for future development. The retrospective exhibition took place from early December 1930 until January 13, 1931 at the Harvard Society for Contemporary Art, entitled ‘Bauhaus: 1919-1923 Weimar / 1924 Dessau’. | ![]() |
![]() The influential book 'Nach-Expressionismus. Magischer Realismus. Probleme der neuesten Europäischen Malerei' by Franz Roh, published in autumn 1925, includes 2 lists of altogether 110 artists. Our survey compares the list of artists in Franz Roh's book with the exhibited artists by Gustav Friedrich Hartlaub in Mannheim in 1925, the exhibitions in Jena 1926, Berlin 1927, and Amsterdam 1929, and further the artists in the exhibition 'Neue Sachlichkeit', Haus am Waldsee, Berlin 1961 and exhibitions in the 90s up to the present, which take a new look at this European phenomenon of the 20s and 30s. | ![]() |
![]() The exhibitions of The Harvard Society for Contemporary Art, active 1929-1932, are often cited because of their important if not groundbreaking focus. Looking up with artist-info.com the artists of e.g. An Exhibition of American Art, Feb-Mar 1929, may be most helpful for your research, including looking up the artists of the other exhibitions between 1929 and 1932. | ![]() |
![]() Two important photography collections covering the 20s and 30s, one question: Which insight offers the juxtaposition of the collection's artists? | ![]() |
![]() Art is a peace-maker and reunites people, as the French and the German statements for the catalog of Ausstellung Französischer Malerei (Oct 29 – Nov 26, 1916), Museum / Kunstverein Winterthur and of Ausstellung Deutscher Malerei XIX. und XX. Jahrhundert (Aug 19 – Sep 23, 1917), Kunsthaus Zürich demonstrate. | ![]() |
![]() About G.M. (Gerd Meyer, Oldenburg 1894 – 1987 Delmenhorst) in the Dreier Bequest and about his exhibitions, about the Gallery Linne, Ziegert & Co., Bremen, about Ferdinand Adolph Linne (Bremen *26.04.1876) and Otto Erich Ziegert (Zerpenschleuse 01.07.1900 - 28.12.1978 Düsseldorf). | ![]() |
![]() Who are the 160 artists in the catalog? Our survey seeks the answer to this question in identifying and allocating the artists through their many exhibitions from 1880 up to the present on artist-info.com and to provide like this new insight and overview to prove the importance of this exhibition not only for the well-known artists. | ![]() |
![]() Mythologies quotidiennes (Jul 1 – Oct 30, 1964) - Two important additional facts on the invited artists: The number of participating artists wasn’t 34 but 36, and who is ‘Gracia’? | ![]() |
![]() International Pop (Apr 11 – Aug 29, 2015) is a groundbreaking historical survey that chronicles the global emergence of Pop Art from the mid-1950s to the early 1970s. A key ambition of the exhibition is to show artists in the specific contexts from which they emerged, as well as to create relations between works across time and place. | ![]() |
![]() As part of its photo exhibition series CC – Classic Contemporary, KUNSTHALLE ERFURT presents a two-person exhibition of works by Julian Röder (*1981) and Robert Capa (1913–1954), curated by Silke Opitz. | ![]() |
![]() Which artists were shown between 1957 – 1966, the years the gallery was active? How was the gallery and the artists connected with other venues of the time? Find out more on our interactive Ferus Gallery exhibition history timeline. | ![]() |
![]() Through our research for the renowned Ferus Gallery (1957 – 1966) we could understand through an interview given by Llyn Foulkes how it all began and how Llyn Foulkes was received in the late 50s and early 60s. | ![]() |
![]() Curating an exhibition is one of many ways for an artist to collaborate with other artists. Damien Hirst‘s (* 1965) groundbreaking and controversial work has made him one of the world’s best-known living artists – not to forget his success as curator. | ![]() |
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