Artist | Henry Moore (1898 - 1986)

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    • Henry Moore

      Large Standing Figure: Knife Edge1961

Biography

Biography

Henry Moore - A short biography

Henry Moore, the seventh of eight children of Raymond Spencer Moore and his wife Mary, was born in the small coalmining town of Castleford, Yorkshire, on 30 July 1898. Moore's childhood was typical of many. He was part of a large family with a loving mother and an intelligent father who was determined that all his children should be well educated and should advance in life as far as they were able with his encouragement. Moore went to infant and elementary schools in his home town, and entered Castleford Secondary School via a scholarship when he was eleven years old.

He was determined to sit the examinations for a scholarship to the local art college, but his father, ever a practical man, thought that he should follow an elder sister into the teaching profession. After a brief introduction as a student teacher, Moore began teaching full-time at his old school in Castleford. He was also asked, as an older boy, to design and carve a Roll of Honour for the names of all the former students who were marching off to war.

Soon it was to be Moore's turn; he enlisted at the age of eighteen and presently joined the 15th Battalion The London Regiment, known as the Civil Service Rifles. Shortly afterwards he was sent to France, where he and his regiment took part in the battle of Cambrai. Moore's active participation in the war ceased when he was gassed; he was sent back to spend two months in hospital. After convalescence he became a physical training instructor and later returned to France, but by then the war was over.

Moore went back to his teaching post in Castleford, but he now knew that teaching in school was not for him. He applied for and received an exserviceman's grant to attend Leeds School of Art. He continued to live inCastleford, travelling to Leeds by train every morning and back at night. There was no sculpture tutor at Leeds, but because Moore insisted that he wanted to study sculpture, one was appointed. At the end of his second year he won a scholarship to the Royal College of Art in London.

Now followed a period of intense activity for Moore, a thirsting for knowledge, an outpouring of ideas, many of them into the pages of the notebooks which have survived to this day. He studied the collections in the Victoria and Albert Museum and the Tate Callery, but his greatest interest lay in the British Museum, where he observed intently the collection of Mexican Aztec sculpture.

In 1924 Moore was appointed as sculpture instructor at the Royal College. It was there he met Irina Radetsky, a painting student at the college, whom he married a year later. The couple lived in Hampstead, where they mingled with many aspiring young artists and writers, including Ben Nicholson, Barbara Hepworth, Stephen Spender and Herbert Read.

Moore now became involved in the art life of London. His first commission, received in 1928, was to produce a sculpture relief for the newly opened Headquarters of London Transport at St James's Underground building. His first one-man exhibition, which consisted of forty-two sculptures and fifty-one drawings, opened at the Warren Gallery in 1928; it was followed by a second show consisting of thirty-four sculptures and nineteen drawings at the Leicester Galleries in 1931. From the 1931 exhibition came the first sale to a gallery abroad,: the small Head in ironstone, which was purchased by Dr. Max Sauerlandt, the director of the Museum für Kunst und Gewerbe in Hamburg. Not all the response was favourable, however. The art critic of the London Morning Post led the opposition with: 'The cult of ugliness triumphs at the hands of Mr Moore. He shows an utter contempt for the natural beauty of women and children, and in doing so, deprives even stone of its value as a means of aesthetic and emotional expression.

In the 1930s came three more one-man shows, all at the Leicester Galleries. Moore also participated in major group exhibitions of the time. In 1931 he exhibited three works in the Plastik exhibition in Zurich. In 1936 Alfred Barr, then director of the Museum of Modern Art in New York, borrowed Moore's Two Forms of 1934, in Pynkado wood, for his Cubism and Abstract Art exhibition; later Barr purchased the work, which became the first Moore sculpture in an American
public collection.

At this time Moore was a regular visitor to Paris. In 1934 he and Irina made their only visit to Spain, visiting Altamira, Madrid, Toledo and Barcelona. In 1936 Moore signed the manifesto urging the end of a policy of non-intervention in Spain. He attempted to go to Republican Spain as part of a delegation of English artists and writers, but their request for permission to travel was rejected by the British. Government. When war broke out in September 1939, the Moores were staying in a cottage at Kingston, in Kent; because of its proximity to Dover access was restricted, and the couple decided to return to London. Moore's teaching at Chelsea School of Art came to an end, however, when the college was evacuated to Northampton.

In 1940 their Hampstead home was damaged by a nearby bomb, and the Moores rented a house in Perry Green, a small hamlet in Hertfordshire, forty kilometres north of London. Here the artist would remain for the rest of his life. Moore was already forty-two years old, well known to those in the arts but as yet still unknown to the general public. Within six or seven years he would be widely recognised both in Britain and internationally. In the early 1940s he had begun to make drawings of people sheltering from air-raids in the London Underground. These drawings, together with those he made subsequently in the coalmines, are considered among his greatest achievements.

Moore's first retrospecitve exhibition was held at Temple Newsam, Leeds, in 1941. The same year he received the commission for a Madonna and Child at St Matthew's Church, Northampton. In 1945 came his first honorary doctorate, from the University of Leeds. His daughter Mary was born in 1946, the year of his first foreign retrospective exhibition, at the Museum of Modern Art, New York. Now the abuse which Moore had received in the thirties turned into the praise of the fifties and sixties. Honours, honorary degrees, prizes, commissions and awards were showered upon him. The International Sculpture Prizes at the 24th Venice Biennale in 1948 and at the 2nd Sao Paulo, Bienal in 1953, his appointment as a Companion of Honour in 1955 and to the Order of Merit in 1963, the award of the Erasmus Prize in 1968 and the Goslar Prize in 1975 are just a few from a chronology of over seventy accolades emanating from a dozen countries. At the same time, the demands for exhibitions of his work continued to increase, both in number and in scale. By the end of the seventies the number of exhibitions had grown to an average of forty a year, ranging from the very small (a loan of a few graphics to a school or village hall), through dealers' shows and touring exhibitions organised in more remote corners of the world by the British Council, to major international retrospectives with huge budgets taking years of detailed planning and preparation. In 1972 came the Florence exhibition, the largest and most impressive to that date, the exhibition which set the standard for all subsequent 'blockbusters'. In 1981 the Madrid exhibition, the first major foreign exhibition in Spain for over forty years, marked the return of that country into the cultural life of Europe. Then came the retrospective at the Metropolitan Museum in New York during 1983, the large survey exhibitions in Hong Kong and Japan in 1986, and in 1987 the first major posthumous exhibition at the National Gallery of Modern Art in New Delhi.

But while the world was honouring him, Moore was all the time giving back. A gift of over two hundred sculptures and drawings and a complete collection of graphics was made to the Art Gallery of Ontario in 1974. Over thirty major piecesand another collection of graphics went to the Tate Gallery in 1978. Other gifts have included drawings to the British Museum and graphic work to the Victoria and Albert Museum and the British Council in London. In 1980 Moore laid the foundation stone for the Henry Moore Centre for the Study of Sculpture in Leeds. This opened in 1982 and is endowed by the Henry Moore Foundation. A few years before his death in 1986 Moore gave the whole estate at Perry Green with its studios, houses, cottages and collection of work to the Trustees of the Henry Moore Foundation to administer in perpetuity, charging them with the allocation of grants, bursaries and scholarships to promote sculpture within the cultural life of the country. Moore's relationship with Germany stretches back over forty years. In 1931 he made the first sale of a work abroad to the Museum für
Kunst und Gewerbe in Hamburg. The art historian and critic Herbert Read lectured in Germany in the late 1940s and introduced Henry Moore to an eager German art scene. It was in the late 1950s that Harry Fischer, an Austrian art dealer in London, introduced Moore to Hermann Noack, head of the Berlin bronze foundry. From then to his death in 1986 Moore sent a large number of his works to be cast in Berlin, and of the many casts made there two, The Archer 1964-65 and Large Divided Oval: Butterfly cast 1985-86, have been sited in the city. During the 1950s and 1960s many important German museums and collections acquired works by Henry Moore.

Harry Fischer was also instrumental in organising the purchase and subsequent gift of a complete collection of Moore's graphic work to the Wilhelm Lehmbruck Museum in Duisburg. Among German cities in which large outdoor sculptures can be seen are Bielefeld, Duisburg, Düsseldorf, Essen, Hamburg, Hanover, Munich, Nuremberg, Recklinghausen, Stuttgart and Wuppertal. The largest of Moore's warrior figures was acquired by the city of Goslar in 1975, and the sculpture is now known as the Goslar Warrior. In the same year Moore became the first recipient of the Goslar Prize.

In 1957 Moore was awarded the Stefan Lochner Medal by the city of Cologne; in 1961 he was elected a member of the Akademie der Künste in Berlin, in 1968 he was given the Federal Republic's Order of Merit, and in 1972 he was elected a Foreign Member of the Orden pour le Mérite für Wissenschaften und Künste. The former Chancellor of Germany, Helmut Schmidt, was a great admirer of Moore's work and a personal friend of the artist. It was he who succeeded in acquiring Large Two Forms 1966-69 for the Bundeskanzleramt in Bonn, a sculpture which was also cast by Noack in Berlin.

A British Council exhibition of Moore's sculptures and drawings travelled to Hamburg and Düsseldorf in 1949 and since then his work has been seen throughout Germany. Recent major shows have included an exhibition in 1979 which travelled to Bonn and Ludwigshafen, a sculpture exhibition in Munich in 1983, a tour of his war drawings to Berlin, Leipzig, Halle and Dresden in 1984 and a thematic exhibition based on the theme of Mother and Child which was seen in four German towns in 1992.

Text by: David Mitchinson / Julie Summers, in: Henry Moore - Ethos und Form; exhibition catalogue, Moore-Foundation / Much Hadham, Pforzheim / Bad Homburg v.d.H., 1994, p.15 ff., ISBN 3-9603529-4-3

About the work

About the work

Henry Moore's late bronze sculpture

As stated elsewhere in this catalogue, Henry Moore is very well known in Germany where his works are to be seen in major cities from the north to the south. However, it is the works from the 1950s and 1960s which are most familiar in Germany. The late bronzes are relatively under-represented in public collections, the notable exceptions being the Goslar Warrior (1974), sited in the city from which the sculpture takes its title, and the Large Divided Oval: Butterfly (cast 1985 / 86) outside the Kongresshalle in Berlin. This exhibition seeks to redress the balance.

The works shown here are executed in bronze and come exclusively from the collection of the Henry Moore Foundation. When this was set up by Moore in 1977 one of its principal objectives was to take care of the substantial body of work he gave it. This collection was added to during the following decade until Moore's death in 1986. This collection of large sculptures dates principally from the last three decades of Moore's life and represents his journey through the abstraction of the 1960s back to the humanism and late realism of his last fifteen years.

The exhibition seeks to chart the progress of this return to a form of realism in his bronze works. It opens with two-piece sculptures from 1959 and 1960, explores the monumental abstract forms of the 1960s and leads, by means of the sculpture Goslar Warrior (LH 641, cat. 20, p. 117) to the three final works in the exhibition dating from 1982 and 1983.

Moore has been described as the 'English Romantic'. Peter Fuller wrote: 'Moore longed to create a spiritual and yet humanist art which touched upon the universal truths which lay behind the trappings of myth; for Moore abstraction was a means to this end rather than an end in itself.'(1) Such sculptures as Working Model for Sheep Piece and Working Model for Hill Arches testify to Fuller's theory. Superficially the latter sculpture is pure abstraction and yet its natural curves and towering strength have led to many comparisons of this piece with animal and human forms. David Sylvester, art historian and the earliest cataloguer of Moore's work, described this sculpture in 1968 in the following terms: 'Hill Arches, with its flamboyant energy, its superb symmetry, its coiled tension, ist predatory menace, its formality and its sheer magnificence, is like an especially ritualistic and flashy mating display.'(2) Of the Sheep Piece he wrote that it suggested 'an asexual longing of bodies for contact with others, like the nuzzling of blind puppies ...'.'(3) As these remarks demonstrate, it is the essence of being which is the most striking on close study of these abstract sculptures. Their human qualities are hidden just beneath the skin.

From the great abstract works of the 1960s, many of which are represented here in their working model size, Moore moved slowly towards a new realism in his sculpture. He re-explored the female form, addressing himself not so much to her physical form as to her true essence, not to her femininity but to the whole strength of her womanhood. Two sculptures in this exhibition, Reclining Mother and Child 1975 (LH 649, cat. 21, p. 119) and Working Model for Mother and Child: Hood 1982 (LH 850, cat. 37, p. 151) embody Moore's philosophy of this period. The Reclining Mother and Child continues two main themes of Moore's work, namely the reclining figure and mother and child. Here the abstracted child figure is distanced from the more realistic mother - it does not even make eye contact with her. Indeed the child has been construed as a menacing presence, although perhaps one should think of it as a self-assured creature partially protected by the mother's bulky form and secure on her lap. How much more protective and intimate is the mother in the second sculpture, Working Model for Mother and Child: Hood. Here the child is shielded by the whole body and spirit of its mother. The group has a peaceful, contemplative quality which reminds the viewer of the 1944 Madonna and Child (Fig. 28, p. 36) and indeed it is interesting to note that this sculpture was enlarged in travertine marble in 1983 and is on long loan to St. Paul's Cathedral, London.

In the 1950s Moore's works had been closely based on landscape. From the late 1960s onwards he moved towards a more recognisably human form of greater bulk. In the case of Reclining Figure: Hand (LH 709, cat. 30, p. 137): 'The result is not perceived by the viewer as an anatomical reality, but experienced as an internal awareness of the physical forces and stresses of the human body.'(4)

Among this great series of monumental figures comes the Goslar Warrior (LH 641, cat. 20, p. 117), a testament to the fragility of the human form, a reminder of the mutilation of war and nevertheless a poem in human and spiritual dignity. Professor Lichtenstern makes the connection in her essay with the antique references in this sculpture, that is to say, the similarity between it and one of the large figures from the Acropolis. The transformation of the underlying source, however, simply serves to link Moore 'with the classical tradition of sculpturemaking, in which the human figure is never abandoned'.(5) It is surely also the scale of the human tragedy encompassed in this pathetic and yet dignified body which renders the sculpture one of the most majestic pieces of the 1970s.

Like the Goslar Warrior, which has its roots in Moore's work of the 1950s, Reclining Figure: Holes (LH 656, cat. 24, p. 125) also looks back to an earlier period in Moore's work. Its antecedents are found in the carved reclining figures of the 1930s when the ar tist was opening up stone and wood for the first time, challenging the form and the material simultaneously. In this later sculpture, however, the holes are 'created' by the placement of the limbs, the first being provided by the left arm bent at right angles, the second by the junction of elbow and knee and so on. Above all it demonstrates that Moore was always a carver. This sculpture was created in the maquette form and then later enlarged in elmwood to a length of 222 cm. Moore never lost the ability to scale up his ideas from the smallest maquette to the largest possible expression of the form. After the Second World War Moore worked principally in plaster, a medium which greatly pleased him because it allowed him to model whilst the plaster was wet and carve it when dry. He worked on a small scale, creating the maquette - a small object which could be created on a turntable and held in the hand. This would later be cast in bronze and perhaps enlarged by Moore's assistants again in plaster. The resulting work - the so-called working model - would also be cast in bronze and might then be further enlarged by the assistants to produce the lifesize or over life-size final version. In latter years models were generally produced in polystyrene and covered with a layer of plaster to give Moore an opportunity to create a surface on the sculpture or indeed to make alterations to the proportions of the enlargement.

The working model sized sculptures, of which thirteen are shown in this exhibition, represent an important aspect of Moore's oeuvre from the 1960s on. Initially conceived to allow an intermediate stage between the minute maquette and the monumental, over-life size bronze, they were seen as a stage in the development of the final form, a stage at which the relationships of one form to another could be addressed, perspectives could be changed or proportions altered. The Working Model for Locking Piece 1962 (LH 514, cat. 8, p. 93) is suitably close to its maquette, now lost, to render the explanation of its existence plausible, namely that Moore chanced upon a pair of small pebbles which locked together when twisted or turned. He was very taken with this idea and worked it into a sculpture. The working model revolves on its circular turntable and is one of the most three-dimensionally complete of all the 1960s sculptures. The rough hewn faces of the cut off ends of the 'pebbles' or rocks refer back to the works of the 1950s which were greatly influenced by landscape. A slightly less obvious example of this can be seen in the Working Model for Stone Memorial (LH 491 a, cat. 6, p. 89) which embodies all the essence of the landscape tradition in Moore's work whilst embracing also the most abstract elements in his sculpture of this period - two forms pierced, interlocking and yet almost in battle with one another. The tension between the two parts echoes in certain respects the Working Model for Locking Piece.

The theme of the interlocking sculpture is taken further in this exhibition via the Maquette for Reclining Interior Oval (LH 537, cat. 10, p. 97) into the two sculptures from 1968 entitled Two Piece Sculpture: Interlocking (LH 581, cat. 12, p. 101) and Maquette for Two Piece Sculpture No. 11 (LH 582, cat. 13, p. 103). The latter forms lead the way to the monumental Large Vertebrae 1978 / 9 in Dallas which is 12.2 metres long. They represent more strongly than almost any other work shown here Moore's extraordinary ability to work on a very small scale towards an enormous end whilst forgoing none of the ideas inherent in the original maquette.

Working Model for Two Piece Reclining Figure: Cut (LH 757, cat. 33, p. 143) is certainly one of the more abstract two-piece sculptures of the late 1970s but its power lies in the physical tension of the torso opposing the leg section, the gap between each element as taut as two opposing magnets forced together or perhaps two attracting magnets dragged apart. A cast of the largest size of this sculpture can be seen in Strasbourg.

The monumental sculpture Three Piece Reclining Figure: Draped (LH 655, cat. 23, p. 123), the largest of Moore's three-piece reclining figures, betrays in her draped leg section her part-origins in the Helmet Heads of the 1960s. Indeed this work is related to another sculpture in the exhibition entitled Maquette for Helmet Head No.6, (LH 650, cat. 22, p. 151) the final enlargement of which, Figure in a Shelter, sited in the Peace Park in Guernica, northern Spain, is one of the largest pieces ever created by Moore. The tension in Three Piece Reclining Figure: Draped is brought about by the unequal size of the leg elements and their distance from the rather more recognisable human torso section. Seen first from the leg end, as she is both in Pforzheim and Bad Homburg, she works as a marvellously foreshortened figure, almost as viewed through a wide-angled lens, whereas from the side one is aware of the smooth contours and the dominating head section. Moore himself addressed the problem of dealing with a European sculpture inheritance which had become confused and 'overgrown with moss, weeds ...' He said '... it may now be no longer necessary to close down and restrict sculpture to the single (static) form unit. We can now begin to open out. To relate and combine together several forms of varied sizes, sections and directions into one organic whole.' This sculpture demonstrates exactly this theory which Moore first voiced in 1937 and continued to work out during his long career.

Notes
(1) Peter Fuller, 'An English Romantic', in Henry Moore, exhibition catalogue ed. Susan Compton, Royal Academy of Arts, London 1988, p.39.
(2) Henry Moore at the Serpentine, exhibition catalogue with introduction by David Sylvester, n.p.
(3) Ibid.
(4) Compton (see note 1), catalogue entry no. 197., p.269.
(5) Ibid., catalogue entry no. 191, p.266

Text by: Julie Summers, in: Henry Moore - Ethos und Form; exhibition catalogue, Moore-Foundation / Much Hadham, Pforzheim / Bad Homburg v.d.H., 1994, p.15 ff., ISBN 3-9603529-4-3

Bibliography Catalogues raisonnés

Bibliography Catalogues raisonnés

Henry Moore: Complete Sculpture. Vol. 1, 1921-48 (titled: Sculpture and Drawings), edited by Herbert Read, London 1944; Second edition by David Sylvester / Vol. 2, 1949-1954, editied by David Sylvester, London 1955 / Vol. 3, edited by Alan Bowness, London 1965 / Vol. 4, 1964-73, editied by Alan Bowness, London 1977 / Vol. 5, 1974-80, edited by Alan Bowness, London 1983, 2nd eition1994 / Vol. 6, 1981-86, editied by Alan Bowness, London 1988. All volumes are published by Lund Humphries, London

Henry Moore: Catalogue of Graphic Work, edited by Gerald Cramer, Alistair Grant and David Mitchinson, Vol. 1 1931-72, Genf 1973; Vol. 2, 1973-75, Genf 1976, Vol. 3, 1976-79, Genf 1980, Vol. 4, 1980-84, Genf 1988. All volumes published by Cramer, Genf.

Henry Moore: Complete Drawings, edited by Ann Garrould, Vol. 5, 1977-81, published in May 1994 ; Vol. 6, 1982-83, will be published in automne 1994. Publisher: Lund Humphries, London

Bibliography Selected Publications

Bibliography Selected Publications

Argan, Giulio Carlo: Henry Moore, Stuttgart 1989

Ayrton, Michael / Moore, Henry; Giovanni Pisano, Bildhauer, Frankfurt 1970

Berthoud, Roger: The Life of Henry Moore, London / New York 1987

Clark, Kenneth: Henry Moore Drawings, London / New York 1974

Garrould, Ann: Henry Moore Drawings, London / New York 1988

Grigson, Geoffrey: Henry Moore, Harmondworth 1943

Grohmann, Will; Henry Moore, Berlin 1960

Hall, Donald: Henry Moore - The Life and Work of a Great Sculptor, London / New York 1960

Henry Moore at the British Museum, Introduction and commentary by Henry Moore, photographs by David Finn, London 1981 / New York 1982.

Henry Hoore: Energy in Space, photographs by John Hedgecoe, München / Boston 1974

Henry Moore: Mother and Child Etchings, introduction by Gail Gelburd, Much Hadham 1988

Henry Moore on Sculpture, edited by Philip James, London 1966 / New York 1967; revised edition: 1971

Henry Moore: Unpublished Drawings, edited by David Mitchinson, Turin / New York 1971

Hofmann, Werner: Henry Moores Schriften und Skulpturen, Frankfurt 1959

Lichtenstern, Christa: Metamorphose in der Kunst des 19. und 20. Jahrhunderts, Vol.1: Die Wirkungsgeschichte der Metamorphosenlehre Goethes von Philipp Otto Runge bis Joseph Beuys, Weinheim 1990; Vol.2: Metamorphose - Vom Mythos zum Prozessdenken. Ovid-Rezeption / Surrealistische Asthetik / Verwandlungsthematik der Nachkriegskunst, Weinheim 1992

Lichtenstern, Christa: Henry Moore Zweiteilig Liegende No.1, Landschaft wird Figur, Frankfurt 1994

Mitchinson, David / Stallabrass, Julian: Henry Moore, London 1992

Moore, Henry / Levine, Gemma: Henry Moore Wood Sculpture, London 1983

Neumann, Erich; Die archetypische Welt Henry Moores, Zürich / Stuttgart 1961

Packer, William: Henry Moore: An Illustrated Biography, with photographs by Gemma Levine, London / New York 1985

Read, Herbert: Henry Moore. A Study of His Life and Work, London 1965 / New York 1966. German translation: München / Zürich 1967

Read, John: Henry Moore: Portrait of an Artist, New York 1979

Riedl, Peter Anselm: Henry Moore: König und Königin, Stuttgart 1957

Russell, John: Henry Moore, London / New York 1968, revised pocket book edition: Harmondsworth 1973

Seldis, Henry J .: Henry Moore in America, London 1973

Spender, Stephen: In Irina's Garden, London 1986

Steingriber, Erich: Henry Moore: Maquetten, München 1978

Strachan, Waiter: Henry Moore: Animals, London 1983

Bibliography Major exhibition catalogues

Bibliography Major exhibition catalogues

Henry Moore, edited by James Johnson Sweeney. Museum of Modern Art, New York 1947

Sculpture and Drawings by Henry Moore, edited David Sylvester, London 1951

Henry Moore: Sculpture 1950-1960, edited by Bryan Robertson, Whitechapel Art Gallery, London 1960

Henry Moore, bearb. v. David Sylvester, London / New York 1968

Henry Moore, Rijksmuseum Kröller-Müller, Otterlo / Museum Boymans-Van Beuningen, Rotterdam 1968

Henry Moore Exhibition in Japan, edited by David Thompson, Tokyo 1969

Moore e Firenze, edited by Giovanni Carandente, Florenz 1972

The Drawings of Henry Moore, edited by Alan G. Wilkinson, Art Gallery of Ontario, Toronto 1977 / Tate Gallery, London 1978

Henry Moore: Sculptures et dessins, introduction by Dominique Bozo, Paris 1977

Henry Moore: 80th Birthday Exhibition, Bradford Art Galleries and Museums, Bradford 1978

Henry Moore at the Serpentine, edited by David Sylvester, London 1978

The Henry Moore Gift, introduction by John Russell, Tate Gallery, London 1978

Henry Moore 1921-1981, edited by David Mitchinson and Juliet Wilson-Bareau, Madrid 1981

Henry Moore, Samsung Foundation of Art and Culture, Seoul 1982

Henry Moore en Mexico: Escultura, Dibujo, Gràfica de 1921 a 1981, Instituto Nacional de Bellas Artes-Cultura, Mexico City 1982

Henry Moore, edited by José Maria Salvador, Museo de Arte Contemporàneo, Caracas 1983

Henry Moore: 60 Years of His Art, edited by William S. Lieberman, Metropolitan Museum of Art, New York 1983

Henry Moore: Shelter and Coal Mining Drawings, text by Julian Andrews, Ministerium für Kultur der Deutschen Demokratischen Republik, Berlin 1984

The Art of Henry Moore, texte by David Mitchinson and William Packer, Metropolitan Art Museum, Tokyo; Art Museum, Fukuoka 1986

Henry Moore, New Delhi 1987, edited by Ann Elliott and David Mitchinson, text by Norbert Lynton, National Gallery of Modern Art, New Delhi; British Council, London 1987

Henry Moore, edited by Susan Compton, Royal Academy of Arts / London 1988

Henry Moore, edited by David Mitchinson, Fondation Pierre Gianadda, Martigny / Electa, Mailand 1989

Henry Moore: The Human Dimension, edited by Norbert Lynton, Moskau 1991

Henry Moore 1898-1986, text by Nick Waterlow, Art Gallery of New South Wales, 1992

Henry Moore in the Bagatelle Gardens, Paris, photographs by Michel Muller, essay by David Coyen, London 1993

Henry Moore and the Sea, edited by Angela Dyer and Julie Summers, traveling exhibition through England, 1993

Bibliography Major Articles

Bibliography Major Articles

Fischer, Wolfgang / Trier, Alice: Henry Moore in Deutschland, in: Jahresring 87188, Jahrbuch f(jr Kunst und Literatur, Stuttgart 1987,S.233-253

Lichtenstern, Christa : Henry Moore and surrealism, in: The Burlington Magazine CXXIII / 944 (Nov. 1981), S. 645-658

Lichtenstern, Christa: Henry Moore in der Begegnung mit Goethe: Die Prometheus-Illustrationen, in: Ausst. Kat.: "Goethe in der Kunst des 20.Jahrhunderts", bearb. v. Petra Maisak, Bonn-Bad Godesberg / Frankfurt / Düsseldorf 1982, S. 5-43

Lichtenstern, Christa: Voraussetzungen und Entwicklungen naturisthetischer Perspektiven in der Skulptur und Plastik nach 1945, in: Marburger Jahrbuch ffir Kunstwissenschaft, Bd. 23, 1993, S. 19-42

Meyer zur Capellen, Jürg: Henry Moore als Fotograf der eigenen Werke, in: Pantheon, Jahresheft 1985, S. 183-191

Morphet, Richard: Four Piece Composition: Reclining Figure, in: The Tate Gallery 1976-78. Illustrated Catalogue of Acquisitions, London 1979, S. 116-122

Seidel, Max: Henry Moore interpretiert das Werk Giovanni Pisanos, in.. Pantheon, XXIX / 5 (Sept.-Okt. 1971), S.413-16

Trier, Eduard: Der Bildhauer Henry Moore, in: Anschnitt 3,11. Jg. 1959, S. 29-34

Trier, Eduard: Erinnerungen an Henry Moore, in: Festschrift zum 65. Geburtstag
von Siegfried SaIzmann, edited by Kunstverein in Bremen, Heidelberg 1993,S.77-82

Wedewer, Rolf: Zur Naturvorstellung Henry Moores, in: Pantheon, XXVIII / 2, 4-7
(1980), S. 186-193

The Moore bibliography counts at present 15.000 publicatins in ca. 40 languages,
compiled by Alexander Davis, Henry Moore Bibliography, at present 4 volumes, London / Much Hadham 1992 / 94.

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Exhibitions in artist-info 265 (S 102/ G 163) Did show together with - Top 5 of 2863 artists
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Arche Noah

 - Über Tier und Mensch in der Kunst
Museum Ostwall im Dortmunder U G Nov 2014 - Apr 2015 Dortmund (102) +0
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Mike Nelson selects from the V-A-C Collection

 - Again, more things (a table ruin)
Whitechapel Gallery G Sep 2014 - Nov 2014 London (388) +0
Exhibition Title

Henry Moore

 - Farblithographien zu Goethes 'Prometheus'
Galerie Dreiseitel S Sep 2014 - Oct 2014 Köln (73) +0
Browse & Darby Gallery G Jun 2014 - Jul 2014 London (70) +0
Exhibition Title

Formes simples

Centre Pompidou - Metz G Jun 2014 - Nov 2014 Metz (15) +0
K21 Kunstsammlung Nordrhein-Westfalen G Apr 2014 - Aug 2014 Düsseldorf (69) +0
LESLIE SACKS FINE ART G Oct 2013 - Dec 2013 Brentwood (36) +0
Tate Liverpool G May 2013 - Oct 2013 Liverpool (83) +0
Exhibition Title

MOVING

 - Norman Foster on Art
Carré d’art - Musée d’art Contemporain G May 2013 - Sep 2013 Nîmes (118) +0
Norton Simon Museum G Apr 2013 - Jan 2014 Pasadena (220) +0
Exhibition Title

Henry Moore

 - The Print Maker
Museum of Contemporary Art Skopje S Apr 2013 - May 2013 Skopje (4) +0
Exhibition Title

Nur Skulptur!

Kunsthalle Mannheim G Mar 2013 - Nov 2013 Mannheim (92) +0
Gow Langsford Gallery - Lorne St G Jan 2013 - Feb 2013 Auckland (33) +0
Fine Art Society Contemporary G Nov 2012 - Jan 2013 London (53) +0
Gagosian Gallery - NY 522 West 21st S Nov 2012 - Jan 2013 New York (32) +0
Exhibition Title

Manifesta 9

Manifesta 9 S Jun 2012 - Sep 2012 Genk (1) +0
Opelvillen Rüsselsheim G May 2012 - Aug 2012 Rüsselsheim (43) +0
Kemfert, Beate (Curator)       +0
LESLIE SACKS FINE ART G Jan 2012 - Mar 2012 Brentwood (36) +0
Exhibition Title

The Avant-Garde

 - From Picasso to Pollock
Collezione Peggy Guggenheim - PGC G Jan 2012 - Feb 2012 Venezia (96) +0
Opelvillen Rüsselsheim G Nov 2011 - Apr 2012 Rüsselsheim (43) +0
Kemfert, Beate (Curator)       +0
Lu.C.C.A. - Lucca Center of Contemporary Art G Sep 2011 - Jan 2012 Lucca (10) +0
Forum Gallery G Jul 2011 - Sep 2011 New York (85) +0
Exhibition Title

Surreale Dinge

 - Skulpturen und Objekte von Dalí bis Man Ray
SCHIRN Kunsthalle Frankfurt G Feb 2011 - May 2011 Frankfurt am Main (187) +0
Camden Arts Centre G Dec 2010 - Feb 2011 London (102) +0
Galerie B. Haasner G Oct 2010 - Nov 2010 Wiesbaden (113) +0
Museum Lothar Fischer S Oct 2010 - Jan 2011 Neumarkt i.d.OPf. (31) +0
The Art Gallery of Western Australia G Oct 2010 - Jan 2011 Perth (24) +0
Sainsbury Centre for Visual Arts - SCVA S Jun 2010 - Aug 2010 Norwich (54) +0
Exhibition Title

Modern & Contemporary Works

 - A Revolving Exhibition
Jack Rutberg Fine Arts G Jun 2009 - Dec 2009 La Brea / Beverly (45) +0
Exhibition Title

Attraverso le collezioni (3/3)

 - Variazioni sul tema della leggerezza
Galleria Nazionale d'Arte Moderna e Contemporanea - GNAM G Mar 2009 - May 2009 Roma (19) +0
Marson, Stefano (Curator)       +0
Gagosian Gallery - 980 Madison Avenue G Feb 2009 - Jun 2009 New York (165) +0
Norwich Castle Museum & Art Gallery G Jan 2009 - Apr 2009 Norwich (19) +0
Exhibition Title

Henry Moore

 - Werk – Theorie – Wirkung
Galerie Dreiseitel S Dec 2008 - Feb 2009 Köln (73) +0
The Approach G Nov 2008 - Feb 2009 London (110) +0
Exhibition Title

Henry Moore And The Modern Form

Mitchell-Innes & Nash S Nov 2008 - Jan 2009 New York (62) +0
Herbert-Gerisch Stiftung S Sep 2008 - Dec 2008 Neumünster (25) +0
Tate St. Ives G May 2008 - Sep 2008 St. Ives (22) +0
Tovey, David (Curator)       +0
Exhibition Title

Illustrierte Bücher / Mappenwerke

Galerie Dreiseitel G Feb 2008 - Apr 2008 Köln (73) +0
Tate St. Ives G Jan 2008 - May 2008 St. Ives (22) +0
Opelvillen Rüsselsheim S Nov 2007 - Mar 2008 Rüsselsheim (43) +0
Kemfert, Beate (Curator)       +0
Exhibition Title

1937 - Perfektion und Zerstörung

Kunsthalle Bielefeld G Sep 2007 - Jan 2008 Bielefeld (241) +0
Haus am Waldsee S Jun 2007 - Oct 2007 Berlin (Zehlendorf) (182) +0
Collezione Peggy Guggenheim - PGC G Feb 2007 - Apr 2007 Venezia (96) +0
Exhibition Title

100 Jahre – 100 Köpfe. Das Jahrhundert moderner Skulptur

 - Stiftung Wilhelm Lehmbruck Museum - Zentrum internationaler Skulptur
Wilhelm Lehmbruck Museum G Sep 2006 - Jan 2007 Duisburg (237) +0
David and Alfred Smart Museum of Art G May 2006 - Nov 2006 Chicago (70) +0
Born, Richard A. (Curator)       +0
Kunsthalle Würth S Jun 2005 - Oct 2005 Schwäbisch-Hall (12) +0
Es Baluard Museu d'Art Modern i Contemporani de Palma G Jun 2005 - Sep 2005 Palma (48) +0
Úcar, Dolores Durán (Curator)       +0
Winston Wächter Mayer Fine Art G Jun 2005 - Sep 2005 New York (52) +0
Migros Museum für Gegenwartskunst - Zürich G Jan 2005 - Mar 2005 Zürich (121) +0
Museum Pfalzgalerie Kaiserslautern - mpk S Sep 2004 - Nov 2004 Kaiserslautern (80) +0
Foro Boario G Nov 2003 - Mar 2004 Modena (4) +0
Exhibition Title

Surrealism And Modernism

 - from the collection of the Wadsworth Atheneum
The Phillips Collection G Oct 2003 - Jan 2004 Washington, (46) +0
Kawamura Memorial DIC Museum of Art S Apr 2003 - May 2003 Sakura (60) +0
Exhibition Title

Von Daumier bis Picasso

 - Graphische Sammlung der Universität Osnabrück
Städtische Galerie Delmenhorst - Haus Coburg G Jan 2003 - Apr 2003 Delmenhorst (43) +0
Collezione Peggy Guggenheim - PGC G Dec 2002 - Feb 2003 Venezia (96) +0
James Hyman Fine Art G Nov 2002 - Jan 2003 London (7) +0
Exhibition Title

After the Beginning and Before the End

 - Instruction Drawings
MIT List Visual Arts Center G Oct 2002 - Jan 2003 Cambridge (258) +0
Fondation Marguerite et Aimé Maeght S Jul 2002 - Nov 2002 Saint-Paul-de-Vence (93) +0
Collezione Peggy Guggenheim - PGC G Feb 2002 - Aug 2002 Venezia (96) +0
Galleria M'ARTE - M'ARTE edizioni G Jan 2002 - Dec 2002 Milano (1) +0
Bruce Silverstein Gallery G Jan 2002 - Mar 2002 New York (132) +0
National Gallery of Art S Oct 2001 - Jan 2002 Washington, (116) +0
Weiss, Jeffrey (Curator)       +0
Victoria Miro G Jun 2001 - Sep 2001 London (218) +0
Robert Brown Gallery G Jan 2001 - Jan 2001 Washington, (2) +0
Crane Kalman G Sep 2000 - Oct 2000 London (20) +0
Morris and Helen Belkin Art Gallery G Jul 2000 - Sep 2000 Vancouver, B.C. (17) +0
Ingleby Gallery G Jul 2000 - Jul 2000 Edinburgh (124) +0
Mangel Gallery G May 2000 - May 2000 Philadelphia (28) +0
Artmonsky G Apr 2000 - May 2000 London (11) +0
Robert Mede Gallery G Feb 2000 - Mar 2000 Toronto (1) +0
Alley Gallery G Dec 1999 - Dec 1999 Surrey (1) +0
Patrick Cramer S Dec 1999 - Jan 2000 Genève (19) +0
Cyril Gerber Fine Art G Nov 1999 - Dec 1999 Glasgow (30) +0
Solomon Gallery S Oct 1999 - Nov 1999 Dublin (23) +0
The Henry Moore Foundation S Sep 1999 - Oct 1999 Hertfordshire (2) +0
Connaught Brown S Sep 1999 - Oct 1999 London (28) +0
Galerie Werner Bommer S Jul 1999 - Aug 1999 Zürich (33) +0
Abbot Hall Art Gallery S Jun 1999 - Sep 1999 Kendal - Cumbria (27) +0
LudwigForum für Internationale Kunst S May 1999 - May 1999 Aachen (98) +0
Exhibition Title

Henry Moore

 - Sculpturen - Sculptures, Tekeningen - Drawings
Middelheim Museum S May 1999 - Aug 1999 Antwerp (28) +0
Exhibition Title

Henry Moore

Kunsthalle Recklinghausen S May 1999 - Aug 1999 Recklinghausen (64) +0
Fay Gold Gallery G Nov 1998 - Dec 1998 Atlanta (25) +0
Cornell Fine Arts Museum - CFAM S Nov 1998 - Jan 1999 Winter Park (29) +0
The Special Photographers Company G Oct 1998 - Nov 1998 London (27) +0
James Goodman S Oct 1998 - Nov 1998 New York (4) +0
Exhibition Title

Menschenbilder

 - Figur in Zeiten der Abstraktion (1945-1955)
Kunsthalle Mannheim G Oct 1998 - Jan 1999 Mannheim (92) +0
Imperial War Museum S Sep 1998 - Nov 1998 London (14) +0
Collezione Peggy Guggenheim - PGC G Sep 1998 - Jan 1999 Venezia (96) +0
Collezione Peggy Guggenheim - PGC G Sep 1998 - Jan 1999 Venezia (96) +0
Wilhelm Lehmbruck Museum S Jul 1998 - Oct 1998 Duisburg (237) +0
Philadelphia Museum of Art S Jul 1998 - Nov 1998 Philadelphia (40) +0
Berkeley Square Gallery S Jun 1998 - Jul 1998 London (22) +0
Hirshhorn Museum and Sculpture Garden S Jun 1998 - Oct 1998 Washington, D.C. 205630 (27) +0
Exhibition Title

Peggy Guggenheim

 - A Centennial Celebration
Solomon R. Guggenheim Museum - SRGM G Jun 1998 - Sep 1998 New York (391) +1
Joan Prats - Barcelona G May 1998 - May 1998 Barcelona (25) +0
2RC Editions G May 1998 - May 1998 Los Angeles (1) +0
Landau Fine Art Inc. G May 1998 - May 1998 Montréal (QC) (1) +0
The National Gallery S Apr 1998 - May 1998 London (5) +0
Imperial War Museum G Mar 1998 - Mar 1998 London (14) +0
Kettle's Yard Gallery (University of Cambridge) G Mar 1998 - Apr 1998 Cambridge (147) +0
Georg-Kolbe-Museum S Feb 1998 - May 1998 Berlin (Charlottenburg) (88) +0
Jason McCoy Gallery G Dec 1997 - Dec 1997 New York (16) +0
Exhibition Title

Skulptur im Licht der Fotografie

Wilhelm Lehmbruck Museum G Dec 1997 - Feb 1998 Duisburg (237) +0
Gimpel Fils S Nov 1997 - Nov 1997 London (35) +0
Gerhard-Marcks-Haus S Nov 1997 - Jan 1998 Bremen (38) +0
Creighton-Davis Gallery G Sep 1997 - Sep 1997 Washington, (3) +0
The Air Gallery G Jun 1997 - Jun 1997 London (22) +0
David and Alfred Smart Museum of Art G Apr 1997 - Jun 1997 Chicago (70) +0
Artline G Jan 1997 - Jan 1997 Amsterdam (28) +0
Exhibition Title

Face à l'histoire: 1933 - 1996

 - L'artiste moderne devant l'événement historique
Centre Pompidou - Musée National d'Art Moderne G Dec 1996 - Apr 1997 Paris (118) +0
Lillian Heidenberg G Nov 1996 - Nov 1996 New York (1) +0
LESLIE SACKS FINE ART G Nov 1996 - Nov 1996 Brentwood (36) +0
Francis Frost G Nov 1996 - Nov 1996 Newport (1) +0
Berkeley Square Gallery S Nov 1996 - Nov 1996 London (22) +0
Merging One Gallery G Nov 1996 - Nov 1996 Los Angeles - Venice / Santa Monica (7) +0
Peter Bartlow Gallery G Nov 1996 - Nov 1996 Chicago (9) +0
Imago Galleries G Nov 1996 - Nov 1996 Los Angeles - Palm Dessert (6) +0
LESLIE SACKS FINE ART S Nov 1996 - Dec 1996 Brentwood (36) +0
Crane Kalman G Sep 1996 - Sep 1996 London (20) +0
Exhibition Title

Henry Moore - Ursprung und Vollendung

 - Gipsplastiken, Skulpturen in Holz und Stein, Zeichnungen
Kunsthalle Mannheim S Sep 1996 - Jan 1997 Mannheim (92) +0
Edinburgh Printmakers S Aug 1996 - Aug 1996 Edinburgh (2) +0
Crane Kalman G Jun 1996 - Jun 1996 London (20) +0
Curwen Gallery G May 1996 - May 1996 London (37) +0
Exhibition Title

Henry Moore - Ursprung und Vollendung

 - Gipsplastiken, Skulpturen in Holz und Stein, Zeichnungen
Musée des beaux-arts de Nantes S May 1996 - Sep 1996 Nantes (7) +0
Berkeley Square Gallery G Feb 1996 - Feb 1996 London (22) +0
Galerie Hans Mayer G Nov 1995 - Dec 1995 Düsseldorf (199) +0
Galerie Denise René G Sep 1995 - Nov 1995 Paris (292) +0
Annely Juda Fine Art G Jun 1995 - Sep 1995 London (214) +0
Exhibition Title

Max Ackermann bis Fritz Winter

Galerie Scheffel G Apr 1995 - May 1995 Bad Homburg v.d.H. (141) +0
Blains Fine Art G Nov 1994 - Nov 1994 London (8) +0
Wiseman Originals - London G Nov 1994 - Nov 1994 London (12) +0
Sinclair-Haus - ALTANA Kulturstiftung S Sep 1994 - Nov 1994 Bad Homburg v.d.H. (56) +0
Gagosian Gallery - NY 136 Wooster St S Jul 1994 - Sep 1994 New York (31) +0
PACE - NY 32 E 57th S Dec 1993 - Jan 1994 New York (57) +0
Exhibition Title

Art of the Forties

Museum of Modern Art - MoMA (1/6) G Feb 1991 - Apr 1991 New York (1042) +0
Exhibition Title

Europäische Skulptur der Zweiten Moderne

Wilhelm Lehmbruck Museum G Apr 1990 - May 1990 Duisburg (237) +0
Brockhaus, Christoph (Curator)       +0
Exhibition Title

Henry Moore, 1898-1986

 - Sculpture and drawings
Fischer Fine Art S Nov 1988 - Jan 1989 London (165) +0
Galerie Jahrhunderthalle Hoechst S Jan 1988 - Apr 1988 Frankfurt am Main - Hoechst (31) +0
Exhibition Title

... und nicht die leiseste Spur einer Vorschrift

 - Positionen unabhängiger Kunst in Europa um 1937
K20 Kunstsammlung Nordrhein-Westfalen G Dec 1987 - Jan 1988 Düsseldorf (49) +0
Exhibition Title

Das kann mein Kind auch!

 - Für und wider die neue Kunst 1945 bis heute
Wilhelm-Hack-Museum G Sep 1987 - Nov 1987 Ludwigshafen (48) +0
Exhibition Title

Das kann mein Kind auch!

 - Für und wider die neue Kunst, 1945 bis heute
Museum Morsbroich G Jun 1987 - Aug 1987 Leverkusen (121) +0
Exhibition Title

Henry Moore

 - Opere dal 1972 al 1984
Palazzo Vecchio S Jun 1987 - Aug 1987 Firenze (49) +0
Exhibition Title

Homage to Henry Moore, 1898 - 1986

 - A tribute to sculpture, 1877 - 1987
Fischer Fine Art G May 1987 - Jul 1987 London (165) +0
Exhibition Title

Das kann mein Kind auch!

 - Für und wider die neue Kunst 1945 bis heute
Sprengel Museum Hannover G Mar 1987 - Jun 1987 Hannover (194) +0
Annely Juda Fine Art G Oct 1986 - Dec 1986 London (214) +0
Exhibition Title

Qu'est-ce que la sculpture moderne?

Centre Pompidou - Musée National d'Art Moderne G Jul 1986 - Oct 1986 Paris (118) +0
Exhibition Title

Symmetrie in Kunst, Natur und Wissenschaft

Ausstellungsgebäude Mathildenhöhe G Jun 1986 - Aug 1986 Darmstadt (32) +0
Exhibition Title

Das Bild der Frau in der Plastik des 20. Jahrhunderts

Wilhelm Lehmbruck Museum G May 1986 - Jun 1986 Duisburg (237) +0
Exhibition Title

Henry Moore

 - Figures And Forms
MIT List Visual Arts Center S Oct 1985 - Jan 1986 Cambridge (258) +0
Exhibition Title

'Primitivism' in 20th Century Art

 - Affinity of the Tribal and the Modern
Museum of Modern Art - MoMA (1/6) G Sep 1984 - Jan 1985 New York (1042) +0
Exhibition Title

From Degas to Calder

 - Major Sculpture and Works on Paper from the Guggenheim Museum Collection
Solomon R. Guggenheim Museum - SRGM G Jul 1984 - Sep 1984 New York (391) +1
Exhibition Title

Kunst nach 45

 - aus Frankfurter Privatbesitz
Frankfurter Kunstverein - FKV G Oct 1983 - Nov 1983 Frankfurt am Main (448) +0
Exhibition Title

Henry Moore

 - recent tapestries, drawings, bronzes and graphics
Fischer Fine Art S Jun 1982 - Jul 1982 London (165) +0
Exhibition Title

Henry Moore

 - recent aquatints, etchings and lithographs
Fischer Fine Art S May 1981 - Jun 1981 London (165) +0
Exhibition Title

Westkunst

 - zeitgenössische Kunst seit 1939
Rheinhallen G May 1981 - Aug 1981 Köln (1) +0
Exhibition Title

Bildhauertechniken

 - Dimensionen des Plastischen
Staatliche Kunsthalle Berlin G Mar 1981 - Apr 1981 Berlin (30) +0
Schauer, Lucie (Curator)       +0
Exhibition Title

Henry Moore

Galleria d'Arte Niccoli S Feb 1981 - Feb 1981 Parma (152) +0
Exhibition Title

Henry Moore

 - drawings, bronzes, etching variations, lithographs, etchings et aquatints
Fischer Fine Art S Jun 1980 - Jul 1980 London (165) +0
Exhibition Title

Modern European Sculpture 1918-1945

 - Unkown Beings and Other Realities
The Minneapolis Institute of Art - Mia G Jul 1979 - Sep 1979 Minneapolis (49) +0
Exhibition Title

Modern European Sculpture 1918-1945

 - Unkown Beings and Other Realities
Albright-Knox-Art-Gallery G May 1979 - Jun 1979 Buffalo (83) +0
Exhibition Title

Henry Moore, the carver

 - An eightieth birthday tribute - Carvings from 1923-1975
Fischer Fine Art S Jun 1978 - Aug 1978 London (165) +0
Exhibition Title

Der Kopf

 - Plastiken aus dem 20. Jahrhundert
Wilhelm Lehmbruck Museum G Dec 1977 - Feb 1978 Duisburg (237) +0
Krannert Art Museum S Aug 1977 - Sep 1977 Champaign (67) +0
Exhibition Title

Forty Modern Masters

Solomon R. Guggenheim Museum - SRGM G Jul 1977 - Sep 1977 New York (391) +1
Exhibition Title

documenta VI

documenta VI S Jun 1977 - Oct 1977 Kassel (1) +0
Exhibition Title

Paris - New York

Centre Pompidou - Musée National d'Art Moderne G Jun 1977 - Sep 1977 Paris (118) +0
Akademie der Künste - Berlin G May 1977 - Jun 1977 Berlin (108) +0
Norton Simon Museum G Feb 1977 - Nov 1977 Pasadena (220) +0
Exhibition Title

Henry Moore

 - the complete graphic work, 1974 - 1976
Fischer Fine Art S Jun 1976 - Jul 1976 London (165) +0
Exhibition Title

Henry Moore

 - skulptur & tegning
Louisiana Museum for moderne kunst S Mar 1976 - May 1976 Humlebæk (286) +0
David and Alfred Smart Museum of Art S Jan 1976 - Mar 1976 Chicago (70) +0
Norton Simon Museum G Mar 1975 - Apr 1975 Pasadena (220) +0
Exhibition Title

Henry Moore

 - graphic work, 1972-1974
Fischer Fine Art S Nov 1974 - Dec 1974 London (165) +0
Exhibition Title

Henry Moore

 - Stonehenge
Fischer Fine Art S Nov 1974 - Dec 1974 London (165) +0
Internationaal Cultureel Centrum - ICC S Oct 1974 - Nov 1974 Antwerp (81) +0
Exhibition Title

Henry Moore

 - Das grafische Werk 1931-1973
Hessisches Landesmuseum Darmstadt S Jul 1974 - Sep 1974 Darmstadt (14) +0
Exhibition Title

Henry Moore

 - Das grafische Werk 1931-1973
Ernst-Barlach-Haus S May 1974 - Jun 1974 Hamburg (19) +0
Exhibition Title

Henry Moore

 - Das grafische Werk 1931-1973
Wilhelm Lehmbruck Museum S Mar 1974 - Apr 1974 Duisburg (237) +0
Exhibition Title

Futurism: A Modern Focus

 - The Lydia and Harry Lewis Winston Collection, Dr. and Mrs. Barnett Malbin
Solomon R. Guggenheim Museum - SRGM G Nov 1973 - Feb 1974 New York (391) +1
Exhibition Title

The Non-Objective World 1914–1955

 - Die Gegenstandslose Welt 1914–1955
Blanton Museum of Art G Oct 1973 - Dec 1973 Austin (41) +0
Exhibition Title

Henry Moore

 - The complete graphic work, 1931-1972
Fischer Fine Art S Jul 1973 - Aug 1973 London (165) +0
Exhibition Title

The Non-Objective World 1914–1955

 - Die Gegenstandslose Welt 1914–1955
Annely Juda Fine Art G Jul 1973 - Sep 1973 London (214) +0
Exhibition Title

Works on Paper

Museum of Modern Art - MoMA (1/6) G Mar 1973 - May 1973 New York (1042) +0
Exhibition Title

Universe of art II

Fischer Fine Art G Nov 1972 - Dec 1972 London (165) +0
Exhibition Title

A Journey into the universe of art

 - from Courbet and Corot to Bacon, Moore, and Lindner
Fischer Fine Art G Jun 1972 - Jul 1972 London (165) +0
Kunsthalle Bielefeld S Jan 1972 - Mar 1972 Bielefeld (241) +0
Exhibition Title

Henry Moore's 'Elephant Skull'

Museum of Modern Art - MoMA (1/6) S Oct 1971 - Feb 1972 New York (1042) +0
Castleman, Riva (Curator)       +0
Exhibition Title

Il Mondo della Non-Oggettività 1924–1939

Galleria Milano G Oct 1971 - Nov 1971 Milano (10) +0
Exhibition Title

The Non-Objective World 1924–1939

Annely Juda Fine Art G Jul 1971 - Sep 1971 London (214) +0
Exhibition Title

La Peinture Non-Objective 1924–1939

Galerie Jean Chauvelin G Jun 1971 - Sep 1971 Paris (14) +0
Storm King Art Center for Sculpture G Jan 1971 - Dec 1971 Mountainville (35) +0
Herbert Art Gallery & Museum S May 1969 - Jun 1969 Coventry (11) +0
Exhibition Title

Surrealist Drawings

Annely Juda Fine Art G May 1969 - Jun 1969 London (214) +0
Kunsthalle Bielefeld S Jan 1969 - Mar 1969 Bielefeld (241) +0
Exhibition Title

Henry Moore

Kunsthalle Düsseldorf S Jul 1968 - Sep 1968 Düsseldorf (82) +0
Exhibition Title

The Obsessive Image 1960-1968

ICA - Institute of Contemporary Arts G Apr 1968 - May 1968 London (187) +0
Exhibition Title

Guggenheim International Exhibition, 1967

 - Sculpture from Twenty Nations
Solomon R. Guggenheim Museum - SRGM G Oct 1967 - Feb 1968 New York (391) +1
Messer, Thomas Maria (Curator)       +0
Exhibition Title

Contrasts

Hanover Gallery G Jul 1967 - Aug 1967 London (51) +0
Exhibition Title

Henry Moore

 - Carvings
Marlborough Fine Art S Jul 1967 - Aug 1967 London (101) +0
Brooklyn Museum of Art - BMA S Mar 1966 - Apr 1966 Brooklyn (487) +0
Exhibition Title

Traum - Zeichen - Raum

 - Benennung des Unbenannten - Kunst in den Jahren 1924–1939
Wallraf-Richartz-Museum - Fondation Corboud G Oct 1965 - Dec 1965 Köln (10) +0
Exhibition Title

Sammlung Sprengel

Kunstverein Hannover G Oct 1965 - Nov 1965 Hannover (121) +0
Exhibition Title

Henry Moore

Marlborough Galleria d´Art (past address) S May 1965 - May 1965 Roma (14) +0
UAMA - University of Arizona Museum of Art & Archive of Visual Arts S Feb 1965 - Mar 1965 Tucson (63) +0
Exhibition Title

documenta III

documenta III S Jun 1964 - Oct 1964 Kassel (1) +0
Galerie Günther Franke S Jun 1964 - Jul 1964 München (182) +0
Exhibition Title

Torso -Das Unvollendete als künstlerische Form

 - Vom Ausgang des 19. Jahrhunderts bis zur Gegenwart
Kunsthalle Recklinghausen G May 1964 - Jul 1964 Recklinghausen (64) +0
Exhibition Title

'54-'64: Painting and Sculpture of a Decade

Tate Britain G Apr 1964 - Jun 1964 London (97) +0
Exhibition Title

Le Surréalisme

 - Sources - Histoire - Affinit
Galerie Charpentier G Apr 1964 - Aug 1964 Paris (4) +0
Exhibition Title

Skulptur

 - Bo Boustedts samling
Moderna Museet - Stockholm G Oct 1963 - Nov 1963 Stockholm (466) +0
Exhibition Title

Henry Moore

 - Recent Work
Marlborough Fine Art S Jul 1963 - Aug 1963 London (101) +0
Exhibition Title

1er Salon International des Galerie pilotes

 - Artistes et découvreurs de notre temps
Musée Cantonal des Beaux-Arts G Jun 1963 - Sep 1963 Lausanne (24) +0
Frankfurt am Main - Kunst im öffentlichen Raum S Jan 1963 - Jan 1963 Frankfurt am Main (70) +0
Exhibition Title

Eröffnungsausstellung

Gimpel & Hanover Galerie G Nov 1962 - Jan 1963 Zürich (47) +0
Exhibition Title

Modern Sculpture from the Joseph H. Hirshhorn Collection

Solomon R. Guggenheim Museum - SRGM G Oct 1962 - Jan 1963 New York (391) +1
Exhibition Title

Henry Moore

Louisiana Museum for moderne kunst S Dec 1961 - Jan 1962 Humlebæk (286) +0
Exhibition Title

Modern Masters from the Collection of the Solomon R. Guggenheim Museum

Solomon R. Guggenheim Museum - SRGM G Aug 1961 - Oct 1961 New York (391) +1
Robbins, Daniel (Curator)       +0
Exhibition Title

Sculpture and drawings

Hanover Gallery G Jun 1961 - Sep 1961 London (51) +0
Whitechapel Gallery S Nov 1960 - Dec 1960 London (388) +0
Haus der Kunst S Nov 1960 - Dec 1960 München (182) +0
Exhibition Title

Henry Moore

Kunsthaus Zürich S Sep 1960 - Oct 1960 Zürich (589) +0
Exhibition Title

New Forms - New Media

Martha Jackson Gallery G Jun 1960 - Jun 1960 New York (97) +0
Kunstverein in Hamburg S May 1960 - Jun 1960 Hamburg (135) +0
Exhibition Title

Henry Moore

 - Sculpture and Drawings from Chicago Collections
The Arts Club of Chicago S Dec 1959 - Jan 1960 Chicago (468) +0
Exhibition Title

documenta II

documenta II S Jun 1959 - Oct 1959 Kassel (1) +0
Kunsthalle Bern S Jun 1959 - Jul 1959 Bern (435) +0
Hanover Gallery G Jun 1958 - Sep 1958 London (51) +0
Exhibition Title

Henry Moore, Marino Marini, Barbara Hepworth ...

Zwemmer Gallery G Jun 1957 - Jun 1957 London (153) +0
Exhibition Title

Monumentality in Modern Sculpture

Contemporary Arts Museum - CAMH G Dec 1956 - Jan 1957 Houston (342) +0
Galerie Chalette G Oct 1956 - Nov 1956 New York (39) +0
Exhibition Title

I. Mednarodna Graficna Razstava

 - I. Exposition Internationale de Gravure
Ljubljanski grafični bienale I - 1955 S Jul 1955 - Sep 1955 Ljubljana (1) +0
Exhibition Title

documenta I

documenta I S Jun 1955 - Sep 1955 Kassel (1) +0
Buchholz Gallery Curt Valentin (past address) S Nov 1954 - Dec 1954 New York (133) +0
Exhibition Title

Recent British Drawings

ICA - Institute of Contemporary Arts G Feb 1954 - Mar 1954 London (187) +0
Exhibition Title

36 | Henry Moore - Englische Farblithographien

 - Plastiken, Zeichnungen, Lithographien
Kestner-Gesellschaft S Jul 1953 - Aug 1953 Hannover (522) +0
ICA - Institute of Contemporary Arts S May 1953 - Jun 1953 London (187) +0
Exhibition Title

Sculpture of the Twentieth Century

Museum of Modern Art - MoMA (1/6) G Apr 1953 - Sep 1953 New York (1042) +0
Exhibition Title

Sculpture of the Twentieth Century

The Art Institute of Chicago G Jan 1953 - Mar 1953 Chicago (253) +0
Exhibition Title

Sculpture of the Twentieth Century

Philadelphia Museum of Art G Oct 1952 - Dec 1952 Philadelphia (40) +0
Exhibition Title

Mensch und Form unserer Zeit

Kunsthalle Recklinghausen G Jun 1952 - Aug 1952 Recklinghausen (64) +0
ICA - Institute of Contemporary Arts S Apr 1952 - Apr 1952 London (187) +0
Exhibition Title

Henry Moore

 - Zeichnungen und kleine Plastik
Haus am Waldsee S Sep 1951 - Sep 1951 Berlin (Zehlendorf) (182) +0
Skutsch, Karl Ludwig (Curator)       +0
Tate Britain S May 1951 - Jul 1951 London (97) +0
Sylvester, A.D.B. (Curator)       +0
Exhibition Title

Moderne Kunst aus der Sammlung Peggy Guggenheim

Kunsthaus Zürich G Apr 1951 - May 1951 Zürich (589) +0
Buchholz Gallery Curt Valentin (past address) S Mar 1951 - Mar 1951 New York (133) +0
Exhibition Title

Henry Moore

 - An Exhibition of Sculpture and Drawings
Zappeion Palace S Mar 1951 - Mar 1951 Athens (3) +0
Exhibition Title

1950 Aspects of British Art

ICA - Institute of Contemporary Arts G Dec 1950 - Jan 1951 London (187) +0
Contemporary Arts Museum - CAMH G Nov 1950 - Nov 1950 Houston (342) +0
Exhibition Title

Werke Europäischer Plastik

Haus der Kunst G Nov 1950 - Dec 1950 München (182) +0
Exhibition Title

12 | Der antike Mythos in der neuen Kunst

Kestner-Gesellschaft G May 1950 - Jul 1950 Hannover (522) +0
Exhibition Title

Modern Art in Your Life

Museum of Modern Art - MoMA (1/6) G Oct 1949 - Dec 1949 New York (1042) +0
The Art Institute of Chicago S Apr 1947 - May 1947 Chicago (253) +0
Exhibition Title

Henry Moore

Museum of Modern Art - MoMA (1/6) S Dec 1946 - Mar 1947 New York (1042) +0
Sweeney, James Johnson (Curator)       +0
Contemporary Arts Museum - CAMH G Oct 1946 - Nov 1946 Houston (342) +0
The Arts Club of Chicago G May 1945 - May 1945 Chicago (468) +0
Buchholz Gallery Curt Valentin (past address) S May 1943 - May 1943 New York (133) +0
Exhibition Title

Spring Exhibition

 - Paintings, Water-Colours & Sculptures by Contemporary Artists
Leger Galleries Ltd. - J. Leger & Son G Apr 1943 - May 1943 London (1) +0
Exhibition Title

Surrealism today

Zwemmer Gallery G Jun 1940 - Jul 1940 London (153) +0
Exhibition Title

Fantastic Art, Dada, Surrealism

 - (Artists before19th Century are not listed)
Museum of Modern Art - MoMA (1/6) G Dec 1936 - Jan 1937 New York (1042) +0
Exhibition Title

The London International Surrealist Exhibition

New Burlington Galleries G Jun 1936 - Jul 1936 London (1) +0
Exhibition Title

Cubism and Abstract Art

Museum of Modern Art - MoMA (1/6) G Mar 1936 - Apr 1936 New York (1042) +0
Exhibition Title

Henry Moore

 - Exhibition of drawings
Zwemmer Gallery S Oct 1935 - Nov 1935 London (153) +0
Exhibition Title

Drawings and Sculpture by some contemporary Sculptors

 - Epstein, Dobson, Moore, Gaudier-Brzeska
Zwemmer Gallery G Nov 1930 - Dec 1930 London (153) +0