Artist | Liam Gillick (*1964)

See also page on Wikipedia Link WorldCat-Identity Link

Artist Portfolio Catalogue Overview \ 1



Born 1964, Aylesbury, Britain
Lives and works in London and New York



1983/84 Hertfordshire College of Art
1984/87 Goldsmiths College, University of London, B.A. (Hons.)



1998 Paul Cassirer Award, Berlin.



1999 Columbia University, New York.
1999 Royal Academy, Copenhagen.
1999 École des Beaux Arts de Lausanne.
1997/98 Central/St. Martins School of Art, London.
1994/98 Goldsmiths College, University of London.
1997 École des Beaux Arts, Grenoble.
1996 Kunst Akademie, Hamburg.
1995 Royal Academy, Copenhagen.

ONE-PERSON EXHIBITIONS (* indicates publication)

ONE-PERSON EXHIBITIONS (* indicates publication)

12/1989 84 Diagrams, Karsten Schubert Ltd, London.*

1/1991 Documents (with Henry Bond), Karsten Schubert Ltd, London.*
3/1991 Documents (with Henry Bond), A.P.A.C., Nevers.*
12/1991 Documents (with Henry Bond), Gio' Marconi, Milan.

8/1992 McNamara, Hog Bikes and GRSSPR, Air de Paris, Nice.

6/1993 Documents (with Henry Bond), CCA, Glasgow.
11/1993 An Old Song and a New Drink (with Angela Bulloch), Air de Paris, Paris.

6/1994 McNamara, Schipper & Krome, Köln.
9/1994 Documents (with Henry Bond), Ars Futura, Zurich.
21/1994 Liam Gillick, Interim Art, London.

5/1995 Ibuka! (Part 1), Air de Paris, Paris.
6/1995 Ibuka! (Part 2), Künstlerhaus, Stuttgart.*
9/1995 Ibuka!, Galerie Emi Fontana, Milan.
11/1995 Part Three, Basilico Fine Arts, New York.
12/1995 Documents (with Henry Bond), Kunstverein ElsterPark, Leipzig.*

3/1996 Erasmus Is Late 'versus' The What It? Scenario, Schipper & Krome, Berlin.
4/1996 Liam Gillick, Raum Aktuelle Kunst, Vienna.
4/1996 The What If? Scenario, Robert Prime, London.
6/1996 Documents (with Henry Bond), Schipper & Krome, Köln.

1/1997 Discussion Island, Basilico Fine Arts, New York.
2/1997 Discussion Island - A What If? Scenario Report, Kunstverein, Ludwigsburg.*
3/1997 A House In Long Island, Forde Espace d'art contemporain, L'Usine, Geneva.*
5/1997 Another Shop In Tottenharn Court Road, Transmission Gallery, Glasgow.*
7/1997 McNamara Papers, Erasmus and Ibuka Realisations, The What If? Scenarios, Le Consortium, Dijon.*
10/1997 Reclutamento!, Emi Fontana, Milan.

2/1998 Liam Gillick, Kunstverein in Hamburg.*
4/1998 Up on the twenty-second floor, Air de Paris, Paris.
4/1998 When Purity Was Paramount, British Council, Prague.
5/1998 Big Conference Center, Orchard Gallery, Derry.*
6/1998 Liarn Gillick, Robert Prime, London.
7/1998 Révision: Liam Gillick, Villa Arson, Nice.*
9/1998 When do we need more tractors?, Schipper & Krome, Berlin.
11/1998 The Trial of Pol Pot, (with Philippe Parreno), Le Magasin, Grenoble.
21/1998 Liam Gillick, c/o Atle Gerhardsen Oslo.

6/1999 Liam Gillick, Kunsthaus Glarus, Glarus.*
7/1999 Liam Gillick, Rüdiger Schöttle, Munich.
9/1999 "David", Frankfurter Kunstverein, Frankfurt.*

Selected Group Exhibitions (*indicates publication)

Selected Group Exhibitions (*indicates publication)

12/1990 The Multiple Projects Room, Air de Paris, Nice.

7/1991 No Man's Time, CNAC, Villa Arson, Nice.*
9/1991 Air de ParisA Paris, Air de Paris, Paris.
12/1991 The Multiple Projects Room, Air de Paris, Nice.

4/1992 Tatoo, Air de Paris/Urbi et Orbi, Paris / Daniel Buchholz, Köln / Andrea Rosen, New York.
5/1992 Molteplici Culture, (selected by Giorgio Verzotti), Folklore Museum, Rome.*
5/1992 Lying on top of a building the clouds look no nearer than they had when I was lying In the street, Monika Sprüth, Köln/Esther Schipper, Köln/Le Case d'Arte, Milan.
6/1992 Manifesto, (curated by Benjamin Well), Daniel Buchholz, Köln / Castello di Rivara, Turin / Wacoal Arts Centre, Tokyo / Urbi et Orbi, Paris.*
6/1992 Etats Specifique, Musée d'art moderne, Le Havre.*
9/1992 The Speaker Project, ICA, London.
10/1992 12 British Artists, Barbara Gladstone / SteinGladstone, New York.*
21/1992 Group Show, Esther Schipper, Köln.
12/1992 Instructions, Gio' Marconi, Milan.*
12/1992 ON, Interim Art, London.*

1/1993 Terratorio Itaillano, (curated by Giacinto di Pietrantonio), Milan.*
1/1993 Claire Barclay, Henry Bond, Roderick Buchanan, Liam Gillick, Ross Sinclair, Gesellschaft für Aktuelle Kunst, (curated by Tom Eccles) Bremen.*
2/1993 Travelogue, (curated by Jackle McAllister), Hochschule für Angewandte Kunst, Vienna.*
2/1993 Los Angeles International, Esther Schipper at Christopher Grimes, Los Angeles.
7/1993 Wonderful Life, Lisson Gallery, London.
7/1993 Group Show, Esther Schipper, Köln.
7/1993 The London Photo Race, Friesenwall 120, Köln.
7/1993 Futura Book, Air de Paris, Nice.
7/1993 Points do Vue, Galerie Pierre Nouvion, Monaco.*
9/1993 Manifesto, (curated by Benjamin Weil), Hohenthal und Bergen, München.*
9/1993 Backstage, (curated by Stephan Schmidt-WuIffen & Barbara Steiner), Kunstverein in Hamburg.*
10/1993 Two out of four dimensions, Centre 181, London.*
21/1993 Dokumentation über, Arbeiten von, Esther Schipper, Köln.
11/1993 Unplugged, (curated by Nicolas Bourriaud), Köln.

1/1994 Don't Look Now, (curated by Joshua Doctor), Thread Waxing Space, New York.*
2/1994 Backstage, Kunstmuseum Luzern.*
2/1994 Surface de Réparations, (curated by Eric Troncy), FRAC Bourgogne, Dijon.*
2/1994 Cocktail 1, Kunstverein in Hamburg.
3/1994 Public Domain, (curated by Jorge Ribalta), Centro' Santa Monica, Barcelona.*
5/1994 Grand Prix, (curated by Axel Huber), Monaco.*
5/1994 Rue des Marins, Air de Paris, Nice.
5/1994 Mechanical Reproduction, (curated by Jack Jaeger), Galerie van Gelder, Amsterdam.*
6/1994 WM/Karaolke, (curated by Georg Herold), Portikus, Frankfurt.*
6/1994 Other Men's Flowers, (curated by Joshua Compston), Hoxton Square, London.*
9/1994 Miniatures, The Agency, London.
10/1994 Das Archiv, Forum Stadtpark, Graz.*
10/1994 Lost Paradise, (curated by Barbara Steiner), Kunstraum, Vienna.*
10/1994 Surface de Réparations 2, FRAC Borgougne, Dijon.*
12/1994 The Institute of Cultural Anxiety, (curated by Jeremy Millar), ICA, London.*

1/1995 Möbius Strip, Basilico Fine Arts, New York.*
1/1995 Bad Times, (curated by Jonathan Monk), CCA, Glasgow.
2/1995 In Search of the Miraculous, Starkmann Library Services, London.
5/1995 Faction, Royal Danish Academy of Arts, Copenhagen.*
6/1995 The Moral Maze, Le Consortium, Dijon.
6/1995 Stoppage, CCC, Tours.*
6/1995 Collection fin XX, FRAC Poitou, Charentes, Angoulème.*
7/1995 Summer Fling, Basilico Fine Arts, New York.
7/1995 Stoppage, Villa Arson, Nice.*
7/1995 Karaoke, (curated by Georg Herold), South London Art Gallery.*
7/1995 Ideal Standard Summertime, Lisson Gallery, London.
9/1995 Reserve-Lager-Storage, Ohl, Bruxelles.
9/1995 Flimcuts, Neugerriemschneider, Berlin.
10/1995 New British Art, Museum Sztuki, Lodz.*
10/1995 Brilliant, (curated by Richard Flood), Walker Art Centre, Minneapolis.*
11/1995 Trailer, (curated by Barbara Stelner), Mediapark, Köln.

1/1996 Co-operators, Southampton City Art Gallery, Southampton.*
1/1996 Traffic, (curated by Nicholas Bourriaud), CAPC, Bordeaux.*
2/1996 Kiss This, (curated by Jeremy Deller), Focalpoint Gallery, Southend.
3/1996 March à l'ombre, Air de Paris, Paris.
4/1996 Departure Lounge, The Clocktower, New York.
4/1996 Everyday Holiday, Le Magasin, Grenoble.*
4/1996 Der Umbau Raum, Künstlerhaus, Stuttgart.
5/1996 Dinner, (organised by Glorgio Sadotti), Cubitt Gallery, London.
6/1996 Some Drawings From London, Princelet Street, London.
6/1996 Nach Welmar, (curated by Nicolaus Schafhausen and Klaus Blesonbach), Landesmuseum, Weimar.*
7/1996 How Will We Behave?, Robert Prime, London.
8/1996 Escape Attempts, Globe, Copenhagen.
10/1996 Life/Live, Musée d'Art Moderne de la Ville de Paris, Paris.*
10/1996 Such Is Life, Serpentine London/Paials des Beaux Arts, Brussels / Herzliya Museum of Art.
11/1996 Itinerant Texts, Camden Arts Centre, London.*
21/1996 Lost For Words, Coins Coffee Store, London.
11/1996 All In One, Schipper & Krome, Köln.*
11/1996 A Scattering Matrix, (curated by Jane Hart), Richard Helier Gallery, Los Angeles.
11/1996 Found Footage, Tanja Grunert & Klemens Gasser, Köln
21/1996 Glass Shelf Show, ICA, London.
12/1996 Supastore do Luxe, Up & Co., New York.
12/1996 Limited Edition Artist's Books Since 1990, Brooke Alexander, New York.

1/1997 Life/Live, Centro Cultural do BelLsm, Lisbon.*
3/1997 Temps de Pose, Temps de Parole, Musée de I'Echevinage, Saintes
3/1997 Des Livres d'Artistes, L'École d'Art de Grenoble, Grenoble.*
4/1997 Ajar, Galleri F15, Jeløy.*
4/1997 Enter: audience, artist, Institution, (curated by Barbara Steiner), Kunstmuseum Luzern, Luzern.*
5/1997 Space Oddities, Canary Wharf Window Gallery, London.
5/1997 Moment Ginza, (co-ordinated by Dominique Gonzalez-Foerster), Le Magasin, Grenoble.
5/1997 I Met A Man Who Wasn't There, Basilico Fine Arts, New York.
6/1997 504, (curated by John Armleder), Kunsthalle Braunschweig.*
6/1997 documenta X, Kassel.*
7/1997 Enterprise, ICA, Boston.*
9/1997 Group Show, Robert Prime, London.
9/1997 Ireland and Europe, Sculptors Society of Ireland, Dublin.*
9/1997 Group Show, Vaknin Schwartz, Atlanta.
10/1997 Heaven - a Private View, PS1, Long Island.
11/1997 Hospital, Galerie Max Hetzler, Berlin.*
11/1997 Kunst Arbeit, SüdWest LB, Stuttgart.*
12/1997 Other Men's Flowers, The British School at Rome, Rome.
12/1997 Maxwell's Demon, Margo Leavin, Los Angeles.
12/1997 Work In Progress and or Finished, Ubermain, Los Angeles
12/1997 Group Show, Air de Paris, Paris.
12/1997 Group Show, Schipper & Krome, Berlin.

2/1998 Liam Gillick, John Miller, Joe Scanian, RAK, Vienna
2/1998 Fast Forward, Kunstverein in Hamburg.*
2/1998 Artist/Author: Contemporary Artists' Books, American Federation of Arts touring show Weatherspoon Art Gallery, Greensboro / The Emerson Gallery, Clinton / The Museum of Contemporary Art, Chicago / Lowe Art Museum, Coral Gables / Western Gallery, Bellingham / University Art Gallery, Amhert.*
3/1998 Interactive, An Exhibition of Contemporary British Sculpture, Amerada Hess, London.*
4/1998 A to Z, (curated by Matthew Higgs), The Approach, London.
5/1998 Construction Drawings, (curated by Klaus Biesenback), PS1, New York.
5/1998 Arena - Sport und Kun st Austellung, Galerie im Rathaus, Munich.*
6/1998 Inglenook, (curated by Evette Brachman), Feigen Contemporary, New York.
6/1998 In-significants, Stockholm, Sweden.
6/1998 Kamikaze, Galerie im Marstall, Berlin.
6/1998 London Calling, The British School at Rome & Galleria Nazionale d"Arte Moderna, Rome.
6/1998 Fuori Uso '98, Mercati Ortofrutticoli, Pescara.
7/1998 Videostore, (organised by Nicolas Tremblay and Stephanie Moisdon), Brick and Kicks, Vienna.
7/1998 UK - Maximum Diversity, Galerie Krinzinger, Bregenz/Vienna.
7/1998 The Erotic Sublime, Thaddeaus Ropac, Salzburg.
8/1998 Entropy, (curated by Wilhelm Schurmann), Ludwigforum, Aachen.
9/1998 Places to Stay 4 P(rinted) M(atter), Büro Friedrich, Berlin.
9/1998 Weather Everything, (curated by Eric Troncy), Galerie für Zeitgenössische Kunst, Leipzig.*
9/1998 Odradek, (curated by Thomas Mulcaire), Bard College, New York.
9/1998 Mise en Scène, Grazer Kunstverein, Graz.*
10/1998 Minimal-Maximal, Neues Museum Weserburg, Bremen.*
10/1998 Ghosts, Le Consortium, Dijon.
11/1998 Dijon/Le Consortium.coll, Centre Georges Pompidou, Paris.*
11/1998 Cluster Bomb, Morrison Judd, London
12/1998 The Project of the 2nd December, Salon 3, London.
12/1998 Projections, de Appel, Amsterdam.
12/1998 1+3 = 4 x 1, Galerie für Zeitgenössische Kunst, Leipzig.*

1/1999 Pl@ytimes, École Supiérieure d'Art de Grenoble, Grenoble.
1/1999 Oldnewtown, Casey Kaplan, New York.
1/1999 Xn, Maison de la Culture, Châlons
1/1999 Continued Investigation of the Relevance of Abstraction, Andrea Rosen Gallery, New York
3/1999 Nur Wasser, Neumühlen, Hamburg.
3/1999 12 Artists, 12 Rooms, Galerie Thaddeaus Ropac, Salzburg.
4/1999 Air do Paris: works by AND/OR Informations about, Grazer Kunstverein.e
5/1999 Tang, Turner and Runyon, Dallas.
5/1999 Plug-ins, Salon 3, London.
5/1999 Etcetera, Spacex Gallery, Exeter.
5/1999 Out of Sight - A cross-reference exhibition, Büro Friedrich, Berlin.
7/1999 Essential Things, (curated by Guy Mannes Abbott), Robert Prime, London.
7/1999 Laboratorium, Antwerpen Open, Antwerp.
7/1999 In The Midst of Things, University of Central England, Bourneville.
7/1999 Le Capitale, (curated by Nicolas Bourriaud), Centre regionale d'art contemporain, Sete.*
8/1999 The Space Is Everywhere, Villa Merkel, Esslingen.
9/1999 Objecthood 00, Athens.
9/1999 Tent, Rotterdam.
9/1999 dConstructivism: Life Into Art, Brisbane.
9/1999 Shopping, FAT, London.
9/1999 Fantasy Heckler, (curated by Padraig Timoney), Tracey, Liverpool Blenial.
9/1999 Art Lovers, (curated by Marcia Fortes), Tracey, Liverpool Bienial.
10/1999 Get Together/Art As Teamwork, Kunsthalle, Vienna.*
10/1999 Let's Get Lost, Central St. Martins College of Art and Design, London.



3/1991 Documents, London and Nevers, One-Off Press and A.P.A.C.
3/1991 Technique Anglaise, (ed. Liam Gillick & Andrew Renton), London, Thames & Hudson.
3/1991 No Man's Time, Nice, Villa Arson.
12/1991 Gazette, Köln, Galerie Esther Schipper.

5/1992 Molteplici Culture, (ed. Christov-Bakargiev), Rome.
6/1992 Etats Specifiques, Musée d'Art Moderne, Le Havre.
9/1992 12 British Artists, Barbara Gladstone/Stein Gladstone, New York.
21/1992 240 Minutens, (ed. Georg Graw & Lothar Hempel), Köln.
12/1992 Instructions, (ed. Liam Gillick), Gio' Marconi, Milan.
12/1992 ON, London, Interim Art.

1/1993 Documentario 2, (ed. Di Pietrantonio), Milan.
1/1993 Clare Barclay, Henry Bond, Roderick Buchanan, Liam Gillick, Ross Sinclair, Gesellschaft für Aktuelle Kunst, Bremen.
1/1993 Travelogue, Vienna, Hochschule für Angewandte Kunst, Vienna.
6/1993 Fotofels, Glasgow, International Photography Festival.
7/1993 Love is no Four Letter Word, Lothar Hempel, Esther Schipper, Köln.
9/1993 Backstage, Kunstverein, Hamburg.
9/1993 Ideal Place, Nevers, (ed. Eric Troncy).

1/1994 Don't Look Now, Threadwaxing Space, New York.
2/1994 Backstage, Kunstmuseum Luzern, Luzern.
3/1994 Public Domain, Centro' Santa Monica, Barcelona.
5/1994 Mechanical Reproduction, Galerie Van Gelder, Amsterdam.
6/1994 Other Men's Flowers, FN/Booth-Clibborn, London.
10/1994 McNamara, project for Nummer, Köln, Germany.
10/1994 McNamara, project for New Observations, New York.
10/1994 Llam Gets a Serial Killer Annoyed, project for Art & Text, Sydney, Australia.
10/1994 Sunshine, Jahresring, Köln, Germany.
21/1994 Like Sure, Or Not, project for Palleten, Stockholm, Sweden.
12/1994 The Institute of Cultural Anxiety, ICA, London.

1/1995 Möbius Strip, Basilico Fine Arts, New York.
5/1995 Faction, Royal Danish Academy of Arts, Copenhagen, Denmark.
6/1995 Lost Paradise, (ed. Barbara Steiner), Vienna / Stuttgart, Oktagen.
6/1995 Stoppage (CD), CCC/Villa Arson, Nice, Tours and London.
6/1995 Erasmus Is Late, Book Works, London.
6/1995 lbuka!, Künstlerhaus, Stuttgart.
7/1995 Grim, (project with Douglas Gordon), Parkett, Summer.
7/1995 Collection fin XX, FRAC Poitou Charentes, Angouleme.
7/1995 We Are Medi(eval), (with Angela Bulloch), Portikus, Frankfurt.
9/1995 Camera Austria, Forum Stadtpark, Graz, Austria.
10/1995 New Art From Britain, Museum Stzuki, Lodz.
10/1995 Surface de Réparations, FRAC Bourgogne, Dijon, France.
10/1995 Brilliant, Walker Art Centre, Minneapolis.
10/1995 Prime Time #1, Dijon, Le Consortium.

1/1996 Co-operators, Southampton City Art Gallery.
1/1996 Traffic, CAPC, Bordeaux.
2/1996 Do It, Kjarvaisstadir, Reykyavik.
3/1996 Everyday Holiday, Grenoble, Le Magasin.
6/1996 Nach Weimar, Cantz, Weimar.
7/1996 Herausgeber, Kunstraurn Wien, Wien.
8/1996 Escape Attempts, Globe, Copenhagen.
10/1996 Life/Live, Paris, Musée d'Art Moderne de la Ville de Paris.
11/1996 Book Works - A partial history and source book, London, Book Works.
11/1996 Lost For Words, London, Toby Mott.
11/1996 Found Footage, Köln, Tanja Grunert & Klemens Gasser
11/1996 A Scattering Matrix, Los Angeles, Richard Helier Gallery
12/1996 Echoes - contemporary Art at the age of endless conclusions, New York, The Monacelli Press

3/1997 Des Œvres d'Artistes, L'École d'Art de Grenoble, Grenoble.
4/1997 Ajar, Jeløy, Galleri F15.
5/1997 Bilmeyl, London, 21.
6/1997 Unbuilt Worids: Unrealised Artists Projects, Münster, Cantz
6/1997 Politics and Poetics, Kassel - documenta, Cantz.
6/1997 Short Guide, Kassel - documenta, Cantz.
6/1997 Schipper und Krome, Berlin, Schipper und Krome
7/1997 McNamara Papers, Erasmus and Ibuka Realisations, The What if? Scenarios, Dijon, Le Consortium, Hamburg, Kunstverein.
7/1997 Erasme est en Retard, Dijon, Les Presses du Réel.
7/1997 Enterprise, Boston, ICA.
9/1997 Ireland and Europe, Dublin, Sculptors Society of Ireland
10/1997 Andreas Schuize, Kunstverein Ludwigsburg, Cantz.
10/1997 Armleder, Milan, Fondazione Antonio Ratti.
11/1997 Moving Targets, Louisa Buck, London, Tate Gallery.
11/1997 Hospital, Berlin, Galerie Max Hetzler.
11/1997 Kunst...Arbelt, Suttgart, SüdWest LB/Cantz.
11/1997 Big Conference Centre/Das Grosse Konferenzzentrum, Ludwigsburg/Derry, Kunstverein Ludwigsburg, Orchard Gallery.

1/1998 Artist/Author: Contemporary Artist's Boook (ed. Comella Lauf/Clive Phillpot), New York, American Federation of Arts.
3/1998 Interactive, An Exhibition of Contemporary British Sculpture, London, Amerada Hess
3/1998 Art from Britain, Hamburg, Sammlung Goetz.
7/1998 L'île de discussion / le grand centre de conférence, Nice/Dijon, Villa Arson / Les presses du Réel.
9/1998 Mise on Scène, Graz, Grazer Kunstverein.
10/1998 Minimal-Maximal, Bremen, Neues Museum Weserburg.
10/1998 X Mal Documenta X, Kassel, Kunsthochschule der Universität/Gesamthochschule.
10/1998 Dominique Gonzalez Foerster, Pierre Huyghe, Philippe Parreno, Paris, ARC, Musée d'Art Moderne de la Ville de Paris.
10/1998 Cream, London, Phaidon Press.
10/1998 Eric Troncy, Paris, Les presses du Réel.
10/1998 Absurd, Self Service, Paris.
11/1998 Dijon / Le Consortium.coll, Dijon/Paris, Les presses du Réel / Centre Georges Pompidou.
12/1998 Ein Rückblick aus dem Jahre 2000 auf 1887, Edward Bellamy, Leipzig, Galerie für Zeitgenössische Kunst.
12/1998 Zing Magazine, Volume 2, Fall.
12/1998 Øjebilkket, The Meaning of Site, Copenhagen.

1/1999 UK Maximum Diversity, Vienna, Galerie Krinzinger.
1/1999 PlOytimes, Grenoble, École du Magasin.
3/1999 Weather Everything, Leipzig, Cantz/Galerie für Zeitgenössische Kunst.
3/1999 Independent Spaces, Geneva, JRP Éditions.
3/1999 Servicio Publico, Barcelona, Ediciones Universidad de Salamanca.
5/1999 Seven Wonders of the World, London, Book Works.
5/1999 Designs for a four storey building, New York, Open City.
5/1999 Art at the turn of the millenium, Köln, Taschen.

Selected Reviews

Selected Reviews

1991 Rose Jennings, Documents: Karsten Schubert Ltd, City Limits, February 7-14.
1991 Michael Archer, Documents: Karsten Schubert Ltd, Artforum, March.
1991 lan Jeffrey, Bond & Gillick, Art Monthly, March, 144.
1991 Clifford Myerson, Documents & Details, Art Monthly, April, 145.
1991 Liam Gillick, The Placebo Effect, Arts, May.
1991 Carolyn Christov-Bakarglev, Someone Everywhere, Flash Art, Summer.
1991 Tim Hilton, Composition with Old Hat, Guardian, August 14.
1991 Frontlines: No Man's Time, Artscribe, September.
1991 Jean Yves Jouannais, Villa Arson, Art Press 162, October.
1991 Giorgio Verzotti, No Man's Time, Artforum, November.
1991 Michael Archer, Audio Arts Issues and Debates I, Audio Arts.
1991 Andrew Wilson, Technique Anglaise, The Art Newspaper, November.
1991 Eric Troncy, No Man's Time, Flash Art International, December.
1991 Meyer Raphael Rubinstein, Technique Anglaise, Arts, November.
1991 Michael Archer, Technique Anglaise, Artforum, December.

1992 Giacinto di Pietrantonio, Bond & Gillick, Gio' Marconi, Flash Art Italia, Feb/March.
1992 Maureen Paley Interviewed by David Brittain, Creative Camera, 313.
1992 Giacinto di Pietrantonio, Bond & Gillick, Gio' Marconi, Flash Art, April.
1992 Henry Bond & Liam Gillick, Press Kitsch, Flash Art International 165, July/Aug.
1992 Eric Troncy, London Calling, Flash Art International 165, July/Aug.
1992 Giorgio Verzotti, News From Nowhere, Artforum, July/Aug.
1992 Elizabeth Lebovici, Uart plege a Pangiallse, Liberation, July 7.
1992 Mark Thomson, Etats Specifique, Art Monthly, July/Aug.
1992 Robert Pinto, Mollteplicl Culture, Flash Art International, October.
1992 Francesco Bonami, Twelve British Artists, Flash Art International, November.
1992 Peter Schjeldhal, Twelve British Artists, Frieze, Nov/Dec, Issue 7.

1993 Amedeo Martegani, Liam Gillick, Flash Art Italia, January.
1993 David Lillington, ON, Time Out, Jan 13th.
1993 Jutta Schenk-Sorge, Zwölf Junge Britische Künstler, Kunstforum 120.
1993 Interview with Liam Gillick, Flash Art International, January.
1993 Frederick Ted Castle, Occurances-NY, Art Monthly, February.
1993 Eric Troncy, Wall Drawings & Murals, Flash Art International, May.
1993 Nicolas Bourriaud, Modelized Politics, Flash Art, Summer.
1993 David Lillington, True Brit, Time Out, July 28th.
1993 Ray McKenzie, Views from the Edge, Scottish Photography Bulletin, October.
1993 Henry Bond and Liam Gillick, The List, July 2nd - 15th.
1993 James Odling-Smee, Wonderful Life, Art Monthly, October.
1993 Mat Collings, Art Break, Observer, October 17th.
1993 Liam Gillick, A Guide to Video Conferencing Systems and the Role of the Building Worker In Relation to the Contemporary Art Exhibition (Backstage), Documents, No.4, October.

1994 Benjamin Weil, Backstage, Flash Art International, Jan/Feb.
1994 Liam Gillick/Ken Lum, Global Art, Flash Art International, Jan/Feb.
1994 Radio Interview, Luzern, February.
1994 Mark James, Freeze, BBC 1, Omnibus, February 22nd.
1994 Nathalie Bouley, Les Parcours d'illusions..., Le Bien Public, February 23.
1994 Roland Topor, Surface de Réparations, Art & Aktoer, February, No. 5.
1994 Nicolas Bourriaud, Au Moment du Penalty, Globe, 9 - 15 February.
1994 Nicolas Bourriaud, Surface de Réparations, Art Press, No. 190.
1994 Eric Troncy, Suface de Reperations, Omnibus, June.
1994 Fritz Billeter, Schnörkel und Scheilfchen, Tages-Anzeiger, February 28.
1994 Arte Guerrero, EI Pais, March 14.
1994 Olga Spiegel, Fotographos de Londres.... La Vanguardia, March 14.
1994 Christian Besson, Surface de Réperations, Flash Art International, May-June.
1994 Helena Papadopoulos, Don't Look Now, Flash Art International, May-June.
1994 Simon Grant, World Cup Football Karaolke, Art Monthly, September.
1994 Paradies Verioren, Die Presse, October 22.
1994 Verdoppelt, durchleuchtet, Kleine Zeitung (Graz),October 12.
1994 Brigitte Borchhardt-Birnbaurner, Ein Neues Ausstellungsmodell, Wiener Zeitung, October 14.
1994 Woifgang Zinggi, Tee Trinken mit Künstlern, Flater, October 28.
1994 Schipper & Krome, Neue Bildende Kunst, November.
1994 Mark Currah, Time Out, December.

1995 Franz Niegelhell, Sammeln und Speichern, PAKT, January.
1995 Michael Hauffen, Das Archiv, Kunstforum, January.
1995 Justin Hoffrnan, Das Archiv, Artis, February-March.
1995 Zapp Magazine, Möbius Strip, Issue 4.
1995 Arno Gisinger, Das Archiv, Eikon, April.
1995 Liam Gillick, The Insitute of Cultural Anxiety, Blueprint.
1995 Project, (Jake & Dinos Chapman), Art & Text, May.
1995 Nicolas Bourriaud, Pour une ésthetique relationnelle, Documents, No. 7.
1995 Sabine Maida, Sur un air de Darwin, Paris Quotidien, May 15.
1995 Philippe Parreno, Une exposition serait-elle un cinéma sans caméra?, Liberation, May 27.
1995 Liam Gillick, Künstlerporträts, Neue Bildende Kunst, June-August.
1995 Liam Gillick, When Are You Leaving?, Art & Design, May.
1995 Eric Troncy, Liam Gillick, Flash Art International, Summer.
1995 Sabine Krebber, Romantisch und Verwundbar, Stuttgarter Nachrichten, July 1.
1995 Forget about the ball and get on with the game, (with Rirkrit Tiravanija), Parkett 44, Summer.
1995 Adrian Searle, Karaolke, Time Out, July 26.
1995 Sarah Kent, Weal Standard Summertime, Time Out, July 26.
1995 Philip Sanderson, Ideal Standard Summertime, Art Monthly, September, No.189.
1995 Erasmus is Late, La Repubblica, September 15.
1995 Christoph Blase, lbuka!, Springer, Issue 4.
1995 Martin Maloney, Grunge Corp, Art Forum, November.
1995 Jeffrey Kastner, Brilliant?, Art Monthly, Dec/Jan 1995-96.
1995 Lynn McRitchie, Brilliant, Financial Times.
1995 Karmel, Liam Gillick, New York Times, December 8.
1995 Stuart Servetan, Liam Glilick, New York Press, Dec 6 - 18.
1995 Anne Doran, Part Three, Time Out, New York, Dec 13 - 20.
1995 Matthew Collings, My Brilliant Repartee, Modern Painters, Winter.
1995 Peter Herbstreuth, Leipzig: Fotografie im Kunstverein Elsterpark, Kunst Bulletin, 12/95.

1996 Iain Gale/Georgina Starr, Where does British Art go from Here?, Independent, 2/1/96
1996 Neal Brown, Ideal Standard Summertime, Frieze 26, January/February.
1996 Adrian Dannat, Brilliant, Flash Art, January/February
1996 Simon Ford, Myth Making, Art Monthly, March, 194.
1996 Michael Archer, No Politics Please We're British, Art Monthly, March, 194.
1996 John Tozer, Co-operators, Art Monthly, March, 194.
1996 Rainald Schumacher, Liam Gillick, Springer, 1/96.
1996 Matthew Ritchie, Liam Gillick: Part Three, Performing Arts Journal.
1996 Georg Schöllhammer, Kuratiert von:, Springer, March.
1996 Brigitte Werneburg, Das Virus Heißt Political Correctness, Taz, 9/10 March.
1996 Barbara Steiner, If ... If ... If... a lot of possibilities, Paletten, No. 223.
1996 Philippe Parreno, McNamara - A film by Liam Gillick, Paletten, No. 223.
1996 Andreas Spiegl, Traffic - CAPC, Art Press, No. 212, April.
1996 Hans Knoll, Parallelwelten und frottierte Schilde, Der Standard, 18 April.
1996 Johanna Hofleitner, Ausgestellt In Wien, Die Presse, 19 April.
1996 Liam Gillick, Der Standard, 2 May.
1996 Lynne McRitchie, Brillillant, Art in America, May.
1996 Simon Ford, Der Mythos vom Young British Artist, Texte zur Kunst, No. 22, May.
1996 Martin Herbert, Liam Gillick, Time Out, May 15 - 22.
1996 Liam Gillick, The Corruption of Time (Looking Back at Future Art), Flash Art, May/June, No. 188.
1996 Godfrey Worsdale, Liam Gillick, Art Monthly, June, No. 197.
1996 Juan Cruz, Some Drawings from London, Art Monthly, July/August, No. 198.
1996 Lars Bang Larson, Traffic, Flash Art, Summer, No. 189.
1996 Barbara Steiner, Traffic, Springer, Band 11, Heft 2.
1996 Verena Kuni, Der Umbau-Raum, Springer, Band 11, Heft 2.
1996 Jennifer Higgie, Liam Gillick, Frieze, Issue 30.
1996 Carl Freedman, Some Drawings From London, Frieze, Issue 30.
1996 Barbara Steiner, Film as a method of Thinking and Working, Paletten, No. 224.
1996 Marie de Brugerolle, Renaissance du Magasin, Art Press, October, No. 217.
1996 Elizabeth Lebovici, Grand d6ballage d'art britanique, Liberation, 10th Oct.
1996 Jelka Sutej Adamic, Liam Gillick, Delo, 11th Oct.
1996 Angela Vettese, Giovani Inglesi Aspettano Godot, Il Sole, 13th Oct.
1996 Michael Krome, Liam Gillick, Kunstzeitung, No. 3, Nov
1996 La crème anglaise s'expose à Paris, Le Figaro, 26th Nov.
1996 Robert Fleck, Die Wahren Helden sind die Väter, Art, December.
1996 Pierre Restany, New Orientations In Art, Domus.

1997 Peter de Jonge, The Rubell's In Miami, Harper's Bazaar, February.
1997 Jesse Kornbluth, Is South Beach Big Enough for Two Hotel Kings?, New York Times, 16th Feb.
1997 Die Zukunft als künstlerisch-humanes Spielkonzept, Ludwigsburger Kreiszeitung, 22nd Feb.
1997 Überliefertes Aufbrechen, Neue Luzerner Zeitung, 12th April.
1997 "Enter - Audience, Artist, Institution" Ausgestellt, Luzern Heute, 12th April.
1997 Gregory Volk, Liam Gillick at Basilico F1ne Arts, Art in America, June.
1997 Dominique Nahas, I met a man who wasn't there, Review, July/August.
1997 Elizabeth Mangini, A met a man who wasn't there, The Exhibitionist, Aug/Sept.
1997 documenta X The Guardian, The Financial Times, Art Forum, Kunstforum, Art Monthly.
1997 Zeigam Azizov, Liam Gillick and his Parallel Activities, Omnibus, October.
1997 Nadine Gayet-Descendre, Nouvelle vie pour PSI, L'Oeil, No. 490, November.
1997 Ann Doran, School's In, Time Out New York, 6th to 13th November.
1997 Marc-Olivier Wahler, Habiter un lieu d'art, Kunst-Bulletin, December.
1997 Eric Troncy, We're people this dumb before television: Interview with Liam Gillick, Documents sur I'art, No.11
1997 Christoph Tannert, Zwischen Hospital und Hotel, Berliner Zeitung, Dec 20th.
1997 Brigitte Werneburg, The Good Beuys, Taz, Dec 20th.
1997 Tanja Fielder, Auf dem Pappbett endet Sehnsucht, Morgenpost, Dec 16th.
1997 Schwarzwaldklinik, Ticket, Dec 11th

1998 Susanne Gaensheimer, In Search of Discussion Island - About the Book Big Conference Centre, by Liam Gillick, Index, No.22, February.
1998 Karl Holmquist, Hospital, Flash Art March/April.
1998 Jade Lindgaard, Le Plexiglas Philosophical, Le Monde/Les Inrockuptibles, 6th to 12 May.
1998 David Musgrave, A to Z, Art Monthly, May.
1998 Jade Lingaard, Le Plexiglas philosophal, Aden, May 6-12.
1998 Jorn E1bner, Dickes Make-up, dünnhäutige Kunst, Frankfurter Allgemeine, 11th July.
1998 Laura Moffatt, Liam Gillick, Art Monthly, July/Aug.
1998 Inglenook, Village Voice, 21st July.
1998 Ken Johnson, Inglenook, New York Times, 24th July.
1998 Eric Troncy, Liam Gillick / Vilia Arson, Les Inrockruptiples, Summer.
1998 Christoph Blase, Liam Gillick, Blitz Review.
1998 Paul Cassirer Kunstpreis, Berliner Morgenpost, September 30th.
1998 Paul Cassirer Kunstpreis, various press
1998 Morning Edition, NPR, New York, October 3rd.
1998 Kerstin Braun, Wile bildende Kunst Theater refiektiert, Neue Zeit, Oct 9.
1998 Anders Eiebakke & Bjonnuiv Evenrud, Liam Gillick, Natt & Dag, Dec/Jan.
1998 Berit Slattum, Kommuniserende britisk samtidskunst, Klassekampen, Dec 9.

1999 Salon 3, Flash Art, Jan/Feb.
1999 Heinz Schütz, Steirischer Herbst '98, Kunstforum, Jan/Feb, No. 143.
1999 Holland Cotter, Changes Aside, New York Times, February 12.
1999 Roberta Smith, Continued Investigation of the Relevance of Abstraction, New York Times, Feb 12.
1999 Catsou Roberts, Ouveture do Salon 3, Art Press, No. 243, Feb.
1999 Sue Spaid, Conceptual Art as Neurobiological Praxis, Village Voice, April.
1999 Andrea K. Scott, Conceptual Art as Neurobiological Praxis, Time Out, New York, April.
1999 Andreas Denk, Nur Wasser Läßt sich Leichter Schneiden, Kunstforum, May/June.
1999 Ronald Jones, A continuing Investigation Into the relevance of abstraction, Frieze, Issue 47, Summer.
1999 Brita PoIzer, Kunst, Annabelle, June.
1999 Radio DRS 2, Interview with Liam Gillick, June 29.
1999 Claudia Kock Marti, Viereck und Kosmos, Die Südostschweiz/Glarner Nachrichten, July 2.
1999 Edith Krebs, Er is ein Jongleur, Züricher Tages Anzeiger, July 3.
1999 Liam Gillick, Neue Zürchner Zeitung, July 9.
1999 Martin Engler, Verspiltetes Millennium, Frankfurter Allgemeine, July 21.
1999 Daniel Kurjako, Szenarien zwlschen Gestern und Morgen, August 5.
1999 Eva Grundi, Erklärt Kunst die Welt, Südkurier, August 12.
1999 Süddeutsche Zeitung.
1999 Asprey/Jacques Documentary.

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Maureen Paley


Opening: 12-10-2015 at 06:30 pm

From: 12-10-2015 to 22-11-2015

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Exhibition History 

Exhibition History

SUMMARY based on artist-info records. More details and Visualizing Art Networks on demand.
Venue types: Gallery / Museum / Non-Profit / Collector
Exhibitions in artist-info 167 (S 53/ G 114) Did show together with - Top 5 of 1436 artists
(no. of shows) - all shows - Top 100
Philippe Parreno (16)- 109
Angela Bulloch (15)- 113
Sarah Morris (15)- 93
Carsten Höller (13)- 144
Dominique Gonzalez-Foerster (12)- 82
Exhibitions by type
167:   76 / 33 / 57 / 1
Venues by type
117:   39 / 28 / 49 / 1
Curators 72
artist-info records Sep 1993 - Nov 2019
Countries - Top 5 of 20
United States (36)
Germany (35)
United Kingdom (19)
Ireland (10)
France (9)
Cities - Top 5 of 70
New York (27)
London (13)
Dublin (10)
Wien (8)
Berlin (7)
Venues (no. of shows ) Top 5 of 117
Casey Kaplan (8)
Kerlin Gallery (8)
Galerie Meyer Kainer (5)
Maureen Paley (4)
Schipper & Krome - Köln (4)
Curators (no. of shows) Top 5 of 72
Nicolaus Schafhausen(4), Nancy Spector(3), Laurence Bossé(2), Hans Ulrich Obrist(2), Tom Eccles(2)
Offers/Requests Exhibition Announcement S / G Solo/Group Exhibitions   (..) Exhibitions + Favorites
Exhibition Title

Liam Gillick

 - The Night of Red and Gold
Maureen Paley S Sep 2019 - Nov 2019 London (256) +0
Exhibition Title

All Over

Galerie des Galeries G Mar 2016 - May 2016 Paris (2) +0
Gross, Samuel (Curator)       +0
Exhibition Title

Liam Gillick

 - Campaign
Fundação de Serralves S Jan 2016 - Jan 2017 Porto (22) +0
Cotter, Suzanne (Curator)       +0
Loureiro, Filipa (Curator)       +0
Exhibition Title

Liam Gillick

 - The Thought Style Meets the Thought Collective
Maureen Paley S Oct 2015 - Nov 2015 London (256) +0
Exhibition Title

Per_formare una collezione 4

Madre - Museo d’Arte Contemporanea Donnaregina G May 2015 - May 2016 Napoli (18) +0
Rabottini, Alessandro (Curator)       +0
Viola, Eugenio (Curator)       +0
Exhibition Title

Adventures of the Black Square

 - Abstract Art and Society 1915–2015
Whitechapel Gallery G Jan 2015 - Apr 2015 London (416) +0
Blazwick, Iwona (Curator)       +0
Petersens, Magnus af (Curator)       +0
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