Keita Miyazaki, a young Japanese artist, works on creating sculpture series and installations which evoke a sense of the post-apocalyptic. He is an artist exploring the supposedly polar notions of orderliness and fantasy. His installations select materials for their capacity to suggest ambiguity: traditional like metal, light and fragile like paper, invisible like sound. These juxtaposing techniques avoid concrete description, instead suspending forms in a state of uncertainty.

For Miyazaki, the car is a symbol of global capitalism that represents the tenets of modernity such as industrial progress and mass production. Meanwhile, the scrap metals used in his works evoke a sense of destruction in the mind of the audience. To contrast with machinery, colourful flowers made of paper and felt bloom from the car parts. The botanical elements represent rebirth and the continuation of life. The auditory element also plays a crucial role in his works, as the collected sounds of city life come out from speakers concealed in the flowers and expand the territory of the post-apocalyptic world. Installing a variety of sculptures in the two galleries, Miyazaki explores the relationship between the audience and the sculptures by depicting a complexity of visual and audio illusions in a space where reality and fantasy converge and stimulate the audience’s imagination into envisaging a future world.

Organised by the Daiwa Anglo-Japanese Foundation

Keita Miyazaki -