Exhibition Announcements

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Contemporary Art, Art Exhibition Announcement at artist-info.com Apr 02, 2016 06:00 pm Jul 01, 2016 Firenze Galleria il Ponte Bernard Joubert

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Firenze

Galleria il Ponte

Bernard Joubert

La pittura al limite
Opening Apr 02, 2016 at 06:00 pm
Start date Apr 02, 2016
End date Jul 01, 2016

Con la mostra Bernard Joubert. La pittura al limite, la galleria Il Ponte riallaccia un filo, interrotto alla fine degli anni '70, tra l'artista francese e l'Italia. Con sguardo retrospettivo, ripercorre attraverso una ricca selezione di opere oltre quaranta anni di attività, includendo lavori dai primi anni '70 al 2015. Nella mostra è dedicato ampio spazio, al piano terreno della galleria, alle opere degli anni Settanta: dalle prime pitture su tela libera ai rubans (nastri di tela dipinta, alcuni dei quali mai esposti prima) e una selezione di opere su carta e fotografie degli stessi anni nella zona lounge. Il piano inferiore, é invece dedicato alle opere più recenti, 2010-2016, interventi pittorici su stampe e riproduzioni di dipinti delle epoche passate. Questa esposizione presenta gli aspetti vitali e attuali di una ricerca che pur forzando in modo radicale i confini del medium pittura non lo trasforma mai in qualcosa d'altro, ma operando un'apertura (sia concettuale che materiale) ingloba nella sua anatomia strutturale elementi che vanno ad incrementare articolazioni nuove per il pensiero e per lo sguardo.

Bernard Joubert -
Bernard Marcelis - Alessio Marolda -

Contemporary Art, Art Exhibition Announcement at artist-info.com Feb 04, 2016 06:30 pm Mar 12, 2016 Windhoek National Art Gallery of Namibia - ... 1884 - 1915

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Windhoek

National Art Gallery of Namibia - NAGN

1884 - 1915

An artistic position
Opening Feb 04, 2016 at 06:30 pm
Start date Feb 05, 2016
End date Mar 12, 2016

The exhibition is conceived with the desire of exploring the heritage of German Colonialism left in Namibia after the period 1884 - 1915. The exhibition, curated in collaboration with the German artist/ curator Spunk Seipel, is an attempt to discuss a very difficult chapter of our history by bringing together works by artists, based both in Namibia and Germany, who try to suggest an approach to looking at, understanding and somehow coming to terms with this challenging history. In the last hundred years, opinions of the colonial past in Germany and Namibia have differed and the matter is still considered politically sensitive. Both the Nama and Herero people suffered the greatest losses during the extermination war lead by the German empire, but full acceptance of historical guilt remains widely unacknowledged in both countries. This is why the "1884 to 1915- An artistic position” exhibition wants to set up a platform from which to create dialogue. Namibian as well as German artists, despite not being historians are given the opportunity to express their own, subjective views of history, by stimulating and creating discussion while raising awareness of the past.

Matthias Beckmann - Abrie Fourie - Diana Arce - Berlin Postkolonial - Della Tahir - Ella Ziegler - Melody LaVerne Bettencourt - Oliver Ressler - Spunk Seipel - Ndikung Moholi - Philip 'Kojo' Metz - Thomas Eller - Nicky Marais - Nicola Brandt - Inatu Indongo - Andrew van Wyk - Lok Kandjenko - Paul Kiddo - Tina Schönheit - Tuaovisiua Katuuo - Uaurika Tjiteere - [Veico Ponofi & Nambahu Karina] Ponofi & Karina - Ndasuunje 'Papa' Shikongeni - Barbara Pirron - Eric Schnak - Hentie van der Merwe - Chikonzero Chazunguza -
Helen Harris - Spunk Seipel -

Contemporary Art, Art Exhibition Announcement at artist-info.com Nov 19, 2015 07:00 pm Dec 13, 2015 Oslo Atelier Nord & ANX Pia MYrvoLD

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Oslo

Atelier Nord & ANX

Pia MYrvoLD

WANDS
Opening Nov 19, 2015 at 07:00 pm
Start date Nov 20, 2015
End date Dec 13, 2015

Atelier Nord is pleased to present Pia MYrvoLD’s exhibition WANDS at Atelier Nord ANX. The exhibition encompasses a series of five smart sculptures (known as WANDS), accompanied by multiple projections of the video STRIPEFIELDS which encompasses pulsating, vertical stripes of colour. Each WAND is made of a large number of custom-made parts in a diverse mix of textures and materials, enabling each sculpture to maintain a unique mode of expression and responses to the interactions of visitors. Sensors monitor proximity, the density of surrounding mass and touch. When visitors encounter the WANDS they can affect these distinct and mysterious objects through movement and touch – coordinating between man and machine. Arthur C. Clarke’s third law famously states that any sufficiently advanced technology is indistinguishable from magic. With the WANDS project MyrvoLD aims to capture and revive the classical fairy tale and mythical ethos of the magic wand through the use of interactive media and robotics, accessing the potential of the unexplained or mystical – popular themes in contemporary literature, games and virtual worlds. Media allowing access to modes of experience that were previously confined to fantasy.

Pia MYrvoLD -

Contemporary Art, Art Exhibition Announcement at artist-info.com Oct 17, 2015 06:00 pm Nov 28, 2015 Kaiserslautern Galerie Wack Peter Vogel

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Kaiserslautern

Galerie Wack

Peter Vogel

Interaktive Objekte
Opening Oct 17, 2015 at 06:00 pm
Start date Oct 17, 2015
End date Nov 28, 2015

Der Freiburger Künstler, international als Pionier und Größe elektronischer Kunst bekannt und gerade mit dem Kubus-Kunstpreis des Kunstmuseums Stuttgart ausgezeichnet, ist zur Eröffnung anwesend. Zur Einführung spricht Dr. Claudia Gross (Kunsthistorikerin Kaiserslautern). Wer erinnert sich nicht gerne an die Begegnung mit Kunstwerken von Peter Vogel, an die überraschenden und ebenso beglückenden Klang- und Lichtreaktionen auf das eigene Verhalten? Unvergesslich, wie fasziniert man versucht, das rätselhafte Spiel zwischen Betrachter und Kunstobjekt zu ergründen! Mit ihrem klaren Formaufbau, dem Schaltpläne zugrunde liegen und mit all ihren elektronischen Bauteilen entfalten seine filigranen Skulpturen eine ganz eigene besondere Schönheit.

Peter Vogel -

Contemporary Art, Art Exhibition Announcement at artist-info.com Oct 12, 2015 06:30 pm Nov 22, 2015 London Maureen Paley LIAM GILLICK
Contemporary Art, Exhibition View

Liam Gillick, 'When Do We Need More Tractors? Five Plans', 1999, © Liam Gillick, courtesy Maureen Paley, London

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London

Maureen Paley

LIAM GILLICK

The Thought Style Meets the Thought Collective
Opening Oct 12, 2015 at 06:30 pm
Start date Oct 12, 2015
End date Nov 22, 2015

The solo exhibition combines works from the 1990s with new production the exhibition plays with the way groups develop their ideas in cohesion and tension with the individual. It addresses time in relation to production and the development of creative communities. On this occasion the new monograph, 'From nineteen ninety A to nineteen ninety D', published by JRP|Ringier, will be launched. The title of the exhibition refers to Ludwik Fleck and Mary Douglas’s investigation of the way a thought style links group members via their shared ideas, how they communicate and the methods they employ. These ideas affect the art’s subjectivity and are reflected in a series of new text works. A central work in the exhibition, 'A broadcast from 1887 on the Subject of our Time', was originally produced in 1996 and involved a "broadcast" directed towards a utopian community. The content of the broadcast is taken from Edward Bellamy’s book Looking Backward (1887) - which includes an account of a radio broadcast before the invention of the medium. Also included in the exhibition is a deployment of the work, 'When Do We Need More Tractors? Five Plans, 1999' - a work where certain specific actions are outlined by the artist for others to fulfill. This work is combined with a new series of Discussion Platforms and a series of short films produced by the artist over the last two years.

Liam Gillick -

Contemporary Art, Art Exhibition Announcement at artist-info.com Jul 17, 2015 06:30 pm Aug 23, 2015 London Maureen Paley Thomas Eggerer
Contemporary Art, Exhibition View

Thomas Eggerer, Golden Untitled, 2015, oil on canvas, 167.6 x 162.6 cm - 66 x 64 inches, © Thomas Eggerer, Courtesy Maureen Paley, London

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London

Maureen Paley

Thomas Eggerer

OZONE
Opening Jul 17, 2015 at 06:30 pm
Start date Jul 18, 2015
End date Aug 23, 2015

Maureen Paley is pleased to present the 2nd solo exhibition at the gallery by New York-based artist Thomas Eggerer. Thomas Eggerer was born in 1963 and studied at the Art Academy in Munich, Germany before moving to the US in the mid 90s where he eventually became a member of the artist collective Group Material. By the late 1990s his focus returned to painting and he has been exhibiting this work extensively over the last fifteen years. Using a pictorial language between abstraction and figuration, Thomas Eggerer’s paintings are inhabited by anonymous figures that are absorbed in degrees of action or exchange. They are observed from an elevated perspective and choreographed into arenas of colour. Forms of currency such as money, cigarettes or cans of beer are held and gestured towards, suggesting modes of social transaction with intent. The work 'evokes a contemporary condition of internal splitting or dis-location' as discussed by David Joselit in his essay Time Zones published in Artforum in January 2014. He identifies Eggerer's application of paint using processes of sketching, stuttering, dripping and staining that make his subjects appear at once dismantled and stitched together. Thomas Eggerer’s work has been selected by Ralph Rugoff to be included in the 13th Biennale de Lyon, 'La Vie Moderne', that opens this September 10. He will participate at 'Painting 2.0: Expression in the Information Age', Museum Brandhorst, Munich, November 11, 2015 - April 2016.

Thomas Eggerer -

Contemporary Art, Art Exhibition Announcement at artist-info.com Jun 04, 2015 06:00 pm Aug 23, 2015 Shanghai MadeIn Gallery SHI Yong
Contemporary Art, Exhibition View

No.7, 2015, Steel, multi-layer board, aluminium, metallic paint, serigraph, 1100(L) x 1700 (W) x 320(H) mm

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Shanghai

MadeIn Gallery

SHI Yong

Let All Potential Be Internally Resolved Using Beautiful Form
Opening Jun 04, 2015 at 06:00 pm
Start date Jun 04, 2015
End date Aug 23, 2015

Since 1992, Shi Yong (*1963 Shanghai) works and practice - experimental, rational and pioneering - largely influenced the art scene. Let All Potential Be Internally Resolved Using Beautiful Form will present for the first time a site-specific installation, developed around the notions of space, material and language. Through 'erasure' and 'language' he will bring narrative vocabulary into 'reality': The kind of reality that can only be presented as a form of Abstract art. According to the words of the artist: 'I like to decompose narration by embedding a certain vocabulary, within a narrative context, until it becomes another language.' Using this concept of 'erasure' he reveals a covered or deliberately artificial reality. In his new show, Shi Yong wants to tell us something but doesn’t want us to know what it is. There is a line of text cutting through all the highly formalized forms in the exhibition space, but the artist has made it into a secret by striking it through with a thick metal line, rendering the words indecipherable. All that remains are the abstract and disjointed arms and legs of Chinese characters whose bodies have been obliterated. So, maybe Shi Yong doesn’t want to tell us something and only wants us to know that he has something to say – but not to us. But if not to us, the only witnesses to this artwork, then to whom? (Text by Colin Chinnery)

Yong SHI -

Contemporary Art, Art Exhibition Announcement at artist-info.com May 09, 2015 11:00 am Sep 06, 2015 Norwich Norwich Castle Museum & Art Gallery ARTIST ROOMS: J ...
Contemporary Art, Exhibition View

Jeff Koons, Winter Bears 1988, ARTIST ROOMS, Tate and National Galleries of Scotland, Acquired jointly through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008, © Jeff Koons

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Norwich

Norwich Castle Museum & Art Gallery

ARTIST ROOMS: Jeff Koons

Opening May 09, 2015 at 11:00 am
Start date May 09, 2015
End date Sep 06, 2015

Norwich Castle Museum & Art Gallery will be hosting an exciting exhibition of ground-breaking work by American artist, Jeff Koons (* 1955), widely regarded as one of the most important, influential, popular, and controversial artists of our time. ARTIST ROOMS: Jeff Koons will be the first time Koons' work has been shown in East Anglia and is the only chance to see Koons' work in the UK in 2015. This landmark exhibition will showcase Koons' remarkable career from 1981 – 2003 and will include significant examples from each of the series created during this period. Throughout his career Koons has pioneered new and imaginative ways of using everyday objects in his work. By combining popular culture with art historical references, and deploying hand crafted techniques with industrial manufacturing, he has tested what an artist can be within a time of ubiquitous celebrity culture. Andy Warhol and Marcel Duchamp are obvious antecedents to Koons' artistic practice, but his frank and unashamedly iconic works are distinctively his own, tackling head on the vital questions of art. The works on display are taken from ARTIST ROOMS, an inspirational collection of modern and contemporary art acquired for the nation by Tate and National Galleries of Scotland through the generosity of Anthony d'Offay with additional support from funders, including the Art Fund.

Jeff Koons -
Harriet Loffler -

Contemporary Art, Art Exhibition Announcement at artist-info.com Apr 23, 2015 06:00 pm Jun 01, 2015 London Daiwa Foundation Japan House - Lo ... Keita Miyazaki
Contemporary Art, Exhibition View

Keita Miyazaki , Organisms of Control #4, Mixed Media, 2013 © Keita Miyazaki, photo: Masami Naruo

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London

Daiwa Foundation Japan House - London

Keita Miyazaki

Post-Apocalypse
Opening Apr 23, 2015 at 06:00 pm
Start date Apr 24, 2015
End date Jun 01, 2015

Keita Miyazaki, a young Japanese artist, works on creating sculpture series and installations which evoke a sense of the post-apocalyptic. He is an artist exploring the supposedly polar notions of orderliness and fantasy. His installations select materials for their capacity to suggest ambiguity: traditional like metal, light and fragile like paper, invisible like sound. These juxtaposing techniques avoid concrete description, instead suspending forms in a state of uncertainty. For Miyazaki, the car is a symbol of global capitalism that represents the tenets of modernity such as industrial progress and mass production. Meanwhile, the scrap metals used in his works evoke a sense of destruction in the mind of the audience. To contrast with machinery, colourful flowers made of paper and felt bloom from the car parts. The botanical elements represent rebirth and the continuation of life. The auditory element also plays a crucial role in his works, as the collected sounds of city life come out from speakers concealed in the flowers and expand the territory of the post-apocalyptic world. Installing a variety of sculptures in the two galleries, Miyazaki explores the relationship between the audience and the sculptures by depicting a complexity of visual and audio illusions in a space where reality and fantasy converge and stimulate the audience’s imagination into envisaging a future world. Organised by the Daiwa Anglo-Japanese Foundation

Keita Miyazaki -

Contemporary Art, Art Exhibition Announcement at artist-info.com Apr 18, 2015 06:00 pm May 30, 2015 Kaiserslautern Galerie Wack Manfred Mohr
Contemporary Art, Exhibition View

Capturing the History of n-Dimensional Rotations, 2014 - 2015

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Kaiserslautern

Galerie Wack

Manfred Mohr

Arbeiten 2013 - 2015
Opening Apr 18, 2015 at 06:00 pm
Start date Apr 18, 2015
End date May 30, 2015

Der Pionier der digitalen Kunst zeigt Arbeiten aus den Jahren 2013 bis 2015. Seit 1968 arbeitet er mit Computer und Programmiersprache und entwickelt Algorithmen, um seine Ideen zum Thema „Kubus“ visuell umzusetzen. Vom 3-dimensionalen Würfel bis zum vieldimensionalen Hyperwürfel erscheint dieser geometrische Körper bei Mohr in neu generierten Zeichensystemen. Zu sehen in leuchtender Farbigkeit oder in Schwarz-Weiß, als Bildschirm-Arbeit, als Zeichnung oder als Malerei. Dabei bleiben Bezüge zur Musik dem Künstler (in jungen Jahren auch Jazz-Saxophonist) stets wichtig und ihre Strukturen erkennbar inspirierend. Zur Eröffnung um 18 Uhr spricht Dr. Lida von Mengden (Kuratorin).

Manfred Mohr -

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