The oeuvre of Anton Henning is characterised by an unremitting engagement with a heterogeneity of art historic styles, genres and media. Ranging from painting, sculpture, video and installation, his works are laden with visual allusions and art historical quotes, that reveal the artist’s playful use of irony and his sense for irritating the educated beholder. With ease he appropriates the vocabulary of modernism, arbitrarily mixing geometrical and gestural abstractions with figurative motives. And yet, his convergence of style and subject matter is not confined to the two-dimensional pictorial space. Recurrently, he transposes his sujets into three-dimensional space, introducing yet another level of references.